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Author: Breffni Banks

Irish Restaurant Awards make much-anticipated return for 2024

The nominations process for the #FoodOscars has now officially opened to the public and can be accessed here

The much-anticipated Irish Restaurant Awards were officially launched yesterday at the Marker Hotel, kicking off the 15th year of the prestigious awards.

Last year’s Irish Restaurant Awards were the most popular yet, with the public making over 130,000 nominations for Ireland’s best food-led hospitality businesses and the people behind them.

As in previous years, the Irish Restaurant Awards process begins with an online public vote hosted by The Irish Times that can be accessed here. The nomination window runs from 12pm noon on Wednesday, January 17th to 12pm noon on Wednesday, January 31st.

This year, the public can nominate candidates across 23 categories, including 17 Main Award categories and 6 National Award categories. New categories introduced this year include Employee Excellence, Food Truck of the Year and Outstanding Achievement awards.

Full list of Awards Categories

Speaking about the launch of the Irish Restaurant Awards, Paul Lenehan, President of the Restaurants Association of Ireland, said:

“Despite some extremely challenging times for our industry, year after year, the Irish Restaurant Awards serve as an excellent reminder of the passion and innovation that exist within the island of Ireland’s food-led hospitality industry.

“Above all, the Irish Restaurant Awards provide us with an opportunity to reflect on all that makes our food and hospitality offering great – in particular, the wonderful teams that make everything tick and leave locals and tourists with a smile on their faces time and time again.

“There is great excitement brewing once again about what is truly the good news story of our industry’s year. We look forward to highlighting and celebrating the best our island has to offer in terms of food and hospitality.

“We especially look forward to the public having its voice heard as to which restaurants, cafés and other food-led businesses have transformed their local community. We expect to exceed the monumental 130,000 public nominations that were made last year.”

The public nomination process will be followed by a judging process of national experts, culminating in regional events in the four provinces at which county winners will be announced, followed then by a Dublin shortlist. Finally, in May, the Irish Restaurant Awards’ All Ireland Final at which regional and national winners will be announced will take place.

Judging Process – County Winners

The judging process this year consists of two stages:

Stage 1: Choosing county/provincial winners – After the online nominations are closed and independently audited by BDO, regional judging panels will review the nominees. The county and provincial winners will then be announced at the Regional Awards.

Stage 2: National Academy Judging – Selected judges from the regional panels will form the National Academy, reviewing each finalist and deciding the overall winners. Mystery guest inspections precede this stage for certain categories.

County winners will be announced at Regional Awards Events throughout March and April. Full details will be released following the close of nominations, along with ticketing information.

Regional Awards Events & All Ireland Awards Gala

Regional and All Ireland Winners – including in categories such as Best Restaurant and Best Chef – will be revealed at the All Ireland Awards Gala Dinner which will take place at the Clayton Hotel on Burlington Road, Dublin 4 in May. Ticket and event information will be released in April following Regional Events.

Music streaming report adopted in EP Plenary

A resolution on the conditions for authors in the European music streaming market, led by Spanish MEP Iban García del Blanco, was approved by an overwhelming majority at the European Parliament Plenary on January 17. The text calls on the industry to address the imbalance in revenue allocation and ensure creators are fairly compensated from music streaming by advocating for the current “pre-digital royalty rates” to be brought in line with modern rates. It advocates for “fairer models of streaming revenue allocation” for artists and creators, including pro-rata and user-centric models. The text also condemns the use of payola schemes in music streaming, which force artists to accept lower royalty rates in exchange for increased visibility and introduces the possibility of introducing quotes for European songs or artists to protect European music works on global streaming platforms. The text also calls for an “ethical use of AI” in the cultural and creative sectors. The full resolution can be read here.

While the resolution is non-binding, the massive support it has received from MEPs (532 votes for, 61 against and 33 abstentions) puts pressure on the European Commission to address the issues in the music streaming ecosystem.

