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Author: Press Officer

New Report Reveals Irish Music Industry Contributes Over €700m to Economy

IMRO CALLS FOR ESTABLISHMENT OF A NATIONAL MUSIC STRATEGY 

  • Report finds that the overall contribution of the music industry stands at €703 million
  • Employment in music industry stands at over 13,000

Music contributes more than €700 million to the Irish economy, according to a new report published today. The Socio-Economic Contribution of Music to the Irish Economy, commissioned by the Irish Music Rights Organisation (IMRO) and produced by Deloitte, sets out a number of recommendations to maximise the contribution of music in Ireland, including the development of a National Music Strategy. The report – an update on a Deloitte/IMRO 2015 analysis of the annual contribution made by the music industry to Ireland’s economy – was officially launched today by Eleanor McEvoy, singer/songwriter and Chair of IMRO; and musician and report ambassador Steve Wall.

The findings indicate a strong and growing music industry, which is contributing significantly to the economy and supporting more than 13,130 jobs. Based on the latest figures available, this updated report has found that the total contribution of the music industry, directly and indirectly, to the Irish economy is almost three-quarters of a billion euro annually – €703 million – including music-related consumer expenditure and supply-chain impacts. The report underlines the opportunity for further growth in the sector through the development of a National Music Strategy, rooted in four key action areas:

  • Coordination & collaboration through the establishment of a cross-Government music grouping to work with a cross sectoral Industry Advisory Panel to address barriers to growth in the sector;
  • Concentration on copyright to help ensure a fair return for music creators, crucial at a time when the music copyright landscape has changed utterly as a result of technology and the industry is under threat from the extremely low level of return to writers and performers, from platform services;
  • Creative skills development through advanced training and education services that will ensure musicians realise their potential, and that the ‘business of music’ is understood;
  • Compensation that is adequate to address income uncertainty associated with work in the creative and cultural industries – perhaps the single greatest barrier faced by entrepreneurs in the sector.

Based on sectorial analysis conducted by IMRO and Deloitte, the report was drafted in consultation with IMRO members and key music industry representatives, including artists and labels, publishers, songwriters, management companies, retailers and broadcast personnel. Unsurprisingly, the report also revealed that digital revenues (€16.3 million) surpassed physical revenues (€16.0 million) for the first time. However, growth in streaming revenues was particularly pronounced and overtook downloads for the first time.

Eleanor McEvoy, Chairperson of IMRO said, “Music is part of our national identity, our psyche, and our way of life. Beyond its important social and reputational contribution, however, music is a vital economic driver – both directly and indirectly. As Chairperson of IMRO, I am pleased to present this report and to further shine a light on our members’ contribution – those music creators who write and perform musical works – to Ireland’s economy. If we are to continue to maintain and grow the success of Ireland’s music industry, and increase its economic and social contribution, now is the time for the development of a National Music Strategy.”

Victor Finn, CEO of IMRO said “While the figures revealed in this report point to a successful and growing industry, further expansion is possible. IMRO believes that the establishment of a dedicated National Music Strategy would help to further develop Ireland’s indigenous music industry, boost growth in regional Ireland, support small businesses, and local economies.

“A focus on copyright should represent a core element of this National Music Strategy. An environment that fosters growth for new and legitimate businesses, including platforms such as YouTube, SoundCloud and Facebook, while providing legal certainty for consumers, and ensuring that this is paired with appropriate remuneration for creators, is needed. Ensuring creators receive compensation for all uploads of their work is crucial to ensuring a sustainable basis for the music industry going forward.”

NARLI | National Association of Record Labels of Ireland | AGM | 28th November @ IMRO

The Annual General Music (AGM) meeting brings to the table Ireland’s six leading independent record labels for a real-time musical discourse about where music is at in this country. Right now.

Lasting for exactly sixty minutes, the meeting will be conducted in sonic form, with speech relegated to the footnotes and the aftershock.

Each record company will be represented in live performance, with their music and their images speaking on their behalf, in a discussion chaired by Kenneth Killeen, artistic director of the Improvised Music Company…and his guitar SFX.

The minutes of the meeting will be streamed live and recorded for subsequent release by the NARLI umbrella organisation.

Date: Tuesday 28th November
Time: 6:00pm
Location: IMRO, Copyright House, Pembroke Row, Lower Baggot Street, Dublin 2.
Web: https://www.facebook.com/events/134828720508975/

 

Creators’ global royalty collections hit record €9.2 billion (US$10.1 billion)

Global royalty collections for creators have hit a new record high of €9.2 billion (US$10.1 billion) annually, up 6% on the previous year according to new figures published by the International Confederation of Societies of Authors and Composers (CISAC) today.

