Skip to main content

Author: Press Officer

‘We Want The World’ – the first single from Oski Bravo’s debut album is available 30th April 

“We Want the World” the first single from Oski Bravo’s debut album is brooding and melodic, with dark elements hinted at throughout. A crashing opening gives way to an electric guitar which immediately hooks your ear. Verses then sit upon a punchy bassline reminiscent of The Pixies.

“Hide your truth in a memory, or scratch it down in your diary, just don’t let them find you.” The lyric suggesting some sort of cat and mouse game which is played out in the eerie accompanying video, taken from the seminal 1920’s German horror film “The Cabinet of Dr. Caligari”.

“The song is about someone being controlled and yearning to be able to be themselves”, explained songwriter Donnchadh Egan. “So I immediately thought of using The Cabinet of Dr. Caligari as an expression of that control. It’s really spooky looking which fits the tone, and with the band finally coming out of our frozen animation caused by Covid, I thought the message and the aesthetic fit pretty well.”

An almost dreamlike wave washes over the song’s breakdown before the words “We want the world…and we want you” are first uttered; initially in an innocent falsetto before rising as the song starts to build higher and higher until the protagonist screams “Don’t let ‘em find you!”

“We Want the World” rumbles forward with ever-gathering pace until it finally crashes to a halt with the same violence that marked its opening. A whirlwind ending to a very spiky and aggressive pop song.

As venues and festivals finally begin to open up nationwide and beyond, what better way to state your ambition then by saying “We Want the World”?

The Dublin five piece started with Donnchadh Egan and his beautifully crafted collection of songs. Having release a number of EPs since 2017 the band have been a set feature across Irelands festival circuit and have received extensive national airplay. In support of their debut release a number of summer dates are being finalised with appearances with For Those I Love and Kíla already secured.

Oski Bravo YouTube Channel

Twitter

Soundcloud

Facebook

Instagram

Other Voices returns to RTÉ on 14th April with star-studded twentieth series

Other Voices, Ireland’s premier music TV show returns to RTÉ for its landmark twentieth series this April with extraordinary performances and conversations captured in beautiful Dingle.

The series, which will run for six weeks on RTÉ2 and worldwide on the RTÉ Player, sees the return of the brilliant hosts Annie Macmanus, MayKay and Huw Stephens.

Each week, Other Voices will feature never-before-seen interviews and exquisite, passionate, and powerful performances from the world’s brightest stars right now and the most exciting new voices making music today including Sam Fender, Sigrid, Damien Dempsey, Kay Young, John Grant and Orla Gartland, Gemma Dunleavy and many more.

Episode one kicks off with a breathtaking surprise performance from global superstar Dermot Kennedy, a blazing debut by RTÉ Choice Music Prize nominee Orla Gartland, an explosive set from Dublin garage-rockers Sprints and alternative hip-hop duo Tebi Rex bring their unique sound to the IMRO Other Room for a captivating live set.

Other Voices Founder Philip King, said“In this our twentieth year, it is again a delight and a privilege to host Ireland’s and some of the world’s most exciting musicians and artists in the beautiful town of Dingle, West Kerry, right at the edge of Europe. The music captured is uplifting and inspirational and it’s a joy to share this music with everybody on RTÉ2 television and with the world on the RTÉ Player.”

Later in the series, international acts including Kay YoungSigridSam Fender and John Grant will all shine bright in the Church of St James. Other Voices continues to champion the fresh new sounds of Ireland with Stevie ApplebyGemma DunleavyMELTSHousePlants and more all taking to the stage in the IMRO Other Room.

Keith Johnson, Director of Marketing & Membership of IMRO said: “IMRO is delighted to continue its longstanding association with Other Voices. From its humble beginnings in Dingle twenty years ago, Other Voices has grown into a much treasured and unique platform that provides Irish music creators with an ideal opportunity to reach a global audience with their creative talent… long may it continue”.   

The series finale celebrates one of the country’s most enduring musicians – the legendary Damien Dempsey. Presented by MayKay, this special episode will look back at his many iconic moments over the past two decades, including his first-ever performance from series 1.

Justin Healy, Executive Producer at RTÉ, said: “It’s with great excitement that we can look forward to a new series of Other Voices. Not only is it the 20th year of this very special music festival, but audiences can expect an incredible line-up of both Irish and International artists, in what promises to be the strongest series yet”.