Together with our partners associations, IMRO has worked with GESAC to ensure specific priority points were included in the text. In its press release the EU noted the “commitment of the EP to address creators’ concerns and welcomes the call for an EU legislation to ensure the transparency of and cultural diversity on all music streaming platforms”.

During the debate, the MEPs said that the current global streaming model pioneered and dominated by Spotify, Apple, YouTube, and Amazon Music leaves a majority of authors and performers with very low rates of pay and often means they are unable to sustain careers in music.

Happy New Year & Temporary Office Closure

Happy New Year from all at IMRO.

Notice of temporary change in office operations over the coming weeks.

From 2nd – 15th of January, Copyright House will be closed due to ongoing building works in the surrounding area. This decision has been made to ensure the safety and well-being of our members and team members alike.

However, please be assured that the team will continue to operate remotely, ensuring that all services and support remain uninterrupted.

During this brief period of office closure, IMRO encourage you to connect by phone and through online platforms – including the Help Desk in the Members’ Area, email and social media channels.

We appreciate your understanding and cooperation during this time.

If you have any questions or concerns, please feel free to reach out at membership@nullimro.ie

Here’s to 2024. looking forward to a fantastic year ahead!

IMRO December 2023 Newsletter

Welcome to IMRO’s December newsletter

The concluding months of 2023 have been exceptionally busy for IMRO, marked by the welcome
of our 21,500th member, the introduction of new directors to the Board, and the acknowledgment
of achievements in workplace wellbeing. Our ongoing efforts extend to a European level, where we
focus on buy-outs and navigate the implications of the Digital Services Act. Simultaneously, we are
closely monitoring the potential of AI, the establishment of a new media regulator, and the
development of a Night Time Economy. Furthermore, we were delighted to showcase
accomplishments with radio stations and pubs during the IMRO Radio Awards and Irish Pub Awards.

As a final note, don’t forget to explore our podcast and blog. Additionally, immerse yourself in our
New Music and Holiday playlists to accompany you as the cold weather sets in and the shortest
day of the year approaches.

Many thanks for your continued support of IMRO. We hope you have a enjoyable holiday season.

Warm regards,

Eleanor and Victor

Read the full newsletter here.

IMRO Earns ‘KeepWell Mark’ Recertification for Workplace Wellbeing

IMRO announces its reaccreditation with the ‘KeepWell Mark’ for the next two years, reaffirming its commitment to fostering a healthy and supportive workplace environment.

The ‘KeepWell Mark’ is a workplace wellbeing accreditation from Ibec, which assesses companies in critical areas such as Mental Health, Wellbeing, Health and Safety, and Absence Management. IMRO’s continued dedication to employee wellness has been recognised through this accreditation.

To maintain the certification, IMRO underwent a rigorous recertification process, involving a thorough self-assessment and an onsite audit. The audit highlighted the company’s exemplary commitment in various categories, which includes:

  • Leadership Commitment
  • Absence Management Excellence
  • Health & Safety Commitment
  • Mental Health Commitment
  • Smoke-Free Commitment
  • Physical Activity Commitment
  • Healthy Eating Achievement
  • Intoxicants Commitment

The next milestone on IMRO’s journey toward workplace wellbeing excellence is a mid-term review meeting scheduled for November 2024. The company aspires to reach the next level (Achievement) across all categories within the next two years.

Looking ahead, IMRO remains committed to enhancing its workplace wellbeing initiatives, ensuring a holistic approach that fosters not only professional growth but also personal well-being, reflecting the organisation’s dedication to creating a supportive and thriving work environment for all.

Corner Boy Release New Album – Live at the National Opera House

Following the release of their debut eponymous album ‘Corner Boy LP’ in late 2022, the Wexford based six piece have announced their first live release with ‘Live at The National Opera House‘.

The album recorded in the Jerome Hynes Theatre in the National Opera House, Wexford in December 2022 consists of 15 live songs cataloging numerous releases from the band over the years plus a number of previously unreleased songs.