In the music sector, songwriters, music composers and publishers saw collections grow by 6.8% to €8.0 billion (US$8.9 billion), helped by a 52% increase in digital revenues. Collections for audiovisual and literature works also increased, while there were small declines in collections for visual arts and drama.

Revenues from digital uses of all repertoires have nearly tripled since 2012, and grew 51.4% in 2016 to just under €1 billion, the sharpest growth rate in the last five years. These are largely driven by streaming subscription services. At €948 million (US$1,045 million) digital still accounts for only 10.4% of global income, however, with revenues held back in particular by poor returns from UGC video streaming platforms.

TV and radio broadcast take the largest collections share with 42.8% of global income, followed by live and background uses. In the music sector in Europe, live and background collections have overtaken TV and radio for the first time, reflecting the health of the live business and pressure on rates from broadcasters.

The numbers are released today in the CISAC Global Collections Report, collating and analysing 2016 data received from member authors societies in 123 territories.

Introducing the 2017 Report, CISAC Director General Gadi Oron says: “This year’s report shows the system of collective management of creators’ rights is robust, successful and ready for more growth. The big traditional revenue streams, led by broadcast and live performance, remain stable and strong. Digital royalties continue to surge and in some markets already overtake other forms of income. The figures we’re releasing today reflect our societies’ relentless effort to be more efficient and innovative, and drive income growth.”

Jean-Michel Jarre, CISAC President and electronic music pioneer, writes: “This is a vast sector of cultural and economic activity, worth an amazing nine billion euros worldwide. Despite its growth, however, collections are nowhere near the level they should be. Large industries that use creative content are driving down the value of our works. A simple illustration of this is the “transfer of value” in the digital market where platforms such as YouTube are paying mere crumbs to authors. There is no greater priority that we ask from governments today than a solution to the transfer of value.”

CISAC’s global network of 239 societies licences content and collects royalties on behalf of 4 million creators for the use of works on TV, radio, background, live, digital, private copying and other uses.

RTÉ Choice Music Prize – one of the highlights of the Irish musical calendar – announces key dates for 2018

The shortlist for this year’s RTÉ Choice Music Prize, Irish Album of the Year 2017, in association with IMRO & IRMA, will be announced on Wednesday 10th January 2018.

The winning album will be announced at the RTÉ Choice Music Prize live event, held in Vicar Street, Dublin on Thursday 8th March 2018. The event will be broadcast live on RTÉ 2FM in a special four hour extended programme from 7-11pm and on RTÉ2 TV as part of a special RTÉ Choice Music Prize programme, approximately one week later.

2016 nominees All Tvvins (album) and Soulé (song) joined Tracy Clifford on 2FM today for the announcement.

“2017 has been an incredible year for Irish music. A wealth of emerging talent have made serious inroads in various international territories and in so doing reaching new audiences every step of the way. Each year, the RTE Choice Music Prize recognises and champions some of our finest songwriters and IMRO is delighted to continue its longstanding association with this prestigious music prize”Victor Finn, IMRO Chief Executive.

Dan Healy, Head of RTÉ 2FM, said, “After a really exciting first year, everyone in 2FM is absolutely up for this year’s RTÉ Choice Music Prize which gives us yet another opportunity right across RTÉ to shine a spotlight like no one else on the very best in Irish music. Our all-Irish music days, which we introduced to celebrate last year’s partnership, have become one of the most popular things we do on the station. Here’s to another great year for Irish artists and for the RTÉ Choice Music Prize on 2FM.”

The 13th annual RTÉ Choice Music Prize will once again celebrate and acknowledge the best in Irish recorded music. The prize has become one of the music industry highlights of since its inception in 2005 and is awarded to the Irish Album of the Year, as chosen from a shortlist of ten releases by a panel of twelve Irish music media professionals and industry experts.

The winning act will receive €10,000, a prize fund which has been provided by The Irish Music Rights Organisation (IMRO) and The Irish Recorded Music Association (IRMA). All of the shortlisted acts will receive a specially commissioned award.

RAAP, Culture Ireland & Golden Discs are also official project partners. Culture Ireland will fund the attendance of influential overseas Industry executives to attend the RTE Choice Music Prize Live Event on March 8th while Golden Discs will feature special stands showcasing the RTE Choice Music Prize nominees across their stores nationwide.