Other Voices series twenty begins on Thursday 14 April at 11pm on RTÉ2 and will be available internationally on the RTÉ Player.


Full list of episodes and artists featured on Other Voices Series 20:

 

Dermot Kennedy, Orla Gartland, Sprints, Tebi Rex

Episode 1 (Thu 14 April at 11pm on RTÉ2)

Available worldwide on the RTÉ Player *excluding North America and Australia


Aimée, Sam Fender, Sigrid, Stevie Appleby

Episode 2 (Thu 21 April at 11pm on RTÉ2)

Available worldwide on the RTÉ Player *excluding North America and Australia


Brìghde Chaimbeul, HousePlants, Tolü Makay, Villagers

Episode 3 (Thu 28 April at 11pm on RTÉ2)

Available worldwide on the RTÉ Player 


Gemma Dunleavy, John Grant, Kay Young, Melts

Episode 4 (Thu 5 May at 11pm on RTÉ2)

Available worldwide on the RTÉ Player 


David Keenan, Mango X MathMan, Rachael Lavelle

Episode 5 (Thu 12 May at 11pm on RTÉ2)

Available worldwide on the RTÉ Player 


Damien Dempsey Special

Episode 6 (Thu 19 May at 11pm on RTÉ2))

Available worldwide on the RTÉ Player 

Greg Clifford Lines of Desire Documentary Premiere in The Wild Duck April 7th

Greg Clifford’s eagerly awaited 10-track album Lines of Desire will be officially released Monday 4th April. The LP is accompanied by a book and a making of the album documentary.

According to the Dublin creative, who scored two iTunes’ Number 1’s in 2021, ‘the Lines of Desire concept represents individuality, responding to impulse and being unapologetically oneself. The entire project is a synthesis of all the people and elements that have inspired me throughout my life; each moment shapes the person therefore shaping the artist’. Greg Clifford’s accompanying book is a self-examination and analysis of the songs in which he provides an insight into the sources of inspiration, the concepts and philosophies, studio anecdotes and music theory. ‘Writing the book kept me sane during lockdown and helped me reaffirm my beliefs and connect with the songs on a deeper level’.

The 40-minute ‘fly-on-the-wall’ documentary, filmed by Greg’s father Dave (Vox Magazine editor 1980-83), not only showcases the songster recording and developing his songs, but also working alongside Ian Flynn (Werkhouse Productions) as a producer and musical director. Greg Clifford will premiere the documentary in The Wild Duck (Temple Bar, Dublin) Thursday 7th April followed by a live intimate performance. The 10-track album will be available to download and purchase via the musician’s Bandcamp page.

Gala concert in the heart of Conamara will mark fifty years of RTÉ Raidió na Gaeltachta

RTÉ Raidió na Gaeltachta will celebrate fifty years on air on 2 April, and to mark this very special occasion the RTÉ Concert Orchestra will travel to Conamara to perform in a gala concert in the heart of the Gaeltacht, broadcast live on radio, with some of the country’s top traditional musicians including Altan, Iarla Ó Lionáird, Steve Cooney, Muireann Nic Amhlaoibh, Cór Chúil Aodha and many more.

Courage, identity and pride of place are the primary themes for the commemorative concert, titled RTÉ Raidió na Gaeltachta 50, reflecting the station’s origins within the civil rights movement, its history as a regional and national radio service, and its vital role in sustaining and promoting the Irish language and culture over the last fifty years, with artists from all across the Gaeltachtaí taking part.

RTÉ Raidió na Gaeltachta came on air for the first time on 2 April 1972 – Easter Sunday. The result of a long campaign by the Gaeltacht Civil Rights Movement, who asserted the right of the Gaeltacht and greater Irish-language community to a daily radio service in their own language, the station has acted as a vital bridge between the Gaeltacht communities. Since then, RnaG has played a vital role as a platform for the Irish-language and all aspects of the culture, including traditional music, sean-nós singing, Gaelic games, literature, oral arts, and contemporary Irish-language songwriting, as well as providing a daily regional, national and international news service in Irish.