‘We have always written with the live setting in mind and as a result have felt most at home playing live together as a band.

There’s something about the stage that tends to bring out a special alcahemy in the music elevating the energy of the songs in different ways.

With this in mind we are very excited to release a live album of recordings, particularly from such a memorable hometown show that had such a unique energy on the night.’ explains Mick from the band.

The album engineered by Olchan Kirwan was mixed and mastered by Conor Foran and features a number of special guests that performed on the night including Tulua and producer Gavin Glass.

Live at the National Opera House is available now

 

IMRO | Talk About Music with Gabrielle Cummins Beat 102-103

Every minute of every day, Irish people’s lives are enhanced by music, whether this is the radio keeping them company as they commute to work, attending a festival during the summer… or the band that livens up their Friday night, we cannot escape or deny the powerful and all-encompassing impact of music on our lives.” – IMRO pre-budget submission July 2023

For the last twenty years, I’ve been fortunate enough to work at Ireland’s first, regional, youth, music radio station Beat 102-103 and prior to that, I worked at local radio station, WLR FM.  This means that music has always been front and centre of my working life.  IMRO’s Vision Statement is “A world where music is valued, and its creators are championed” a philosophy which resonates hugely for us at Beat.

Earlier this month, global music streaming platform published its annual Spotify Wrapped list.   Billed as “a conversation starter. Compare your WRAPPED highlights with friends, and the world”, it’s a genius, marketing concept.  I would argue, though, that the original social medium, radio, has been doing its own version of this for years but radio has been so ever present in the lives of Irish people that this annual list has been somewhat taken for granted. A random flick through every radio station in Ireland around New Year’s Day and you’re guaranteed to hear “top 20/50/100 songs” chosen by listeners that have been played on that radio station in the previous 12 months.

As Beat celebrates its 20th anniversary this year, Head of Music/Beat Breakfast Host Niall Power and I have taken a nostalgic journey back, to reflect on some of the big Irish tracks that have dominated playlists on our station over the last two decades.  As we pored over hundreds of songs, Niall Power unearthed some interesting nuggets “when we launched in 2003, most Irish music was pop or rock. Twenty years on, we see quality Irish music across all genres, electronic and dance, hip hop, r&b, and rap. Irish music on the radio in 2003 was also overwhelmingly male.” Thankfully, in more recent years, there has been a concerted movement among most radio stations, including Beat, to reflect the more diverse society in which we broadcast. More on that later but first let’s look at the top ten Irish acts broadcast on Beat in the station’s inaugural year.

Ten Most Played Irish Acts on Beat in 2003

  1. Paddy Casey – Saints and Sinners
  2. The Thrills – One Horse Town
  3. Micky Joe Harte – We’ve Got The World Tonight
  4. D’Side – Invisible
  5. Westlife – Mandy
  6. Simon Casey – A Better Plan
  7. The Thrills – Big Sur
  8. Relish – Father, Brother, Lover, Son
  9. Paddy Casey – The Lucky One
  10. Westlife – Hey Whatever

What I love most about this historical list, is the emotion it evokes. Music unites everyone. Each of us has a different song that’s been the soundtrack to each milestone in our lives. When Niall Power shared the 2003 list with me, I was immediately transported back to the early days of Beat 102-103. In the lead up to going LIVE on July 1st, 2003, then CEO Kieran McGeary asked if any of us broadcasters had the “cúpla focal.” I nervously revealed that I’d gotten a “B” in Honours Irish in the Leaving Cert. Somehow, that was enough to “qualify” me as the “Beat Gaeilgeoir” to represent the station in a TG4 interview about the launch of Beat. I remember rehearsing repeatedly, to try and make myself come across as natural as possible speaking “as Gaeilge” on national TV. (side note: years later, I re-watched the clip and let me tell you, there is nothing natural about it!) Anyway, at the end of the interview segment, I was asked to introduce my favourite Irish song of the time by saying “is maith liom The Thrills.” Two decades later and I still cringe at the memory as it all sounded so contrived!

