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Author: Breffni Banks

IMRO | Talk About Music with Gabrielle Cummins Beat 102-103

Every minute of every day, Irish people’s lives are enhanced by music, whether this is the radio keeping them company as they commute to work, attending a festival during the summer… or the band that livens up their Friday night, we cannot escape or deny the powerful and all-encompassing impact of music on our lives.” – IMRO pre-budget submission July 2023

For the last twenty years, I’ve been fortunate enough to work at Ireland’s first, regional, youth, music radio station Beat 102-103 and prior to that, I worked at local radio station, WLR FM.  This means that music has always been front and centre of my working life.  IMRO’s Vision Statement is “A world where music is valued, and its creators are championed” a philosophy which resonates hugely for us at Beat.

Earlier this month, global music streaming platform published its annual Spotify Wrapped list.   Billed as “a conversation starter. Compare your WRAPPED highlights with friends, and the world”, it’s a genius, marketing concept.  I would argue, though, that the original social medium, radio, has been doing its own version of this for years but radio has been so ever present in the lives of Irish people that this annual list has been somewhat taken for granted. A random flick through every radio station in Ireland around New Year’s Day and you’re guaranteed to hear “top 20/50/100 songs” chosen by listeners that have been played on that radio station in the previous 12 months.

As Beat celebrates its 20th anniversary this year, Head of Music/Beat Breakfast Host Niall Power and I have taken a nostalgic journey back, to reflect on some of the big Irish tracks that have dominated playlists on our station over the last two decades.  As we pored over hundreds of songs, Niall Power unearthed some interesting nuggets “when we launched in 2003, most Irish music was pop or rock. Twenty years on, we see quality Irish music across all genres, electronic and dance, hip hop, r&b, and rap. Irish music on the radio in 2003 was also overwhelmingly male.” Thankfully, in more recent years, there has been a concerted movement among most radio stations, including Beat, to reflect the more diverse society in which we broadcast. More on that later but first let’s look at the top ten Irish acts broadcast on Beat in the station’s inaugural year.

Ten Most Played Irish Acts on Beat in 2003

  1. Paddy Casey – Saints and Sinners
  2. The Thrills – One Horse Town
  3. Micky Joe Harte – We’ve Got The World Tonight
  4. D’Side – Invisible
  5. Westlife – Mandy
  6. Simon Casey – A Better Plan
  7. The Thrills – Big Sur
  8. Relish – Father, Brother, Lover, Son
  9. Paddy Casey – The Lucky One
  10. Westlife – Hey Whatever

What I love most about this historical list, is the emotion it evokes. Music unites everyone. Each of us has a different song that’s been the soundtrack to each milestone in our lives. When Niall Power shared the 2003 list with me, I was immediately transported back to the early days of Beat 102-103. In the lead up to going LIVE on July 1st, 2003, then CEO Kieran McGeary asked if any of us broadcasters had the “cúpla focal.” I nervously revealed that I’d gotten a “B” in Honours Irish in the Leaving Cert. Somehow, that was enough to “qualify” me as the “Beat Gaeilgeoir” to represent the station in a TG4 interview about the launch of Beat. I remember rehearsing repeatedly, to try and make myself come across as natural as possible speaking “as Gaeilge” on national TV. (side note: years later, I re-watched the clip and let me tell you, there is nothing natural about it!) Anyway, at the end of the interview segment, I was asked to introduce my favourite Irish song of the time by saying “is maith liom The Thrills.” Two decades later and I still cringe at the memory as it all sounded so contrived!

In the last few weeks, to coincide with the release of 2023 Spotify Wrapped, we invited our listeners to finish the sentence “my favourite song by an Irish artist is…” With above list in mind, Niamh Doran from Waterford shared with us “my favourite song is Mandy by Westlife because I’ll never forget my first concert in Croke Park and the 10+ concerts after that!”   Another Westlife fan, Catherine from Waterford said “Westlife… brings me back to being at their concert in Croke Park with a really close friend, there were tears, lots of different emotions but very special memories; the words of that song can be deep!”