The Choice Music Prize website has published a list of Irish albums released to date in 2017. This list can be viewed and updated by logging onto http://www.choicemusicprize.ie

RTÉ Choice Music Prize – Irish Song of The Year 2017
The shortlist for the RTÉ Choice Music Prize – Irish Song of The Year 2017 will be announced on Wednesday 31st January 2018. A special event featuring exclusive performances from both Album of the Year and Song of the Year nominees will be held in Dublin’s Tramline venue that evening.

Tickets for the Choice Music Prize live event will go on sale from all Ticketmaster outlets and from http://www.ticketmaster.ie on Friday 17th November priced €28.00 including booking fee.

Past recipients:

Album of the Year
2005 Julie Feeney – 13 Songs (Julie Feeney)
2006 The Divine Comedy – Victory for the Comic Muse (Parlophone)
2007 Super Extra Bonus Party – Super Extra Bonus Party (Alphabet Set)
2008 Jape – Ritual (Co-op Records)
2009 Adrian Crowley – Season of the Sparks (Chemikal Underground)
2010 Two Door Cinema Club – Tourist History (Kitsune)
2011 Jape – Ocean of Frequency (Music Is For Losers)
2012 Delorentos – Little Sparks (Delo Records)
2013 Villagers – {Awayland} (Domino)
2014 The Gloaming – The Gloaming (Real World)
2015 Soak – Before We Forgot How To Dream (Rough Trade)
2016 Rusangano Family – Let The Dead Bury The Dead (Self Released)

Song of the Year
2011 Royseven – We Should Be Lovers (Warner)
2012 Gavin James – Say Hello (Believe)
2013 The Original Rudeboys – Never Gonna Walk Away (Rubyworks)
2014 The Script – Superheroes (Sony Music)
2015 Gavin James – Bitter Pill (Warner Music)
2016 Picture This – Take My Hand (Warner Music)

http://www.choicemusicprize.ie
http://2fm.rte.ie/
http://www.rte.ie/
http://twitter.com/choiceprize

SONG OF GRANITE Ireland’s Official Oscar Foreign Language Contender Special Screening

As Ireland’s official Oscar entry for Foreign Language, this beautiful film brings to life, the story of the enigmatic and complex Joe Heaney the legendary traditional Irish singer from Galway.

Filmmaker Pat Collins brings Joe’s dramatic life story to the screen, an audacious exploration of the man and his music. With an approach that marries traditional narrative episodes with documentary footage, the film celebrates the music Joe Heaney created while painting an unflinching portrait of Heaney, the man.

Heaney was renowned worldwide, having extensively travelled and settled in New York, where he recorded hundreds of songs (for both RTÉ and the BBC among others) part of huge legacy to Irish culture and tradition.

Shaped by the myths, fables and songs of his upbringing in the west of Ireland, his emergence as a gifted artist came at a personal cost. Featuring performances from Lisa O’Neill, Damien Dempsey, Seamus Begley and sean nós singers Micheál O’Confhaola and Pól Ó Ceannabháin, the film is an intense exploration of music and song.

Hosted by IFTA this special screening takes place on  in the on Light House Cinema, D7 14th November @ 6:15 pm.  We have a number of FREE tickets available.  Email: events@nullimro.ie if you would like to attend.

Directed by Pat Collins (Silence), ‘Song of Granite’ was co-written by Pat Collins, Eoghan Mac Giolla Bhríde and Sharon Whooley, and produced by Alan Maher, Jessie Fisk and Martin Paul-Hus. The film premiered to critical acclaim at the SXSW Film Festival in US earlier this year.

• Directed by – Pat Collins
• Screenplay by – Pat Collins, Eoghan Mac Giolla Bhríde and Sharon Whooley
• Produced by – Alan Maher, Jessie Fisk and Martin Paul-Hus
• Director of Photography – Richard Kendrick
• Film Editor – Tadhg O’ Sullivan
• Sound – John Brennan

‘Song of Granite’ is on release in Ireland on 8th December.

 

Joshua Burnside Awarded The Northern Ireland Music Prize 2017

He was presented with the award at a special event on Saturday, November 11th at the Mandela Hall, Belfast. The singer songwriter’s debut album, ‘Ephrata’ was selected as the best release by a selection of music industry and media figures.

On receiving that award Joshua Burnside said, “It’s a massive honour to win this award especially as the quality of the albums this year has been so high. I’m absolutely chuffed so thank you to everyone who voted for me. Also a big thank you to everyone involved in making the album and to my manager Lyndon Stephens who never stops working!”.

