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Author: Breffni Banks

IMRO Achieves ‘A Better Workplace’ Accreditation

IMRO is pleased to announce that it has been accredited with the ‘A Better Workplace’ certification, a testament to the organisation’s commitment to fostering a positive and inclusive work environment.

‘A Better Workplace’ is an organisation dedicated to recognising and accrediting workplaces that prioritise employee well-being, diversity, and a positive organisational culture. The accreditation is awarded to organisations that demonstrate a commitment to fostering an environment that empowers employees to thrive both personally and professionally.

The accreditation was awarded by Sinead Scott-Lennon, Founder and CEO of A Better Workplace, who expressed her enthusiasm for IMRO’s dedication to continuous improvement. “I am thrilled to award IMRO the ‘A Better Workplace’ accreditation. Since working with them in 2022, they have been extremely consistent in their efforts to become better across all areas of culture. They are committed to continually striving for a better workplace for their people, which makes them a wonderful place to work and engage with in business.”

This recognition underscores IMRO’s ongoing initiatives to create a workplace that prioritises the well-being and professional development of its employees. IMRO has demonstrated a commitment to fostering a positive culture that not only values equality, diversity and inclusion but also encourages innovation and collaboration among its team members.

Victor Finn, CEO of IMRO, expressed his gratitude for the accreditation, stating, “Receiving the ‘A Better Workplace’ accreditation is a significant milestone for IMRO. It validates the hard work and dedication of our team in creating an environment where everyone feels valued and supported. We are proud to be recognised for our commitment to continuous improvement and look forward to building on this success in the future.”

The ‘A Better Workplace’ accreditation serves as a mark of distinction, affirming IMRO’s position as a leader in creating a workplace that fosters employee engagement, professional growth, and overall well-being.

Learn more at www.abetter-workplace.com

EU Activities Update: Milestones in Legislation for Artists’ Working Conditions and Authors in the Streaming Market

Legislative initiative on the working conditions of artists adopted in the European Parliament (EP)

On November 21st 2023, the EP adopted a draft legislative initiative on an “EU framework for the social and professional situation of artists and workers in the cultural and creative sectors”, which highlights the precarious working conditions and uncertain legal status for artists and other professionals in the cultural and creative sectors in several European countries, and requests legislative tools to address the issue. The initiative flags several growing problems in the creative industry, including buy-out contracts, which, according to the text, can lead to “an abusive and coercive practice circumventing EU rules on fair remuneration” and confirm “deep power imbalances between contracting parties” and requests the Commission to assess the situation. The initiative also underlines the critical role of CMOs and “their global system” in “enabling creators to be remunerated fairly, including through the negotiation of tariffs with users, and in contributing to the promotion of cultural diversity and expression”.

Read more here.

European Parliament Culture Committee report on authors in the European streaming market

The European Parliament’s Culture Committee’s vote on “Cultural diversity and the conditions for authors in the European streaming market” a draft report led by MEP Ibán García del Blanco, has been adopted on Nov 26th. The Report defends the need for a sustainable ecosystem for authors, emphasising greater visibility and a more balanced distribution of royalties in the streaming market. It calls on the European Commission to propose a legal framework to ensure the visibility of European works, including the possibility of imposing quotas on European works on music streaming platforms and legal obligations to ensure the transparency of algorithms and content systems to prevent fraudulent and unfair streaming. The Report also refers to AI issues impacting the cultural industries, advocating for ethical use of AI in the music sector, maximum transparency in every step of the development, the need for setting an AI-generated label for AI-generated music, and the importance of ensuring that authors whose works have been used to train AI models are fairly remunerated.  More action has been taken by EU policymakers regarding the discoverability of European works, with the European Commission’s Directorate General for Education and Culture has launched a call for tender in August for a study on the discoverability of European works, with results expected by the end of 2024. The study will focus on the availability and accessibility of cultural content online and how content prioritisation practices, algorithm recommendations, and curation strategies influence exposure to cultural and linguistic diversity.

IMRO Celebrates Dolans Limerick as Recipient of the Best Music Pub Award at the Irish Pub Awards

IMRO is delighted to announce Dolan’s Limerick as the winner of the ‘Best Music Pub’ at this years’ Irish Pub Awards. This recognition is a testament to Dolans’ outstanding contribution to the Irish music scene and its commitment to providing an exceptional live music experience.