Fast forward to 2013 and the Beat list looked like this:

Ten Most Played Irish songs on Beat in 2013

  1. Hozier – Take Me To Church
  2. Kodaline – Brand New Day
  3. Walking On Cars – Catch Me If You Can
  4. The Script – If You Could See Me Now
  5. Original Rudeboys – Never Gonna Walk Away
  6. Kodaline – High Hopes
  7. Hudson Taylor – Care
  8. Keywest – Electric Love
  9. Walking On Cars – Two Stones
  10. Pat Byrne – End Of The World

For me, it’s number 10 on this list that stands out. By 2013, I had taken on new roles at the station, ones which I still hold to this day, CEO and Programme Director of Beat 102-103. To mark the station’s 10th birthday, I invited Pat Byrne to perform at a special, intimate gig at Fade Street Social in Dublin for Beats’ friends, past and present. These days, the Irish singer songwriter is brewing up a storm in Austin, Texas but in 2013, Pat Byrne had been crowned The Voice of Ireland the year before, and as the Carlow native had just released his debut album “All or Nothing”, Beat was delighted to showcase Pat at the station’s 10th anniversary gig.

Unsurprisingly, the song that predominantly features for our listeners from the 2013 list is Hozier’s “Take me to Church.” Daniel Collins revealed on our Instagram account that he chose this song because “of how much emotion [Hozier] sings it with.”  While Noelle Cummins commented on Beat’s Facebook page that her favourite Hozier song was in fact “In a Week”. She describes it “as a haunting melody featuring the beautiful voice of Karen Cowley about a love and the security of being locked in love… oh, it makes the hair on the back of my neck stand up. It’s a heartfelt offering from an amazing songwriter and musician. Irish artistry at its finest.”  Wow, high praise indeed… I must go re-listen to that one!

Before I fast forward to 2023, allow me to take you on a mini detour to 2019. Ahead of entering a new decade, we asked our listeners back then to pick their top 100 songs from the previous ten years.  I’m pleased to share that Beat listeners remain incredibly passionate about Irish music as two of the top three artists to feature on that long list were Irish.  Number One was aforementioned Hozier “Take Me To Church” and grabbing the number 3 spot was Picture This “Take My Hand.”  (you’ll have to @MrNiallPower on social media to find out what was number two on that list!)

Finally, it’s time to reveal Beat listeners’ favourite tracks by an Irish artist this year.

Ten Most Played Irish Artists on Beat in 2023

  1. Jazzy – Giving Me
  2. Niall Horan – Heaven
  3. Picture This – Get On My Love
  4. Robert Grace – Casper
  5. Moncrieff – Love Somebody
  6. Chasing Abbey – Oh My Johnny
  7. Cian Ducrot – I’ll Be Waiting
  8. Cian Ducrot – Heaven
  9. Darren Kiely – Mom & Dad
  10. Brad Heidi – Dancing In My Head

Yasmine Byrne from Crumlin, professionally known as Jazzy, exploded on to the Irish music scene in 2022 as a guest vocalist with Belters Only and this year, Beat’s listeners couldn’t get enough of her. In August, we invited our audience to select their song of the summer. Jazzy’s track “Giving Me” came out on top. The infectious, pulsating song from the Irish-Jamaican newcomer was blaring on radio stations and in clubs/pubs across Ireland, all summer long.  It’s brilliant to see a female artist taking top billing but with no other female artist on that top ten list, we clearly have a lot more work to do around gender, equality, diversity and inclusion. I’m proud to be a part of a national GEDI steering group within the Irish radio industry, currently developing a strategy to help tackle this issue.  In addition, Beat was recently awarded Sound and Vision funding from Comisiún na Meán for a variety of projects “to help build strong, diverse communities” in 2024. One of these projects which we currently have in pre-production, will be focused on a diverse range of artists based in the South East of Ireland who are trying to build a career for themselves in the challenging music business next year.

As a market leading radio station that consistently champions music from new Irish artists, with a special emphasis on those from the South East, it would be remiss of me not to take this opportunity to highlight some other gems from our region, currently producing impressive musical works. Beat’s Niall Power kindly obliged my request and compiled this additional list:

South East acts who have rated highly on Beat, outside the Top Ten in 2023

  • 49th & Main – Icy (Kilkenny)
  • John Gibbons – All I Need (Carlow)
  • CODYY – Time 2 Be (Waterford)
  • Welshy – Used To Be (Kilkenny)
  • State of Mind – Lonely (Wexford)
  • 2Time Charlie – Levitate (Waterford)

We had the pleasure of the latter band on that list, performing at Beat’s 20th birthday party this summer and they put on quite the live show for our invited guests.  Watch this space with lots more to come from 2TimeCharlie.