Dee Forbes, Director-General, RTÉ, says: “Born out of the language movement of the late sixties and early seventies, RTÉ Raidió na Gaeltachta sought to give voice and preserve voice, to develop it and champion it. RnaG has done just that, and more, across five remarkable decades.”

“Today, RnaG continues to bring together our Gaeltachtaí, while providing an essential regional, national and international news service to all Irish-language speakers nationwide and around the globe. As a champion of our traditional arts, our sports, and our language, the contribution of RnaG to the protection, preservation and promotion of the Irish-language is immense. To all who have worked in RnaG, to all who dedicate their professional lives to RnaG today, to all who contribute, and to all who listen – happy anniversary.”  

Gearóid Mac Donncha, Ceannaire, RTÉ Raidió na Gaeltachta, says: “At its heart, this concert will demonstrate the vibrancy, courage, pride, confidence, and rich heritage of the Gaeltacht and Irish-language community.  It will be a celebration of that community, those who campaigned with the Gaeltacht Civil Rights Movement, those who founded the radio service in the early 1970s and past and current staff, our loyal listeners, everyone involved in Gaeltacht life and the Irish language community, and the young people growing up today who will keep the flame alive into the future.” 

“This concert will be a very special event, broadcast live from the heart of the Gaeltacht, with local, national and international artists, young musicians, dancers and singers having the unique opportunity of playing on stage with the RTÉ Concert Orchestra.   It is a privilege for RTÉ Raidió na Gaeltachta to have gathered such esteemed musicians together in the Gaeltacht to mark the station’s 50th anniversary.”   

Artists performing on stage with the RTÉ Concert Orchestra in the RTÉ Raidió na Gaeltachta 50 concert will include Altan, Cór Chúil Aodha, Iarla Ó Lionáird & Steve Cooney, Johnny Óg Connolly, Colm Mac Con Iomaire, The High Seas, Cormac Ó Beaglaoich, Muireann Nic Amhlaoibh, Dónal O’Connor, Gerry O’Beirne and Seán Monaghan.

RTÉ Raidió na Gaeltachta has had a central role in the revival of sean-nós singing, and the concert will include performances from Ciarán Ó Gealbháin, Máire Ní Choilm, Micheál Ó Confhaola, Caitlín Ní Chualáin, Páidí Mhárthain Mac Gearailt, Doimnic Mac Giolla Bhríde, Étáin & Máire Ní Churraoin and Scottish singer Griogair Labhruidh who will represent the connection with the other Celtic nations.

There will also be performances from Connemara country singers Beartla Ó Domhnaill, Máirtín Beag Ó Gríofa and Anna Marie Nic Dhonncha.  The next generation will be represented by youth musical groups Ceoltóirí Óga Chois Fharraige from Conamara, Co. Galway, and An Crann Óg from Gaoth Dobhair in Donegal, and there will be sean-nós dancing from Róisín Ní Mhainín, the Hernon family and the Devanneys.

The concert will be presented by Neansaí Ní Choisdealbha, Michelle Nic Grianna and Sláine Ní Chathalláin.  David Brophy will conduct the orchestra, and musical arrangement will be by Cormac McCarthy.

The concert will be produced by Aniar TV, and has been funded by the Broadcasting Authority of Ireland. Highlights from the concert will be featured in a TV programme to be broadcast on RTÉ One on 23 April.

RTÉ Raidió na Gaeltachta 50 will be broadcast live on RTÉ Raidió na Gaeltachta at 7 pm on Saturday 2 April, and a visual stream will also be available at rte.ie/gaeilge.

TG4 Gradam Ceoil 2022 Awards Ceremony Celebrates 25th Anniversary on Easter Sunday in NCH

TG4 Gradam Ceoil 2022 Awards ceremony will take place in Dublin for the first time in the award’s history. This is the 25th year of the awards ceremony and it will air live on TG4 on Easter Sunday 17th April at 9.30pm from the National Concert Hall. The annual Gradam Ceoil Awards, also known as ‘the Oscars of traditional music’, pay homage to musicians who have advanced, strengthened, and preserved traditional music in Ireland.