The Best Music Pub Award, sponsored by IMRO, acknowledges the crucial role that pubs play in fostering and promoting live music. Dolan’s has consistently demonstrated excellence in this regard, creating a vibrant and welcoming space for music enthusiasts and artists alike.

Dolan’s has become synonymous with top-tier live performances, showcasing a diverse range of musical genres and providing a platform for emerging talents. This award is a recognition not only of the venue’s commitment to musical excellence but also its role as a hub for fostering a sense of community through the shared love of music.

The Irish Pub Awards serve as a benchmark for excellence in the hospitality industry, and IMRO is thrilled to be part of this celebration of outstanding establishments.

AikJ Releases Latest Track ‘Petite Fleur’

AikJ possesses a unique perspective on R&B that encompasses everything from addictive funky grooves to soulful 90s-inspired croons, making it a great blend for the R&B genre. 

With AikJ’s music there is a distinct signature that emerges, ranging from a soulfully smoked-out sound to an enigmatically energetic beat. Taking inspiration from the likes of Labrinth, Timbaland, Miguel and many more, the music he makes is both edgy and eclectic.

With over a million streams across multiple digital service providers, cover spots on editorial playlists and millions of radio impacts on national and international radio stations such as SiriusXM, BBC Introducing, Amazing Radio USA and UK. And with a sync placement on ITVs ‘Maternal’ recently,  AikJ has just announced its brand new single ‘Petite Fleur’, which will be released on November 10th.

Speaking on the new single, AikJ comments:

‘’It can be hard to find the entity that feels like a completion of your being. It could manifest as a purpose or some long to find that in a person. Petite Fleur is that special little flower in your garden you spend the most time watering and taking care of. Awakens your spring and Brightens your summer, Protects your autumn and comforts your winter. It knows everything about you and you feel whole with it around.”

AikJ has been named one of the most promising artists to watch by many publications including The Irish Times, Wonderland Magazine, RedBull Music, Earmilk, District Magazine, and so on.

Follow AikJ:

Instagram | Twitter | Facebook | TikTok | Spotify | Apple Music

Kildare singer Megan O’Neill shares new song ‘All Those Yesterdays’

Named one of the Irish Examiner’s Ones to Watch, Irish Singer – Songwriter Megan O’Neill returns with a new collection of songs, a shares the first single All Those Yesterdays.

All Those Yesterdays compares the seasons of youth and adulthood. “When we’re young (in most cases), life is all about exploration, opportunities and looking ahead. We’re not quite as easily scarred and we don’t have the baggage of the past to carry around. During the season of adulthood, more worries set in, responsibilities can take over and the losses of loved ones usually become something we have to deal with. This season is more about goodbyes, reminiscing on old times and as much as we can be looking ahead, we also spend a lot of time looking back” says Megan.

Last year, O’Neill released an EP titled: Time (Thought you were on my side), featuring five songs written and recorded with producer Richey McCourt. This EP merges her folk, storytelling roots with more electronic elements and was stylistically somewhat different to previous material, highlighting O’Neill’s ability to successfully move between genres. Both singles (Wildfire and Fail Better) became top 10 charting singles and were playlisted by RTE Radio 1, iRadio, Spin 1038 and more, as well as featured performances on BBC’s Across the Line and Virgin Media’s Six O’Clock Show.

Megan’s sophomore studio album Getting Comfortable with Uncertainty was released in March 2021. Time in a Bottle, the bonus track, featured in the opening scene of hit Netflix TV Show Firefly Lane and one week later, O’Neill performed the song live on the RTE Late Late Show – charting that same weekend in Ireland across all genres. Megan’s subsequent Late Late Show performance was this past September when she performed Brian Byrne’s ‘Lay Your Head Down’, originally released with Sinead O’Connor on vocals.

Deemed a rising star” by uDiscover and Timeout Magazine London, Megan has toured globally. She has performed at private Oscars’ parties in LA alongside Gavin James (on invite from JJ Abrams) and has had her song ‘Don’t You’ featured on ABC’s hit TV Show ‘Nashville (Season 3). She has opened for the likes of Sir Tom Jones, Lighthouse Family and Jamie Cullum (to name a few) and the late Olivia Newton-John was a self-proclaimed Megan O’Neill fan.