For me though, my favourite Irish artist of the last few years must be Moncrieff (and no, I’m not just being biased because he’s from Waterford where I live!)  I was not surprised that he featured as one of my top three most played artists on my Apple Music playlist this year. The fact that we share a bleak statistic (we’ve both lost siblings too soon in life, two for him and three for me) means his lyrics and melodies have a particular emotional impact on me.  I find immense solace in the relatable lyrics of his track ‘Ruin’ especially the lines “I’ve lost so many people in my life, it’s f%*ked with my head… step two feeling better now.”  For me, it also speaks highly of a performer when locals back him so solidly. Earlier this month, Moncrieff released details of his biggest tour to date, SELFCARE which will see the Waterford native return to the place of his inaugural sell out gig last year, The Olympia, Dublin among other venues here and in London. As I browsed Moncrieff’s Facebook page this week, it struck me that there was none of the Irish begrudgery that can often accompany a local succeeding at something they love.  The prevailing sentiment from commentators on social media was one of “no one deserves it more.”  Things you love to see.

Speaking of things I love to see, considering the time of year and the mammoth Irish music event that occurred earlier this month, the death and subsequent unique, lively funeral of Irish music singer, songwriting legend Shane MacGowan, I was moved by how many of Beat’s listeners chose “Fairytale of New York” among their all time favourites.  Beat’s target audience is a youth oriented one, (15-34 year olds) so the fact this young and fickle audience connects so much with this iconic song years later, epitomises the powerful connection music has with all of us. Mourners, young and old, lined the streets of Dublin and Nenagh to pay their respects. They further demonstrated their respect by ensuring the Christmas classic finally claimed top spot on the Irish charts this week. One of Beat’s Instagram followers, Naomi Jessup aptly sums up what the timeless track means to all of us in Ireland “It’s Christmas, it’s time to go home and be with family.”

This blog was written for IMRO by Beat’s CEO/Programme Director Gabrielle Cummins with contribution and compilation lists from Beat’s Head of Music Niall Power.

EU policymakers reach agreement on the AI Act: GESAC welcomes the recognition of the need for transparency and compliance with EU rules by providers of general-purpose AI models

Brussels, 11 December 2023 – Following the EU decisionmakers’ announcement of having reached a political agreement on the EU AI Act at the end of a three-day trialogue meeting, GESAC welcomes the recognition on the need for providers of general-purpose AI models operating in the EU market to comply with EU copyright laws and minimum transparency obligations, which are indispensable for rightholders to exercise and enforce their rights.

The actual wording of the text resulting from the political agreement is to be finetuned at forthcoming technical meetings, and the new AI Office will be tasked with conducting further work to formulate practical arrangements for its implementation. We are encouraged by the broad understanding of these basic principles by all EU institutions and Member States at the final stage of the negotiations but call for caution and urge for robust implementation to translate this political commitment into a concrete obligation of result.

Véronique Desbrosses said: “ Transparency requirements and respect for EU copyright rules applicable to all models, preventing circumvention of EU’s protective measures are prerequisites for any AI regulation before it can be called responsible. A robust implementation allowing rightholders to properly exercise their rights under EU law is crucial to ensure that the principles agreed upon have a real impact in practice. Authors’ societies look forward to embracing this new market and generating value for creators and businesses alike, while contributing both to innovation and creation in Europe.”

Victor Finn, CEO of IMRO notes: “The conclusion of the trialogue negotiations is an essential first step in regulating AI platforms. The final text ensures that AI platforms must respect EU copyright rules regarding existing creative content used in their algorithms. If that is their preference, such use will need to be licensed by right-holders. This is a very positive outcome for the creative industries. Secondly, AI platforms must provide summaries of the works they have ingested, ensuring transparency of the training data they have used in their processes. We await the newly formed EU AI Office to take up the reins on this and look forward to the EU AI Act’s safe passage through parliament.”

About GESAC:
GESAC groups 32 European authors’ societies (CMOs) and represents as such more than one million authors from various artistic fields, including music, audiovisual, visual, literary, and dramatic arts, from across Europe.

IMRO Staff Raises Over €1500 for Movember, Supporting Men’s Health Initiatives

IMRO announces that it has successfully raised over €1500 in support of Movember, a global charity committed to addressing men’s health issues.

Throughout the month of November, IMRO staff embarked on a fundraising campaign to contribute to the Movember movement. The initiative aimed to raise awareness and funds for men’s health, focusing on critical issues such as prostate cancer, testicular cancer, mental health, and suicide prevention.