Musician 2022 will be awarded to Paddy Glackin. For almost half a century, Paddy has made, and continues to make, a significant contribution to traditional music in Ireland. Amongst leading influences were his father and subsequently, John Doherty, Tommie Potts and Padraig O’Keeffe. Paddy has always been eager to engage with new approaches – his seminal 1980 recording with Jolyon Jackson set a benchmark in opening cross-fertilisation within traditional music and his work with the avant-garde American composer John Cage has been universally acknowledged. The founding fiddle player with The Bothy Band, included amongst many others he has toured and recorded with are Mícheál Ó Domhnaill, Liam O’Flynn, Mícheál Ó Súilleabháin & Robbie Hannan. Fiddle player, consummate performer, seasoned broadcaster, teacher, recording artist, archivist, collaborator – a true keeper of the flame.

From Cúil Aodha in Cork Diarmuid Ó Meachair is this year’s recipient of the Young Musician 2022 award. Having started on the tin whistle and growing up singing with the Cór Cúil Aodha, Diarmuid was always immersed in the Irish traditional music world. His music not only comes from the area but very much from the blood.

Drawing from musicians such as Finbarr Dwyer, Jackie Daly, Johnny Connolly and mixing that with techniques from John Kimmell and many Quebec musicians, Diarmuid is one of the most exciting accordion/ melodeon players of his generation.

This year’s Lifetime Achievement 2022 goes to Dolores Keane. She has one of the most distinctive, soulful, and sweet voices of our generation. As a young girl, she was influenced by the singing of her aunts Sarah and Rita. She began her professional singing career with Dé Dannan in 1975 where her unique, soulful, and emotive voice was heard across the globe. Her work with John Faulkner brought new arrangements to the tradition that was to continue through the 1980’s and early 1990’s.  Her recordings with The Reel Union Band, ‘Solid Ground and ‘Lion in a Cage’ were ground-breaking. She has collaborated with Emmylou Harris, The Chieftains, Paul Brady in song from the Irish tradition and other traditions.

Connie O’Connell will be awarded Composer 2022. Connie is a fiddle player and composer from Cill na Martra, in the Múscraí Gaeltacht of West Cork. Connie’s music has been influenced by the renowned fiddle players of the nearby Sliabh Luachra area such as Denis Murphy, Pádraig O’Keeffe, and Julia Clifford. In 2014 a collection of 69 of his compositions was released as two CDs (recorded by Connie and his daughter, Áine), along with a book of the tunes. UCC – where Connie has taught fiddle since the 1980s – has made this Bóithrín na Smaointe project available as a free, online learning resource.

Conamara sean-nós singer Sarah Ghriallais is this year’s Singer 2022.  Sarah grew up in Cinn Mhara in the Conamara Gaeltacht steeped in the tradition of sean-nós. She won Corn Uí Riada at Oireachtas na Gaeilge in 1984, an award won eight times since by various members of the Griallais family; her sisters Nan and Nora and more recently, her son, Michael Frank Ó Confhaola and her niece Celia Ní Fhátharta. Sarah was appointed singer in residence at NUIG in 2017. Her songs have been recorded by Cló Iar–Chonnacht and most recently ‘Idir Dhá Sháile 2’ by Gael Linn. The most noted songs of her repertoire are ‘Táilliúr a’Mhagadh’, ‘Eileanóir na Rún’, ‘Póg Bhideog’ and ‘Amhrán Chamuis’.

Edwina Guckian from Drumsna in Co. Leitrim receives the Outstanding Contribution Award 2022 Edwina was steeped in the music of Leitrim and Roscommon as a young child. She is a dancer, dance teacher, choreographer, artistic director, and cultural activist who since the age of 16 has innovated and moulded various projects and gatherings all of which explore the relationship between music and movement.

Through The Airc Damhsa Culture Club, The Leitrim Dance Project, The Modern-Day Mummers and her most recent projects, Sowing the Seed and Jenny put the Kettle on, she has engaged thousands of children and adults in dance, all in a fun, non-competitive environment. She works tirelessly to promote the cultural treasures of her native Leitrim through her work with most cultural and artistic organisations in Ireland today. She has performed with the biggest musical acts in Ireland today and is without doubt, one of Ireland’s leading solo dancers.