Late in 2022, Megan toured with Glen Hansard across Ireland as part of his band and took part in the famous Christmas Eve Busk on Grafton Street. She is also a member of indie-electronic project Where the Waters Meetalongside Paul Kenny which launched in November 2022 with a commissioned piece for the Recording Academy (The Grammy Awards): their cover of ‘Bette Davis Eyes’.

Megan will tour in Ireland and the UK early 2024, for dates and tickets, visit http://megan-oneill.com/#liveshows

FEB 14, 2024 WEDS

Riverbank Theatre, Newbridge, Co. Kildare

FEB 16, 2024 FRI

Heeley Parish Church @ 7:00 PM

Sheffield, United Kingdom

FEB 17, 2024 SAT

ExCellar @ 7:00 PM

Surbiton, United Kingdom

FEB 18, 2024 SUN

The Colne Delta Blues and Americana nights @ 7:00 PM

Brightlingsea, United Kingdom

FEB 19, 2024 MON

Barnoldswick Music & Arts Centre @ 7:00 PM

Barnoldswick, United Kingdom

FEB 20, 2024 TUE

Retro Bar @ 7:00 PM

Manchester, United Kingdom

FEB 21, 2024 WED

The Half Moon @ 7:00 PM

London, United Kingdom

https://instagram.com/meganoneillmusic

https://twitter.com/meganoneill / @meganoneill

https://www.facebook.com/MeganONeillMusic

https://www.youtube.com/channel/UCWajlM_WS19L91STNMyyyPw

https://open.spotify.com/artist/1JqJXI7idjd9rrxOox7yiB?si=nVehpzaXQ-mW2FljQIqDvQ

First Study in Ireland to Investigate Gender, Race & Class in Music Industry Organisations Calls for Participants

A newly launched PhD study, Gender and Music Industry Work: An Intersectional Investigation into How Gender Operates in Music Industry Organisations in Ireland, invites participation from current and former employees of music organisations operating in Ireland. The study is being undertaken by PhD researcher, Yvonne Kiely, at the School of Communications, Dublin City University, and is funded by the Irish Research Council.

The study aims to understand how gender operates in music organisations in Ireland, using feminist intersectional methods that consider gender, race, and class as a single, dynamic concept, with complex possibilities for the organisational realities of employees. To understand how gender operates in these music organisations, attention will be paid to the organisation’s practices and processes, as well as to the experiences of music industry professionals who work for them.

The study employs a secondary focus on caring and domestic labour in the homes of employees, so that discussions about access to resources and opportunities in music industries can be broadened to include the societal context of work in music organisations.

This study represents a first step in the study of gender and music organisations in Ireland and addresses a fundamental gap in intersectional feminist music industry research.

Research about gender and music industries from Ireland and elsewhere has primarily focussed on people who create music, resulting in an important body of knowledge that can help inform future research in underexplored areas. To date, there has been no investigation into gender and music organisations in Ireland. Globally, this topic is in its early stages of development.

Race, an intersection that is receiving increased attention by gender and music industry researchers, still does not receive adequate scrutiny within the field. Additionally, at a global level, the role of class in the lives of people working in music industries is severely under investigated by industry reports and academic research and is virtually unaccounted for by feminist music industry research.

The survey for this study is currently open for eligible participants, and is available here: https://easy-feedback.com/dcuphdmusicorgs/1730918/k3q9mF

Eligible participants who are interested in taking part in the interview stage of this study are invited to contact the principal investigator, Yvonne Kiely (yvonne.kiely3@nullmail.dcu.ie). There is also a section at the end of the survey where participants may submit their contact details for the interview stage.

Eligible participants are people who:

  • Currently work, or used to work, for music industry organisations in Ireland, in paid employment with a formal employment contract,
  • whose role in the organisation is/was positioned within a hierarchy of jobs, with the potential for upward mobility or decision making power over the mobility of employees,
  • within an organisation in the core music industry sectors (live, publishing, recording) or within an organisation in peripheral sectors that engages directly with commercial musical works, their creators, or the people and processes involved in leveraging the commercial success of these works and their creators.