In the last few weeks, to coincide with the release of 2023 Spotify Wrapped, we invited our listeners to finish the sentence “my favourite song by an Irish artist is…” With above list in mind, Niamh Doran from Waterford shared with us “my favourite song is Mandy by Westlife because I’ll never forget my first concert in Croke Park and the 10+ concerts after that!”   Another Westlife fan, Catherine from Waterford said “Westlife… brings me back to being at their concert in Croke Park with a really close friend, there were tears, lots of different emotions but very special memories; the words of that song can be deep!”

Fast forward to 2013 and the Beat list looked like this:

Ten Most Played Irish songs on Beat in 2013

  1. Hozier – Take Me To Church
  2. Kodaline – Brand New Day
  3. Walking On Cars – Catch Me If You Can
  4. The Script – If You Could See Me Now
  5. Original Rudeboys – Never Gonna Walk Away
  6. Kodaline – High Hopes
  7. Hudson Taylor – Care
  8. Keywest – Electric Love
  9. Walking On Cars – Two Stones
  10. Pat Byrne – End Of The World

For me, it’s number 10 on this list that stands out. By 2013, I had taken on new roles at the station, ones which I still hold to this day, CEO and Programme Director of Beat 102-103. To mark the station’s 10th birthday, I invited Pat Byrne to perform at a special, intimate gig at Fade Street Social in Dublin for Beats’ friends, past and present. These days, the Irish singer songwriter is brewing up a storm in Austin, Texas but in 2013, Pat Byrne had been crowned The Voice of Ireland the year before, and as the Carlow native had just released his debut album “All or Nothing”, Beat was delighted to showcase Pat at the station’s 10th anniversary gig.

Unsurprisingly, the song that predominantly features for our listeners from the 2013 list is Hozier’s “Take me to Church.” Daniel Collins revealed on our Instagram account that he chose this song because “of how much emotion [Hozier] sings it with.”  While Noelle Cummins commented on Beat’s Facebook page that her favourite Hozier song was in fact “In a Week”. She describes it “as a haunting melody featuring the beautiful voice of Karen Cowley about a love and the security of being locked in love… oh, it makes the hair on the back of my neck stand up. It’s a heartfelt offering from an amazing songwriter and musician. Irish artistry at its finest.”  Wow, high praise indeed… I must go re-listen to that one!

Before I fast forward to 2023, allow me to take you on a mini detour to 2019. Ahead of entering a new decade, we asked our listeners back then to pick their top 100 songs from the previous ten years.  I’m pleased to share that Beat listeners remain incredibly passionate about Irish music as two of the top three artists to feature on that long list were Irish.  Number One was aforementioned Hozier “Take Me To Church” and grabbing the number 3 spot was Picture This “Take My Hand.”  (you’ll have to @MrNiallPower on social media to find out what was number two on that list!)

Finally, it’s time to reveal Beat listeners’ favourite tracks by an Irish artist this year.

Ten Most Played Irish Artists on Beat in 2023

  1. Jazzy – Giving Me
  2. Niall Horan – Heaven
  3. Picture This – Get On My Love
  4. Robert Grace – Casper
  5. Moncrieff – Love Somebody
  6. Chasing Abbey – Oh My Johnny
  7. Cian Ducrot – I’ll Be Waiting
  8. Cian Ducrot – Heaven
  9. Darren Kiely – Mom & Dad
  10. Brad Heidi – Dancing In My Head