The generosity and enthusiasm of the IMRO community played a pivotal role in surpassing the fundraising goal. The funds raised were directed towards Movember’s initiatives, supporting research, advocacy, and programs dedicated to improving men’s health outcomes globally.

Commenting on the successful campaign, Victor Finn, CEO at IMRO, expressed gratitude to everyone who participated, saying, “We are thrilled to announce that together, we’ve raised over €1500 for Movember. This achievement reflects the collective commitment of the IMRO community to making a positive impact on men’s health. We extend our sincere thanks to all the contributors who joined us in supporting this important cause.

Movember, known for its iconic mustache symbol, has been instrumental in sparking conversations about men’s health and challenging stigmas surrounding mental health issues. IMRO’s fundraising efforts align with its ongoing commitment to fostering a positive and supportive community within the music industry.

IMRO looks forward to continuing its engagement with charitable initiatives and supporting causes that contribute to the well-being of individuals and communities.

Shane MacGowan | RIP

With heavy hearts, we mourn the loss of music legend, Shane MacGowan.

His impact on Irish music is undeniable, shaping the genre and sparking a global love for Irish music through his work as a solo artist and with his band, The Pogues.

Shane’s artistic brilliance, both lyrically and on stage, has left an enduring imprint on Irish musical history. His contributions go beyond anthems; they are timeless creations that will forever define an era.

Yet, Shane was more than a musician; he was an authentic cultural icon. His unique voice and storytelling ability painted vivid pictures of Irish life, love, and hardship. His raw, unfiltered emotion poured into every note and lyric.

Our sincere condolences go to Shane’s family, friends, and fellow musicians who were touched by the impact of his music.

Rest in peace, Shane MacGowan.

Lead Photo: Shane MacGowan with The Pogues in 1985. Credit: Brian Rasic

GESAC welcomes the report on the situation of authors in the music streaming market adopted in CULT Committee

Brussels, 28 November 2023 – GESAC welcomes the CULT Committee’s adoption of the initiative report on “cultural diversity and the conditions for authors in the European music streaming market” prepared by MEP Ibán García del Blanco, which rightly highlights the significant problems faced by authors and composers in the music streaming market and calls for EU policy actions to correct the existing imbalances and ensure the market’s sustainability.

The report recognises the key role of creators, who are “at the very origin of the music sector value chain and the first and foremost creative driving force of all music distributed on streaming platforms” and “recalls the need to ensure the value of authors’ rights, regardless of music streaming services’ offers”. It denounces the unfair practices, fraud, and manipulation that “negatively affect the sector, especially authors and performers, and may prevent it from flourishing”. The report “urges the stakeholders to take all necessary steps to overcome the current imbalances and ask the Commission to monitor and encourage progress in this regard, and to consider appropriate policy proposals, should voluntary stakeholders initiatives fail to produce meaningful solutions.”

Moreover, the report includes a clear call for legislative initiatives to ensure the transparency of the algorithms and recommendation tools used by streaming services, and the promotion of cultural diversity in this market.

Véronique Desbrosses said: “The music streaming market has become the main way in which people access music and it is high time to make it a decent and sustainable source of revenue for the authors and composers who are at the core of its success. Authors are asking for the value of music to be improved in the streaming market, and for their key role to be recognised by guaranteeing them a fair share of this value, thus contributing to a sustainable ecosystem. Moreover, EU rules are needed to ensure the transparency of algorithms and the visibility, accessibility and prominence of European works, especially considering the proliferation of AI-generated content and the wrongful manipulation of streams. We welcome the report adopted by the CULT Committee which recognises those points and we would like to thank all the MEPs who worked on this issue, especially the Rapporteur MEP Ibán García del Blanco for all his efforts.”

About GESAC

GESAC groups 32 European authors’ societies (CMOs) and represents as such more than one million authors from various artistic fields, including music, audiovisual, visual, literary and dramatic arts.