People whose sole music industry work is song writing, performance, composition, design or music production are excluded from this project. Participants must be aged 18 or over. Participants can be currently located in Ireland or abroad, as long as they satisfy the eligibility criteria.

Participants and others interested in the study are welcome to share the survey link and information about the study in their networks.

Contact Information

Questions about the study should be directed to the principal investigator, Yvonne Kiely (yvonne.kiely3@nullmail.dcu.ie)

Twitter/X: @LazerGuidedRep

About the Irish Research Council

The Irish Research Council is the national funder of excellent research across all disciplines. It invests in discovery research and in ground-breaking ideas that address major societal challenges, funding a diverse range of excellent individual researchers across all career stages. The Irish Research Council collaborates with enterprise, civil society, and with government to leverage the skills, knowledge, and talent of researchers to achieve maximum benefit for society. Established in 2012, the Irish Research Council is an associated agency of the Department of Further and Higher Education, Research, Innovation and Science and operates under the aegis of the Higher Education Authority.

Further information is available at www.research.ie, @IrishResearch, #LoveIrishResearch

Bucket return with the blistering single ‘Who Knows?’

Bucket release their highly anticipated single ‘Who Knows?’ on Friday November 10th 2023.

Having signed with Dublin-based label house A Baker’s Dozen earlier this year, the single marks the band’s first release since their DIY 8-track cassette & digital album ‘The Big Sin’ in October of 2021.

‘Who Knows?’ is a blistering effort at capturing Bucket’s deafening live performances. Smeared with textural guitars, driving basslines, and weighted drum grooves – the track is bursting with smitherings of garage, noise, and hardcore. While the track’s lyricism loosely discusses topics of insomnia and slow-paced city centre pedestrians, Who Knows? is largely a sonic statement piece; a testament to Bucket’s aural ability – it’s explosive breakdowns and increasing tempo marking the band’s shift towards even noisier contemporary planes whilst preserving the punk & garage qualities in the track’s influence.

For fans of: TheeOhSees, Gilla Band, black midi, Model/Actriz, METZ.

About Bucket:

The brainchild of guitarist/vocalist Cian Dahdouh, bassist Emmett McNamee, and drummer Josh Dorrell, Dublin-based 3 piece Bucket seemingly appeared from nowhere with their debut album in the latter half 2021; breeding the DIY ethics of garage and punk rock, soon endowing a reputation for their sweaty live shows. The band’s first show saw them sell out The Workman’s Club, soon playing an array of wall-to-wall DIY shows across Ireland. Just this year, Bucket have played support to the likes of Heavy Lungs and Press Club.

Connect with Bucket

Instagram | Spotify | Bandcamp

Rain Jamerson Releases ‘A House Where the Light Is Master’

Indie soul/funk artist Rain Jamerson has arrived with his debut album, A House Where the Light Is Master, set for release on November 10th. The ten track feat is infused with his signature lyrical positivity and feel-good grooves. Smooth guitar riffs, funky bass, and moody vocals create the chill atmosphere Jamerson has become known for. This body of work is entirely self-made, with tracks written, performed, and recorded in his home studio in Ireland. Listeners of Jungle, Mayer Hawthorne and George Clinton will find themselves gravitating towards Jamerson’s unique blend of old and new. 

Based in Dublin, Rain Jamerson is the solo project of multi-instrumentalist Luke Fitzgerald. His inspiration is derived from the soul and funk of the 60s and 70s, paired with a modernized twist. Devoted to creating “funky cosmic sounds,” Jamerson explores spirituality in most of his songwriting. Simple refrains beg to be sung, while a closer listen easily reveals uplifting mantras. By combining elements of hip-hop, electro, R&B, and pop with a deeply intimate lyrical style, he brings new cool to the old school. “You won’t start livin’ till you’re ready to die,” he professes on the jam-infused track “Fear Less.” 

A House Where the Light Master Is explores themes of love and healing as a means of moving away from trauma and fear. “The intention I had when making this album was to explore who I am, or who I think I am,” Jamerson shares. 

