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Month: September 2018

Pale Rivers Announce Tour Dates Ahead of EP Release

After performances this summer at Indiependence and Electric Picnic, Pale Rivers announce some tour dates for October and November.

Following on from the atmospheric ‘Montparnasse’ and the more immediate sound of ‘Don’t Worry About Me’, the band released ‘Icefield’ in August, the third track from the forthcoming EP.

Based out of Cork and Tipperary, the band began playing their first shows around the country including slots at Hard Working Class Heroes and Whelans One’s To Watch, as well as some high profile supports for acts such as Teleman, British Sea Power and The Wedding Present.

EP Tracklist

  1. Monparnasse   – https://youtu.be/Qx2YV8NTMcA
  2. Don’t Worry About Me – https://youtu.be/zEdZYesf58o
  3. Icefield  – https://youtu.be/Fftq1iD6Z98
  4. Caught In It

Tour dates

Oct 6th – Gleesons, Clonmel
Oct 18th – East Side Tavern, Dublin
Nov 3rd – Cyprus Avenue, Cork
Nov 16th – Mike the Pies Listowel (supporting Columbia Mills) 

“We are Pale Rivers, a five-sided case study, sound vehicle. To speak of the past is, often times, erroneous at best. But to not share some details of how things came to pass would be wasteful, un-opportunistic and questionable”.

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Boon for Creativity as MEPs vote to support EU Copyright Proposals

Music and wider artistic sector can be confident of fairness in the future, as creative rights recognised

The Irish Music Rights Organisation today welcomed the result of the European Parliament Plenary Vote on the JURI Committee’s recommendations in relation to the proposed Copyright Package.

The vote, which was carried with 438 votes in favour, 226 against and 39 abstentions, is another step to provide clarity for the creative sector and some technology platforms in relation to recognition of copyrights, and remuneration for artistic works.

Commenting, Eleanor McEvoy, singer-songwriter and Chair of IMRO said:

“This is a good day for Irish music and on behalf of IMRO’s 12,000 members, I’d like to express thanks to those Irish MEPs who have been consistently supportive of our position. There has been a lot of mis-information to date in relation to the application of these proposals, and I’m glad that common sense has, so far, prevailed.

The Copyright Package has only ever been about fairness – fairness for the creative sector, and artists whose works have been exploited by certain technology companies, as well as consumers. It is, of course, disappointing to see that this point was lost on certain MEPs who chose not to support the proposals.

Technology and music can and do work hand-in-hand, and that’s great – but it has to be fair. Creators need to be paid for their work. I hope that the next stages of negotiation with the Commission and Council, will allow for a speedy adoption of these measures.”

 Victor Finn, Chief Executive of IMRO said:

“IMRO expresses our thanks to MEPs who have consistently supported the position of Irish musicians on this issue. Today’s vote has demonstrated that technology and music go together, and that the majority of the political system recognises the system must be equitable.

This is a first step in a whole range of issues that must be addressed to secure the sustainability of Irish music into the future, and we look forward to engaging with Government in the very near future to ensure its speedy adoption.”

 

Open Letter From Singer-Songwriter Eleanor McEvoy to Members of the European Parliament

Copyright Plenary Vote (12th September 2018) – A final opportunity to safeguard the future of Irish and European culture

On September 12th,  you will have the opportunity to vote to protect Irish music and culture. This is a crucial vote, not only for Irish musicians, but for all creators.

The future of Irish culture is in the balance.

Please vote yes.

In recent years, technology has driven change. It has grown our economy, created jobs and opened up new conversations on a host of issues. A lot of this change has been positive. Of course, technology has been helpful.

But that doesn’t mean that we must listen to everything that these companies say.

It doesn’t mean we can’t question what they do.

It doesn’t mean that we forget about our culture. Our stories, our melodies, our language and our lilts – they are a huge part of what makes us Irish.

No website could ever replace culture. No tweet or ‘like’ could alter what is within our souls.

Technology has been good for music and will continue to be. The two can work hand-in-hand. There’s no question of that.

The question on September 12th is one of fairness.

Music has been very good for technology. However, many large multinational companies – household names – have been exploiting artists’ work, for no return.

These companies have been profiting on the back of the creative sector, driving revenues from the likes and shares of people all around Europe.

That’s just not fair.

We now have an opportunity to change this. To protect our artists, our writers, our singers, our creators.

If the copyright proposals are rejected by Parliament, many Irish artists will simply not be able to go on.

This is not about censorship. It is not about ‘breaking the internet’. It is not about banning content.

It is about asking technology companies to finally take responsibility and pay for what they use.

Now is the time to decide.

Do we want to continue to accept everything these companies tell us, everything they do?

I’ve been fortunate enough to have had many years of opportunity, of being able to share my creations with the world.

I want the next generation to have these opportunities too.

Please be strong for Irish culture.

Please vote yes on September 12th.

Eleanor McEvoy | IMRO Chairperson 

Davie Furey Shares Video for ‘Tara’

‘Tara’ is the 3rd single from Davie’s album, ‘Easy Come Easy Go’.