A new award introduced this year, the Music Group 2022 goes to Skara Brae. Skara Brae’s emergence in the early 1970’s rejuvenated interest in Irish traditional singing at a time when it was in danger of dying out. They produced a unique, ground-breaking sound that challenged the traditional view of sean-nós singing but remains fresh and innovative to this day. Skara Brae is sisters and brother Tríona, Maighread and Mícheal Ó Domhnaill (1951-2006) and Daithí Sproule. Skara Brae’s distinctive sound is rooted in the tradition whilst also taking inspiration from emerging pop and folk acts of the 1960’s such as The Beatles, Bob Dylan, and Joan Baez. A new, young emerging audience were grabbed by Skara Brae’s raw, edgy, fresh sound and their 1971 album continue to inspire generations of traditional Irish singers and musicians to this day.

The full list of TG4 Gradam Ceoil 2022 recipients reads as follows:

  • Ceoltóir /Musician – Paddy Glackin  
  • Amhránaí /Singer – Sarah Ghriallais
  • Ceoltóir Óg/Young Musician – Diarmuid Ó Meachair
  • Gradam Saoil/Lifetime Achievement – Dolores Keane
  • Cumadóir / Composer – Connie O’Connell
  • Grúpa Ceoil/Music Group- Skara Brae
  • Gradam Comaoine/Outstanding Contribution – Edwina Guckian

Gradam Ceoil TG4 is the premier annual traditional music awards scheme and academy.  An independent panel of adjudicators selects recipients each year.  It is not a competition.  The Gradam Ceoil recipients are presented with a specially commissioned piece by leading sculptor John Coll as well as a small stipend.

This year’s awards will be presented at the Gradam Ceoil TG4 Concert in the Nation Concert Hall, Dublin on Easter Sunday 17th April. At this live televised concert, hosted by Doireann Glackin & Páidí Ó Lionáird, the 2022 Gradam recipients will be joined in performance on stage by their own special musical guests in a unique, star-studded line-up of musicians and award-presenters. Tickets available at www.NCH.ie

I am delighted that TG4 can keep celebrating the very best of traditional music and song each year. We are honoured to witness such an array of spectacular performances on the Gradam stage and on the many stages and locations of our traditional music programming throughout the year. Gradam comes to Dublin for the first time to celebrate a milestone of 25 ears.  Comhghairdeas le na faighteoirí uilig.  Is sibh croí agus anam na tíre seo.”  –  TG4 Commissioning Editor, Proinsias Ní Ghráinne

 

The Feis Returns Live and In Person in 2022

Feis Ceoil, Ireland’s leading national classical music festival, is welcoming many of Ireland’s most talented young musicians back to live performance for judges and audiences in 2022 (28 March to 8th April, 2022, RDS Dublin)

One of the first large events to be cancelled early in the pandemic in March 2020, followed by  a full online festival in 2021,  all solo and ensemble competitions will be performed live in 2022, while Choir and Orchestra competitions will continue online.

Thousands of young Irish musicians have had more time to practice than they ever imagined, as live performances around the world came to a close. But as the world opens up again, the Feis Ceoil is committed to holding many events in the 126-year-old Festival in person, to allow young musicians the opportunity to perform live.

While we are very happy to be providing a live performance platform for our competitors in 2022, we are also committed to retaining some of the online elements that worked so well in 2021, said CEO of Feis Ceoil Association Laura Gilsenan.  “Reaching such a broad online audience last year was hugely important, given the circumstances, so we want to build on that alongside the live experience.”

Introducing Percussion – a new competition for 2022

Feis Ceoil have introduced a Percussion competition for the first time in 2022.  In an exciting new partnership with TU Dublin Conservatoire, these competitions will be held in their their state-of-the-art facilities at their new Grangegorman campus.

New initiatives

-Online adjudications

One of the most popular aspects of Virtual Feis 2021 was the availability of recorded adjudications and the announcement of winners on the website.  This feature will be maintained, with all adjudications recorded on the day of the competition and made available online the following day.  This will enable competitors and the public to hear the adjudicator’s thoughts on the competitions and their choice of winners.

-Videoed competitions

With some people still hesitant around attending live events, Feis Ceoil will engage their online audience by recording a selection of the most popular competitions, and posting them online the following day.  This will give viewers a good overview of the Feis and the incredibly high standard of performance of our competitors from wherever suits them best.