Borderline launches this February 2024 presented by Singular Artists 15-16 February 2024

Featuring across the two-day festival (A-Z listed)

Antony Szmierek

Cardinals

EFÉ 

Enola Gay

Fat Dog

Kai Bosch

Lambrini Girls

Maruja

Miso Extra

Mount Palomar

Nxdia

Sam Akpro

Sans Soucis

Spider

University

Thursday tickets | Friday tickets 

Two-day ticket available 

Pre-sale tickets are available from Tuesday 28th Nov at 9 am by signing up to the Singular Artists mailing list https://bit.ly/SingularSign-Up 

General tickets will go on sale Friday, 1st December at 9 am LINK

singular artists proudly present the new showcase festival ‘Borderline’, taking place in The Workman’s Club and Cellar on Thursday, 15th and Friday 16th February ‘24. 

Aiming to shine a light on emerging talent breaking through: focusing on left-of-centre, forward-facing artists that are pushing boundaries. Borderline will give each artist a new platform to showcase their music to an Irish audience. 

Borderline is not just an event; it’s a celebration of creativity, pushing the boundaries of artistic expression and introducing audiences to the vanguard of the international and Irish music scenes.

This intimate two-day showcase spanning across two stages, promises to be a sonically engaging experience featuring a carefully curated lineup of 15 exceptional artists (up to 8 per day) set to grace both the Main Room and the Cellar. 

Across the two nights at The Workman’s Club, Borderline will host Antony Szmierek,  Cardinals (So Young), EFÉ, Enola Gay (Modern Sky), Fat Dog (Domino Records), Kai Bosch (LAB records), Lambrini Girls (Big Scary Monsters), Maruja, Miso Extra (Transgressive), Mount Palomar, Nxdia, Sam Akpro (ANTI), Sans Soucis (Decca), Spider (AWAL) and University (Transgressive).

Borderline is proudly presented by singular artists with thanks to their partners Jameson, IMRO, Blackstar Amplification and MusicMaker. 

Speaking about the festival, founder Simon Merriman says: 

“We’re delighted to be working with some of the most exciting new artists currently breaking through in the industry. Over the past 12 months, these artists have made significant waves across Europe and beyond and we feel privileged to introduce them to an Irish audience, many for the first time.

We know that it’s vital to support new music in Ireland and Borderline is dedicated to providing these artists with a platform to connect with new fans. The appetite and desire for new music in Ireland is there and we’re excited to be part of it. Catch you down the front!  

Keith Johnson, Director of Marketing and Memberships says; “IMRO is delighted to support Borderline, an exciting new festival that amplifies the best of emerging talent. Beyond the music, it’s a dynamic platform fostering networking, collaboration, and paving fresh avenues for artists to shine on the international stage. Join us in February in embracing the future of music at Borderline”.

Additional information and links:

IMRO Achieves ‘A Better Workplace’ Accreditation

IMRO is pleased to announce that it has been accredited with the ‘A Better Workplace’ certification, a testament to the organisation’s commitment to fostering a positive and inclusive work environment.

‘A Better Workplace’ is an organisation dedicated to recognising and accrediting workplaces that prioritise employee well-being, diversity, and a positive organisational culture. The accreditation is awarded to organisations that demonstrate a commitment to fostering an environment that empowers employees to thrive both personally and professionally.

The accreditation was awarded by Sinead Scott-Lennon, Founder and CEO of A Better Workplace, who expressed her enthusiasm for IMRO’s dedication to continuous improvement. “I am thrilled to award IMRO the ‘A Better Workplace’ accreditation. Since working with them in 2022, they have been extremely consistent in their efforts to become better across all areas of culture. They are committed to continually striving for a better workplace for their people, which makes them a wonderful place to work and engage with in business.”

This recognition underscores IMRO’s ongoing initiatives to create a workplace that prioritises the well-being and professional development of its employees. IMRO has demonstrated a commitment to fostering a positive culture that not only values equality, diversity and inclusion but also encourages innovation and collaboration among its team members.

Victor Finn, CEO of IMRO, expressed his gratitude for the accreditation, stating, “Receiving the ‘A Better Workplace’ accreditation is a significant milestone for IMRO. It validates the hard work and dedication of our team in creating an environment where everyone feels valued and supported. We are proud to be recognised for our commitment to continuous improvement and look forward to building on this success in the future.”

The ‘A Better Workplace’ accreditation serves as a mark of distinction, affirming IMRO’s position as a leader in creating a workplace that fosters employee engagement, professional growth, and overall well-being.