 Growing up in Navan, we went there as kids, rolling down the hills, kicking a ball around, giving Sparky, our little dog, a run. For me it holds many happy memories but it’s much more than that now. It’s magical, it’s mysterious, it holds Ireland’s history within its fields…the seen and unseen. I hope it brings you peace.

Special thanks to director and artistic genius Marc Corrigan, music producer Martin Quinn in JAM Studios and uileann piper Sinéad O’Shiel Flemming.

Fureys’ debut album ‘Easy Come Easy Go’ was very well received in audiences across the country having been showcased by RTE, BBC Radio both home and abroad, resulting in a worldwide publishing deal with Universal Music.  Nominated three years in a row by The Pure M Awards, for Best Newcomer, Best Male Artist and Best Irish Solo Act. Davie’s knack for telling a story through song and his ability to engage a crowd have resulted in many sold out shows on his previous tours.

Website address:  www.daviefurey.com
Facebook link:     https://www.facebook.com/daviefureymusic1/
Twitter link:    https://twitter.com/daviefurey?lang=en
Soundcloud link:   https://soundcloud.com/davie-furey-music
Spotify link :    https://open.spotify.com/artist/0pJVfAuuVnqtwbSbwGPFwe?si=SHLtpXxfTd-XYVje1BdryA

Meghan Ali Releases ‘Men Men Men’

Meghan Ali, a songstress from Cork City describes her music as “…a recipe made with a dab of Blues, Folk, Jazz and Pop, hence the flavoured taste.”

Meghan Ali was delighted to work with Billy Farrell (4 times platinum producer for The Corrs/ Ryan Sheridan’s hit ‘Jigsaw’) to produce ‘Men Men Men’. Recorded between Nashville & Dublin,’Men Men Men’ has the perfect blend of both.

The song tells one woman’s frustration at falling for a man who ultimately sees her as just another name in his black book. It explores the notion that women often jokingly confide that sometimes it would be easier to be a lesbian because men make things so difficult. That aside, the song is still true to the sultry, sexy and tempestuous relationship between man and woman. Set in the 1950’s, the music video, directed by Ovie, captures the love, lust, lies and loss centred around the 3 main characters.

The launch of ‘Men Men Men’ music video took place at The Reel Cinema, Blackpool.

From a young age, once guitar was in hand and the first strings were plucked, melodies and concepts came naturally to Meghan Ali. Reluctant to be defined by a specific genre, she instead concentrates on crafting her songs around people, places and life experiences thus allowing the listener to easily identify with her lyrics. Although the penmanship may set the scene, Meghan Ali always begins with the melody, describing it as the “seed from which the plant grows”, hence the mighty respectful nod to both guitar & penmanship in her logo.

As a complete aside: Meghan is an Earth & Environmental Scientist which may explain the organic flavour to her quotes! She hates early mornings, the Irish weather and being cold- loves the ocean, swimming in the sea and generally being outside. Her ideal home would be a luxury tree house in a hot country. Until then she is saving to buy planks of wood for the Oak tree in the back garden…

Meghan Ali, along with fellow ‘MAHOO’ band members Aisling Urwin and Bart Kondrat, won the title of Ireland’s top buskers as voted by judges Aindrais de Staic, Sile Seoige & Fiachna O Braonain (Hothouse Flowers) who described ‘MAHOO’ as “extremely talented with unique and powerful personalities which gave goose bumps during their performance”

Meghan Ali has also supported the likes of John Spillane & Bagatelle.

JaXson To Release ‘We Were Born’

JaXson is the brainchild of Wexford singer-songwriter Luke Jackson.

After years of gaining experience, Luke released himself as JaXson in January 2017.

During his first gigs, he was on the bill with artists such as Chasing Abbey, WOLFF and Bicurious to name a few.

Some of his highlights of 2017 was playing the Wexford Spiegeltent Festival and playing a showcase for IMRO as part of IMRO First Cuts on the eve of his debut single release.

He released debut single, All I’m Fighting For in October 2017 and featured on Beat 102 103, Classic Hits 4FM, South East Radio, 8Radio & many more.

But 2018 saw JaXson move to new heights.

He played to a packed crowd at Vantastival 2018, played Sofar Sounds in Dublin, supported Little Hours in Waterford and played on the 2FM Play The Picnic Stage at Electric Picnic 2018.

I can’t help it – if there are weaknesses inside me. I am human – and so is everyone around me.

His sophomore single, ‘We Were Born’, tackles issues much deeper than one would think at first listen. “I think, in this day and age, it is so easy to forget that everyone has imperfections.” says JaXson.

Every photo you see is photoshopped or edited, and young people are constantly comparing themselves to the next person they see. Social media has become a battleground for likes and popularity and people are getting more and more self-conscious everyday. It’s dangerous!

‘We Were Born’ was created to remind us all that we are who are and nobody else can compare to us. We are all unique. We were not manufactured to be perfect. Nobody is perfect.
The song was recorded and produced by Darragh Nolan of Asta Kalapa Studios in Gorey, a studio which has seen the likes of Ailbhe Reddy, Daithi & Molly Sterling.

‘We Were Born’ is available on Spotify and all other platforms from the 14th September.