-‘Virtual Choir Day’ and ‘Virtual Orchestra Day’

For one more year, until large numbers can be managed safely, Feis Ceoil are inviting Choir and Orchestra competitors to submit their entries by  video recording.  These will be posted on the Feis Ceol website on Tuesday March 29th (Choirs) and Tuesday April 5th (Orchestras) respectively.  Winners will be announced the following day.

 

2022 Festival Highlights:

Monday March 28 – opening day of competitions

Senior Piano; Vocal duet and solo competitions.

Tuesday March 29th – Virtual Choir Day

Choir competition videos will be available online

Wednesday March 30th

Senior piano concerto; Junior vocal competitions.

Friday April 1st

Dramatic Cup and €5,000 Margaret & Tony Quigley Awards. Senior singers performing operatic arias, in character with full costumes; Harps; String ensembles

Saturday April 2nd

Aileen Gore Cup and RTE Lyric FM €1,500 Award for Senior Strings; Junior Piano under 9; Cello; Mixed Strings

Tuesday April 5th – Virtual Orchestra Day

Orchestra competition videos will be available online

Wednesday April 6th

Musical Theatre competitions

Thursday April 7th

Junior piano concerto; Classical Guitar; Morris Grant €2,500 Bursary for senior piano finalists

Friday April 8th – final day of competitions

The Gervase Elwes Cup for senior vocal finalists; McCullough Cup & RTÉ lyric fm €1,500 award for woodwind concerto

www.feisceoil.ie

Sponsored by IMRO

IFPI Global Music Report: Global Recorded Music Revenues Grew 18.5% In 2021

The global recorded music market grew by 18.5% in 2021, driven by growth in paid subscription streaming, according to IFPI, the organisation that represents the recorded music industry worldwide. Figures released today in IFPI’s Global Music Report show total revenues for 2021 were US$25.9 billion.

Paid subscription streaming revenues increased by 21.9% US$12.3 billion.  There were 523 million users of paid subscription accounts at the end of 2021.

Total streaming (including both paid subscription and advertising-supported) grew by 24.3% to reach US$16.9 billion, or 65.0% of total global recorded music revenues. In addition to streaming revenues, growth was supported by gains in other areas, including physical formats (+16.1%) and performance rights (+4.0%).

Record companies are working to drive this continuing growth for the broader music ecosystem.  With local teams and expertise around the globe, they invest in local artists and genres and support their development. In high-potential growth markets across Asia, Latin America and Africa, as well as more mature markets, like Europe and North America, labels are putting down deep roots and helping to foster the continued advancement of vibrant and diverse local music ecosystems.

Opening a press conference in London to unveil the report, IFPI Chief Executive Frances Moore expressed concern regarding events in Ukraine and the resulting humanitarian crisis, saying: “IFPI stands with our colleagues across the music community in our support for urgent humanitarian relief for refugees and our call for an end to the violence.”

Commenting on the Global Music Report, Moore continued: “Around the world, record companies are engaging at a very local level, to support music cultures and bring on the development of emerging music ecosystems – championing local music and creating the opportunities for it to reach a global audience. As more markets mature, they join with and contribute to the rich, globally interconnected music world.

“Consequently, today’s music market is the most competitive in memory.  Fans are enjoying more music than ever and in so many different and new ways.  This creates enormous opportunities for artists. Those who choose to partner with a record company, do so to benefit from the support of agile, highly responsive global teams of experts dedicated to helping them achieve creative and commercial success and build their long-term careers. 

“As technologies and the online environment continue to evolve and expand, so too do the creative opportunities to share music experiences.  From the metaverse, to in-game content,

record companies have invested in the people and the technologies to deliver new, highly interactive experiences – adding to the evolving ways for artists to make connections with their fans.”