Learn more at www.abetter-workplace.com

EU Activities Update: Milestones in Legislation for Artists’ Working Conditions and Authors in the Streaming Market

Legislative initiative on the working conditions of artists adopted in the European Parliament (EP)

On November 21st 2023, the EP adopted a draft legislative initiative on an “EU framework for the social and professional situation of artists and workers in the cultural and creative sectors”, which highlights the precarious working conditions and uncertain legal status for artists and other professionals in the cultural and creative sectors in several European countries, and requests legislative tools to address the issue. The initiative flags several growing problems in the creative industry, including buy-out contracts, which, according to the text, can lead to “an abusive and coercive practice circumventing EU rules on fair remuneration” and confirm “deep power imbalances between contracting parties” and requests the Commission to assess the situation. The initiative also underlines the critical role of CMOs and “their global system” in “enabling creators to be remunerated fairly, including through the negotiation of tariffs with users, and in contributing to the promotion of cultural diversity and expression”.

Read more here.

European Parliament Culture Committee report on authors in the European streaming market

The European Parliament’s Culture Committee’s vote on “Cultural diversity and the conditions for authors in the European streaming market” a draft report led by MEP Ibán García del Blanco, has been adopted on Nov 26th. The Report defends the need for a sustainable ecosystem for authors, emphasising greater visibility and a more balanced distribution of royalties in the streaming market. It calls on the European Commission to propose a legal framework to ensure the visibility of European works, including the possibility of imposing quotas on European works on music streaming platforms and legal obligations to ensure the transparency of algorithms and content systems to prevent fraudulent and unfair streaming. The Report also refers to AI issues impacting the cultural industries, advocating for ethical use of AI in the music sector, maximum transparency in every step of the development, the need for setting an AI-generated label for AI-generated music, and the importance of ensuring that authors whose works have been used to train AI models are fairly remunerated.  More action has been taken by EU policymakers regarding the discoverability of European works, with the European Commission’s Directorate General for Education and Culture has launched a call for tender in August for a study on the discoverability of European works, with results expected by the end of 2024. The study will focus on the availability and accessibility of cultural content online and how content prioritisation practices, algorithm recommendations, and curation strategies influence exposure to cultural and linguistic diversity.

IMRO Celebrates Dolans Limerick as Recipient of the Best Music Pub Award at the Irish Pub Awards

IMRO is delighted to announce Dolan’s Limerick as the winner of the ‘Best Music Pub’ at this years’ Irish Pub Awards. This recognition is a testament to Dolans’ outstanding contribution to the Irish music scene and its commitment to providing an exceptional live music experience.

The Best Music Pub Award, sponsored by IMRO, acknowledges the crucial role that pubs play in fostering and promoting live music. Dolan’s has consistently demonstrated excellence in this regard, creating a vibrant and welcoming space for music enthusiasts and artists alike.

Dolan’s has become synonymous with top-tier live performances, showcasing a diverse range of musical genres and providing a platform for emerging talents. This award is a recognition not only of the venue’s commitment to musical excellence but also its role as a hub for fostering a sense of community through the shared love of music.

The Irish Pub Awards serve as a benchmark for excellence in the hospitality industry, and IMRO is thrilled to be part of this celebration of outstanding establishments.

AikJ Releases Latest Track ‘Petite Fleur’

AikJ possesses a unique perspective on R&B that encompasses everything from addictive funky grooves to soulful 90s-inspired croons, making it a great blend for the R&B genre. 

With AikJ’s music there is a distinct signature that emerges, ranging from a soulfully smoked-out sound to an enigmatically energetic beat. Taking inspiration from the likes of Labrinth, Timbaland, Miguel and many more, the music he makes is both edgy and eclectic.

With over a million streams across multiple digital service providers, cover spots on editorial playlists and millions of radio impacts on national and international radio stations such as SiriusXM, BBC Introducing, Amazing Radio USA and UK. And with a sync placement on ITVs ‘Maternal’ recently,  AikJ has just announced its brand new single ‘Petite Fleur’, which will be released on November 10th.

Speaking on the new single, AikJ comments:

‘’It can be hard to find the entity that feels like a completion of your being. It could manifest as a purpose or some long to find that in a person. Petite Fleur is that special little flower in your garden you spend the most time watering and taking care of. Awakens your spring and Brightens your summer, Protects your autumn and comforts your winter. It knows everything about you and you feel whole with it around.”

AikJ has been named one of the most promising artists to watch by many publications including The Irish Times, Wonderland Magazine, RedBull Music, Earmilk, District Magazine, and so on.

Follow AikJ:

Instagram | Twitter | Facebook | TikTok | Spotify | Apple Music

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