Find more information on www.jaxsonsound.com

Sweat Threats Share ‘Suffocate’ Ahead Of EP Release

London-based, Irish 3-piece Sweat Threats are this week releasing their 3rd single and video of 2018 for ‘Suffocate’, from their upcoming debut 6-track EP ‘Sweet Treats’.

Niall Jackson (Bouts, Swimmers) and Matthew Sutton (Tayne) formed at the tail-end of 2016 and sculpted this project throughout 2017 before adding Jesse Gander’s (Japandroids, White Lung) impressive mixing skills.

The ‘Sweet Treats’ EP, comes out on Wonky Karousel Records online and on a limited run of cassettes for #CassetteStoreDay this October 13th.

‘Suffocate’ is their 3rd single of 2018 and has been described as ‘a post-punk, post-grunge onslaught’ – Raw Meat.

The EP contains 6 ‘Sweet Treats’ for fans of Les Savy Fav, Idles, Therapy?, Fucked Up, Shame, Test Icicles, The Bronx.

Themes of abandonment, reclusiveness, male toxicity, loss of youth and staying positive in the face of  political turmoil are all tackled, victoriously so.

Recorded by Matthew Sutton (Vocals/ Guitar / Drums) & Niall Jackson ( Vocals/ Bass)

Mixed and Mastered by Jesse Gander (Japandroids / White Lung).

Sweat Threats  are joined by Lucy Brown (Bad Grammar) on drums for live shows.

Their next show is in The Vic in Walthamstow E17 on September 12th opening for Coltana.

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Paddy Nash & Paul Casey Release ‘Everybody Is A Songwriter’

‘Everybody Is A Songwriter’ is the second song from a forthcoming brand new album by 2 of Derry’s finest Singer-Songwriters Paddy Nash & Paul Casey.

Long time friends Paddy & Paul got together one night over a beer and one thing led to another. This was the result.

‘Everybody Is A Songwriter’ will be available on all digital platforms this Friday 14th Sept.

Laura Elizabeth Hughes Joins Lenny Abrahamson and Domhnall Gleeson for Culture Vultures

Culture Vultures returns to The Sound House on Eden Quay on Thursday, 27th September, following a summer of festival hopping around the country.

Very special guests include director Lenny Abrahamson, actor Domhnall Gleeson, and singer-songwriter Laura Elizabeth Hughes.

Lenny Abrahamson makes a very welcome return to Culture Vultures a few days after the nationwide release of his new film, The Little Stranger. The gothic-horror was written by Lucinda Coxon, and stars Domhnall Gleeson, Ruth Wilson, Will Poulter and Charlotte Rampling.

Actor Domhnall Gleeson makes his Culture Vultures debut, and will join the conversation with Lenny and Tony Clayton-Lea on the night. The Dublin actor’s impressive career has seen him star in both Irish and international award-winning movies, including About Time, Frank, Brooklyn, Star Wars: The Force Awakens/The Last Jedi, Ex-Machina, The Revenant, Mother!, American Made, and Peter Rabbit.

Since the release of her debut E.P. in 2014, Laura Elizabeth Hughes has received widespread acclaim, establishing herself as a rising talent among a fresh new group of emerging Irish songwriters. Her unique voice has seen her build a substantial fan base around the world, with her YouTube channel amassing an astonishing 2.5 million views.

Tickets priced at €12 plus booking are available this Thursday from www.ticketmaster.ie . Doors 7.30pm.

https://twitter.com/CVultures_
https://twitter.com/thesoundhouse_
https://twitter.com/lennyabrahamson
https://twitter.com/ellhayche
https://twitter.com/TonyClaytonLea

 

Locklin Releases ‘Two Shining Lights’

Having already received airplay on UK radio recently (Nova Radio North East), Locklin, a Tipperary based musician is set to launch his 4 track debut EP, entitled ‘Never Forget’. The first single to be shared from this EP is ‘Two Shining Lights’.

With a sound that can be described as melodic indie/rock, ‘Never Forget’ was recorded at Twin Oaks Recording Studio in Tipperary and mastered by London based mastering engineer Pete Maher, who has worked with the likes of U2 and Liam Gallagher among others.

Locklin aka Barry McLoughlin was previously rhythm guitarist in The Rumours, who in 2006 and 2007 took to the Crawdaddy stage to raptorous crowds at the much renowned Electric Picnic music festival in Stradbally, Co.Laois.

Locklin has previously worked with legendary Irish Independent label Reekus Records as part of The Rumours. They released the EP ‘When the Sun Hits Your Eyes’ in 07, with the debut single ‘Keep It Going’, peaking at no.2 in the Irish Download Charts was written by Locklin. The nod of approval at the time was given by Hotpress journalist Jackie Hayden (Demo of the Fortnight) and received regular airplay too from Alison Curtis on her show The Last Splash, on Today FM, as well as sessions at 2FM.

Locklin received assistance in this recording process from Cian Cronin (drums) and Eoin Ryan (guitar) both current members of the much renowned Seskin Lane and Ryan being a previous bandmate with Lockin in The Rumours.

Locklin will be performing at…

Crane Lane Theatre, Cork September 27th
with other dates to be announced

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