Yasmine Byrne from Crumlin, professionally known as Jazzy, exploded on to the Irish music scene in 2022 as a guest vocalist with Belters Only and this year, Beat’s listeners couldn’t get enough of her. In August, we invited our audience to select their song of the summer. Jazzy’s track “Giving Me” came out on top. The infectious, pulsating song from the Irish-Jamaican newcomer was blaring on radio stations and in clubs/pubs across Ireland, all summer long.  It’s brilliant to see a female artist taking top billing but with no other female artist on that top ten list, we clearly have a lot more work to do around gender, equality, diversity and inclusion. I’m proud to be a part of a national GEDI steering group within the Irish radio industry, currently developing a strategy to help tackle this issue.  In addition, Beat was recently awarded Sound and Vision funding from Comisiún na Meán for a variety of projects “to help build strong, diverse communities” in 2024. One of these projects which we currently have in pre-production, will be focused on a diverse range of artists based in the South East of Ireland who are trying to build a career for themselves in the challenging music business next year.

As a market leading radio station that consistently champions music from new Irish artists, with a special emphasis on those from the South East, it would be remiss of me not to take this opportunity to highlight some other gems from our region, currently producing impressive musical works. Beat’s Niall Power kindly obliged my request and compiled this additional list:

South East acts who have rated highly on Beat, outside the Top Ten in 2023

  • 49th & Main – Icy (Kilkenny)
  • John Gibbons – All I Need (Carlow)
  • CODYY – Time 2 Be (Waterford)
  • Welshy – Used To Be (Kilkenny)
  • State of Mind – Lonely (Wexford)
  • 2Time Charlie – Levitate (Waterford)

We had the pleasure of the latter band on that list, performing at Beat’s 20th birthday party this summer and they put on quite the live show for our invited guests.  Watch this space with lots more to come from 2TimeCharlie.

For me though, my favourite Irish artist of the last few years must be Moncrieff (and no, I’m not just being biased because he’s from Waterford where I live!)  I was not surprised that he featured as one of my top three most played artists on my Apple Music playlist this year. The fact that we share a bleak statistic (we’ve both lost siblings too soon in life, two for him and three for me) means his lyrics and melodies have a particular emotional impact on me.  I find immense solace in the relatable lyrics of his track ‘Ruin’ especially the lines “I’ve lost so many people in my life, it’s f%*ked with my head… step two feeling better now.”  For me, it also speaks highly of a performer when locals back him so solidly. Earlier this month, Moncrieff released details of his biggest tour to date, SELFCARE which will see the Waterford native return to the place of his inaugural sell out gig last year, The Olympia, Dublin among other venues here and in London. As I browsed Moncrieff’s Facebook page this week, it struck me that there was none of the Irish begrudgery that can often accompany a local succeeding at something they love.  The prevailing sentiment from commentators on social media was one of “no one deserves it more.”  Things you love to see.

Speaking of things I love to see, considering the time of year and the mammoth Irish music event that occurred earlier this month, the death and subsequent unique, lively funeral of Irish music singer, songwriting legend Shane MacGowan, I was moved by how many of Beat’s listeners chose “Fairytale of New York” among their all time favourites.  Beat’s target audience is a youth oriented one, (15-34 year olds) so the fact this young and fickle audience connects so much with this iconic song years later, epitomises the powerful connection music has with all of us. Mourners, young and old, lined the streets of Dublin and Nenagh to pay their respects. They further demonstrated their respect by ensuring the Christmas classic finally claimed top spot on the Irish charts this week. One of Beat’s Instagram followers, Naomi Jessup aptly sums up what the timeless track means to all of us in Ireland “It’s Christmas, it’s time to go home and be with family.”

This blog was written for IMRO by Beat’s CEO/Programme Director Gabrielle Cummins with contribution and compilation lists from Beat’s Head of Music Niall Power.

EU policymakers reach agreement on the AI Act: GESAC welcomes the recognition of the need for transparency and compliance with EU rules by providers of general-purpose AI models

Brussels, 11 December 2023 – Following the EU decisionmakers’ announcement of having reached a political agreement on the EU AI Act at the end of a three-day trialogue meeting, GESAC welcomes the recognition on the need for providers of general-purpose AI models operating in the EU market to comply with EU copyright laws and minimum transparency obligations, which are indispensable for rightholders to exercise and enforce their rights.