Previous NIMP winners are: 

2016 – Ciaran Lavery – Let Bad In
2015 – SOAK – Before We Forgot How To Dream
2014 – Robyn G Shiels – The Blood Of The Innocents
2013 – Foy Vance – Joy of Nothing

Charlotte Dryden, CEO of Oh Yeah said: “ It’s brilliant that a debut record can pick up the award. Joshua’s rise over the last year has been astounding and this album is an inspired piece of work full of influences from as far as Columbia, Eastern Europe and North America. Massive congratulations to Joshua on winning, and to his manager Lyndon Stephens and Champion Sound on two successful years in a row. Well done also to all the nominees, it was a brilliant shortlist. It makes you proud to be from Northern Ireland.”

Joshua Burnside has had a busy year clocking up two million plays on Spotify, with two sell out London shows, appearances at International festivals including Reeperbahn and The Great Escape. He has also had extensive radio play and support from the likes of Guy Garvey, Tom Robinson, Tom Ravenscroft, Lauren Laverne, Huw Stephens and Phil Taggart. Joshua will also be performing at this year’s Atlantic Sessions in Portstewart, as well as the music trail for Other Voices in Dingle in December. He releases a deluxe edition of his album this coming Friday.

The Belfast event at the Mandela Hall also saw the presentation of a special Oh Yeah Legend Award to Vivian Campbell.

www.ohyeahbelfast.com

West Cork Chamber Music Festival 2018 | Composition Competition for Young Irish Composers Call for Scores

Works chosen will be performed at the 23rd West Cork Chamber Music Festival 29 June – 8 July 2018

West Cork Music invites Irish composers under 35 years of age on 1st January 2018 to submit works for string quartet (violin, violin, viola, cello) of between 5-8 minutes duration for performance at the 23rd West Cork Chamber Music Festival.

Four works will be selected. The composer of each selected work will receive a prize of €500 and up to three nights B&B at the Festival.

They will be asked to attend the Young Composers Forum at the Festival on Sunday 1 July, which will be directed by an international Composer, where the winning pieces will be played through by a quartet on the Festival’s masterclass programme. The premieres will take place during the Festival in the Town Concert series 2-7 July.

Full Details: http://westcorkmusic.ie/chambermusicfestival/composition-competition

Deadline for submission is 20 March 2018

Job Opportunity: Communications & Administration Officer at Music Generation

This is an exciting opportunity for a team player who combines rigour, energy and ideas with a qualification in marketing/communications and/or arts/arts administration, and a minimum of one year’s professional experience.

For a job description and details of the application process, please contact John Deely at Pinpoint:

Email: Recruit@nullpinpoint.ie

Phone: +353 1 642 5721

Closing Date: 5pm, Friday 24 November, 2017

Initiated by Music Network, Music Generation is co-funded by U2, The Ireland Funds, the Department of Education and Skills and Local Music Education Partnerships.

Irish Politician hopes for Eurovision hit

Local Irish Politician Trevor Gilligan, hopes to regenerate Irelands Eurovision success with his new track  ‘Keep You Warm’.

Over the summer, Gilligan released a 3 track EP which received rave reviews as well as airplay on National TV & Radio. “One of the highest honours in music is representing Ireland in the Eurovision. To be involved in writing & composing a song for my country would be a dream come true.”

Interestingly, when Gilligan was 15, he entered a song into the Eurovision contest for Ireland. It was recorded on a 4 track, but the track didn’t fly. “At the time, I had no experience writing or producing music.”

Gilligan hopes his entry ‘Keep You Warm’ will match the criteria judges require for the song contest: Gentle Piano, Heavy Bass & Catchy lyrics, but most of all a simple melody.

The 63rd Eurovision Song Contest takes place May 8th – May 12th, 2018 in Lisbon, Portugal.

The Songwriting Collective to perform at Schottenfest in Vienna in early December

Three members of the Songwriting Collective, Tony Bardon, Danai Kelleher and Jon Ryan are heading for Vienna at the end of the month to participate in the Schottenfest Music and Cultural Festival which celebrates the historical links between Ireland, Scotland and the Austrian City. They will be joining a strong list of Irish performers including Mick Flannery, John Spillane and Grainne Hunt.  This is the second year of the Schottenfest Festival which is the brainchild of former member of the Songwriting Collective, Shane O’Fearghail and two other members of the Vienna Songwriting Circle.  The Songwriting Collective holds its monthly songwriting collaboration workshops at IMRO HQ.

For further information see http://www.schottenfest.com/artists-1/ and http://www.schottenfest.com/

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