Standout single “Blessings” was written as a personal message to always center kindness. After time spent in Malawi, Jamerson received a handmade acoustic guitar from a man who shares the same name as the track. He finished a half-written demo on that guitar, ultimately titling it after his serendipitous encounter. It is about, “….giving yourself over to the magic of the Universe.” He reminds the listener that there are “blessings waiting for you, my friend,” over a danceable, steady drum beat and energetic bass lines. 

Speaking on the LP as a whole, Jamerson shares, “What I found through the process of recording these songs is that I am not who I thought I was. I am not my job, I am not the things I own, I am not my past, I am just the energy that flows through me.”

Connect with Rain Jamerson

Spotify | Instagram | YouTube

 

IMRO Award Presented to The Academic

We were thrilled to join The Academic at Dublin’s 3Arena this week. Before taking to the stage in support of Louis Tomlinson, they were presented with an IMRO award in recognition of their number 1 album, Sitting Pretty.

The IMRO Number 1 Award is given to acknowledge IMRO members who achieve the top spot in the album charts in Ireland.

Sitting Pretty explores the journey into adulthood, capturing the uncertainties and evolving sense of self that accompany this phase of life. The album reflects on finding one’s footing, the weight of time, and the pursuit of joy and meaningful connections. It stands as a testament to the band’s growth and creativity, marking their ongoing evolution as musicians.

Produced by the award-winning former Kaiser Chief member Nick Hodgson at London’s Snap Studios, the album comprises 13 tracks, each boasting a unique and diverse palette of sounds.

Sitting Pretty is out now on EMI

Top 10 Selling Irish Drill Artist Sello Joins Rio Ferdinand Foundation As New Ambassador

Rio Ferdinand Foundation today announced that Sello has joined the Foundation as a music ambassador in Ireland and beyond, in a move that will see the Irish artist share his journey and insights into the music industry to inspire future generations.

A talented artist Sello has an unsurmountable community spirit with a true passion for inspiring and influencing young people in Ireland to reach their maximum potential.
Sello will be welcomed as Music Ambassador for the Rio Ferdinand Foundation during a panel-based launch event with industry insiders at Warner Music Ireland Offices on Thursday, 9th November. Dublin’s first ‘Into the Industry’ event will offer insight and networking opportunities in A&R, marketing and events, broadcast, and media to thirty young people interested in careers in the music industry.
Joining Sello on Thursday’s panel are Warner Music Senior Vice President Priscilla Kotey and music producer Simba Bianchi. Further panellists include Dylan Murphy, District Magazine, Claire Beck, Bauer Media, Patrick Trautt, MCD, Nathan Sauramba, Waverton Corp, Eric Davidson, The Tenth Man and radio producer Beta Da Silva, RTÉ2FM.

Thursday’s ‘Into the Industry’ event follows the success of the Belfast ‘Into the Industry’ careers showcase early this year in June, when Sello joined a line-up of industry insiders. The event, attended by over 75 young people aged 14-16, celebrated youth culture and signalled a new phase of partnership work in Northern Ireland to empower equality and create opportunities for young people.

Sello’s ambassador role will be delivering workshops, meeting young people, and attending events as part of the Rio Ferdinand Foundation’s and Warner Music UK and Ireland’s commitment to engaging young people from diverse backgrounds in understanding and building careers and social mobility in all work areas.

Rio Ferdinand, Founder of the Rio Ferdinand Foundation, said:
“It was great meeting Sello in London recently and hearing his commitment to giving back to society and supporting young people in mental health, life skills and building careers.

“I loved hearing his enthusiasm and ideas, and I want to take this opportunity to formally welcome him to the Rio Ferdinand Foundation team and look forward to working with him in the future.”

Sello said: “I’m huge into the community; where I’m from, everyone has the spirit; if I want something good to happen and to flourish in what I’m doing, the community must be behind it. I want to impact young people’s lives. That’s been the mission from the start; my first release was for the community.”

Priscilla Kotey, Senior Vice President of Warner Music Ireland said: “We are delighted to have partnered over the last year with the Rio Ferdinand Fountain and to help grow the community in Ireland. Our partnership aims to help the youth of Ireland get a stepping stone into the music industry and learn how it all works. We are very excited to host our first event this week at our new offices. Sello has always shined a light on the importance of community and giving back to where you came from and is the perfect ambassador.”

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