Growth in the world’s other regions:

Recorded music revenues grew in every region around the world in 2021:

  • Asia grew by 16.1%, with its largest market, Japan, seeing growth of 9.3%. Excluding Japan the region experienced a 24.6% climb in revenues. In a continuing trend, Asia also accounted for a significant share of the global physical revenues (49.6%).
  • Australasia experienced growth of 4.1%. Australia (+3.4%) remained a top 10 market globally and New Zealand saw a rise in streaming revenues push the overall market to growth of 8.2%.
  • Revenues in Europe, the second-largest recorded music region in the world, grew by 15.4%, a steep increase on the prior year’s growth rate of 3.2%. The region’s biggest markets all saw double digit percentage growth: UK (+13.2%), Germany (+12.6%) and France (+11.8%).
  • Latin America saw growth of 31.2% – one of the highest growth rates globally. Streaming accounted for 85.9% of the market, one of the highest proportions in any region.
  • Middle East and North Africa – split out as a separate region in the Global Music Report for the first time – experienced growth of 35.0%; the fastest regional growth rate globally. Streaming was a particularly strong driver in the region, with a 95.3% share of the market.
  • Sub-Saharan Africa – also split out for the first time in IFPI’s reporting – saw revenue growth of 9.6% in 2021, largely driven by streaming. Ad-supported was particularly strong in this region, with revenues from this format growing by 56.4%.
  • The USA & Canada region grew by 22.0% in 2021, outpacing the global growth rate. The USA market alone grew by 22.6% and Canadian recorded music revenues grew by 12.6%.

 

Download the free Global Music Report 2022 – State of the Industry report (English language) here.

IFPI Global Music Report 2022: Full Report – with Data and Analysis: Purchase the full data and analysis report here.

‘You Raise Me Up’ features in Closing Ceremony at Beijing Winter Paralympics

International hit song ‘You Raise Me Up’  was performed as part of the Closing Ceremony Finale at the Beijing Winter Paralympics recently. The theme of the closing ceremony was Call to Love, with the emphasis on Peace and Unity.

‘You​ Raise Me Up’ was originally released in 2002 by the Norwegian-Irish duo Secret​ Garden, written by the band’s Rolf​ Løvland with lyrics by the Irish​ author and songwriter Brendan​ Graham. A year later, Josh​ Groban’s version climbed to the #1 spot on the Billboard adult contemporary chart followed by Westlife​’s UK No.1 and Record of the Year cementing the song’s status as a modern classic. It’s since become a hit many times over around the world, covered by more than a 1,500 hundred artists in over 40 languages.

It’s one of the most widely-recorded songs of the 21st century. Its gentle melody and inspirational words have struck a chord in people’s hearts around the world. Performed in sign language by hearing-impaired dancers and sung by blind musician Jiang Can, the song is the perfect finale to the Winter Paralympics, an occasion when human beings have once again demonstrated their indomitable will when confronted with adversity’’  – China’s Global Television Network (CGTN)

Job Vacancy at IMRO – Head of Media Licensing

Job Title: Head of Media Licensing
Salary: Available On Request
Terms: 1-year fixed term contract (with a view to permanent thereafter)
Working Environment: Hybrid working model
Application: Please send a CV and covering letter outlining how you meet the criteria for the role to hr@nullimro.ie 

Deadline for applications is 5.00pm on Friday 1st April

 

Purpose of Job

The Head of Media Licensing is responsible for delivering IMRO’s and MCPSI’s  Broadcast and Domestic Online budgets. The successful candidate will manage the commercial negotiation process for existing and prospective Media Licensing customers, acting as a key account manager to ensure first-class customer service, delivery of assigned revenue budgets, and full compliance from each licensee. The role reports to the Chief Commercial Officer. The functions attached to this position are carried out by one person, with support provided by the Media Licensing team. The Head of Media Licensing is a high-profile role tasked with significant revenue responsibility.