The actual wording of the text resulting from the political agreement is to be finetuned at forthcoming technical meetings, and the new AI Office will be tasked with conducting further work to formulate practical arrangements for its implementation. We are encouraged by the broad understanding of these basic principles by all EU institutions and Member States at the final stage of the negotiations but call for caution and urge for robust implementation to translate this political commitment into a concrete obligation of result.

Véronique Desbrosses said: “ Transparency requirements and respect for EU copyright rules applicable to all models, preventing circumvention of EU’s protective measures are prerequisites for any AI regulation before it can be called responsible. A robust implementation allowing rightholders to properly exercise their rights under EU law is crucial to ensure that the principles agreed upon have a real impact in practice. Authors’ societies look forward to embracing this new market and generating value for creators and businesses alike, while contributing both to innovation and creation in Europe.”

Victor Finn, CEO of IMRO notes: “The conclusion of the trialogue negotiations is an essential first step in regulating AI platforms. The final text ensures that AI platforms must respect EU copyright rules regarding existing creative content used in their algorithms. If that is their preference, such use will need to be licensed by right-holders. This is a very positive outcome for the creative industries. Secondly, AI platforms must provide summaries of the works they have ingested, ensuring transparency of the training data they have used in their processes. We await the newly formed EU AI Office to take up the reins on this and look forward to the EU AI Act’s safe passage through parliament.”

About GESAC:
GESAC groups 32 European authors’ societies (CMOs) and represents as such more than one million authors from various artistic fields, including music, audiovisual, visual, literary, and dramatic arts, from across Europe.

IMRO Staff Raises Over €1500 for Movember, Supporting Men’s Health Initiatives

IMRO announces that it has successfully raised over €1500 in support of Movember, a global charity committed to addressing men’s health issues.

Throughout the month of November, IMRO staff embarked on a fundraising campaign to contribute to the Movember movement. The initiative aimed to raise awareness and funds for men’s health, focusing on critical issues such as prostate cancer, testicular cancer, mental health, and suicide prevention.

The generosity and enthusiasm of the IMRO community played a pivotal role in surpassing the fundraising goal. The funds raised were directed towards Movember’s initiatives, supporting research, advocacy, and programs dedicated to improving men’s health outcomes globally.

Commenting on the successful campaign, Victor Finn, CEO at IMRO, expressed gratitude to everyone who participated, saying, “We are thrilled to announce that together, we’ve raised over €1500 for Movember. This achievement reflects the collective commitment of the IMRO community to making a positive impact on men’s health. We extend our sincere thanks to all the contributors who joined us in supporting this important cause.

Movember, known for its iconic mustache symbol, has been instrumental in sparking conversations about men’s health and challenging stigmas surrounding mental health issues. IMRO’s fundraising efforts align with its ongoing commitment to fostering a positive and supportive community within the music industry.

IMRO looks forward to continuing its engagement with charitable initiatives and supporting causes that contribute to the well-being of individuals and communities.

Shane MacGowan | RIP

With heavy hearts, we mourn the loss of music legend, Shane MacGowan.

His impact on Irish music is undeniable, shaping the genre and sparking a global love for Irish music through his work as a solo artist and with his band, The Pogues.

Shane’s artistic brilliance, both lyrically and on stage, has left an enduring imprint on Irish musical history. His contributions go beyond anthems; they are timeless creations that will forever define an era.

Yet, Shane was more than a musician; he was an authentic cultural icon. His unique voice and storytelling ability painted vivid pictures of Irish life, love, and hardship. His raw, unfiltered emotion poured into every note and lyric.

Our sincere condolences go to Shane’s family, friends, and fellow musicians who were touched by the impact of his music.

Rest in peace, Shane MacGowan.

Lead Photo: Shane MacGowan with The Pogues in 1985. Credit: Brian Rasic

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