PRINCIPAL ACCOUNTABILITIES

  • Deliver IMRO and MCPSI’s revenue budgets in Broadcast and Domestic Online licensing activities to exceed annual targets approved by the Chief Commercial Officer.
  • Scope of Broadcast and Domestic Online revenue lines includes National Radio, National TV, Video on Demand, Cable and Satellite customers.
  • Ownership of day-to-day media licensee related issues, including (i) licensee meetings and enquiries; (ii) ensuring sales and usage reports are received on time and in an appropriate format/quality and that invoices are paid within payment terms.
  • Oversee the key accounts across all domestic Broadcast and Domestic Online areas, including building relationships at a senior level within IMRO’s most crucial media licensing customers
  • Manage the negotiation cycle with Media Licensing customers to secure favourable terms for IMRO; draft agendas and internal preparation notes, presentations, and analysis ahead of licensee meetings, capture meeting minutes and follow up action points.
  • Refer non-compliant current licenses to Chief Commercial Officer with recommendations for escalation options. This involves strict monitoring of payment terms and debt levels.
  • Maintain existing tariffs/schemes to maximise revenues ensuring relevant tariffs are updated annually according to the Consumer Price Index.
  • Plan thoroughly ahead of the critical negotiations; work with other IMRO departments (such as IT, Finance, Operations and Distribution) to build the analysis needed to develop proposals and work with stakeholders to secure buy-in to the approach, bringing recommendations to the Chief Commercial Officer.
  • In consultation with the Chief Commercial Officer, identify and deliver new revenue opportunities through the targeted focus of available resources, monitoring of emerging markets (e.g., gaming, podcasting, live streaming) and reviewing licensing schemes.
  • Ensure comprehensive market penetration across all existing media services available in the Irish marketplace
  • Deliver high-quality market and industry analysis and support the development of the underlying analytical frameworks for the ongoing review and development of Media Licensing tariffs.
  • Liaise with relevant third parties regarding ongoing delivery of services that will benefit Media Licensing
  • Maintain a Media Licensing Contract register; ensure licence agreements are extended or re-negotiated prior to expiry.
  • Contribute to the annual Media Licensing budget setting process by formulating initial budgets with accompanying rationale and justification.
  • Maintain an ongoing Media Licensing revenue forecast, ensuring monthly updates throughout the calendar year.

 KNOWLEDGE AND EXPERIENCE

  • The jobholder must have commercial experience, negotiation skills, and a clear understanding of the Media and Digital Music marketplaces.
  • Proven experience in sales and account management and managing high-value complex negotiations and relationships with key clients and stakeholders
  • The jobholder requires excellent interpersonal skills, allied with effective verbal and listening skills to enable them to interact effectively with personnel at all levels of the organisation. This includes political astuteness when dealing with sensitive matters.
  • Demonstrated ability to work collaboratively, tactfully, and determinedly to build consensus with key stakeholders with different perspectives and priorities.
  • In-depth understanding of market research methods and analysis and demonstrated insight into the rapidly evolving commercial uses of music in the Irish market.
  • The jobholder must have excellent written and presentation skills. The role will involve detailed report writing.
  • The job holder must have advanced Excel skills and be comfortable working with large datasets.
  • Managing one’s workload is vital to success in this role; initiative, analytical and problem-solving skills and attention to detail are essential characteristics that should be possessed by the individual holding this position.
  • Willingness and the ability to work to tight deadlines, under pressure, is a must.
  • Business or related degrees (could include finance, accountancy, legal, economics or other related disciplines), IP knowledge and enforcement.
  • Masters or relevant professional qualification desirable.
  • Interest in podcast and gaming sectors would be beneficial.

DESIRED COMPETENCIES

  • Personal Leadership – takes ownership of decisions and ensures decisions are consistent with legislation, precedent, and established policies/procedures.
  • Managing Work – Defines objectives, sets targets, and monitors results for the business. Challenges and supports others in achieving their targets.
  • Communicating Effectively – Speaks and writes clearly, ability to translate and communicate complex topics in a variety of forums, tailoring communication to effectively influence the target audience.
  • Team Working – Models and inspires high levels of ethics and integrity. Demonstrates understanding when/where not to act based on culture and climate.
  • Strategic Thinking – Being a visionary to define where the business should aim for in the future.
  • Leading Others – Leads by example in all interactions with others; exceptional leadership skills are consistently demonstrated.

 

Man with the Blues – New Release from Niall Toner

If Niall Toner is well-known for anything, it’s probably his life-long passion for Bluegrass, ever since being introduced to the music of Bill Monroe by a pal when he was in his early teens. According to Monroe, the Blues played a huge part in the formation of what became his Bluegrass Music, and ever since seeing Sonny Terry and Brownie McGee live in Dublin in the early 60s, and the amazing Rory Gallagher in many venues, Niall has also been a huge fan of the Blues.  No wonder, then, that he should try his hand at writing songs in that genre, and so, when he sat down with Quinn Loggins in Dublin, they wrote ‘Man with the Blues’.

Keep up to date with IMRO news and events

Please select login