Author: Zoé Piater

Audrey Bridgeman and Gerry Hendrick have won a prestigious Award of Merit from The Accolade Global Film Competition. The award was given for Audrey and Gerry’s exciting original song, ‘Come Away With Me’, which is about the importance of connection with others and the right of every person to a safe haven so that they have the freedom to pursue their dreams and happiness. ‘Come Away With Me’ features exceptional musicians including Zeenie Summers and Nono Size Madolo, both on additional vocals. ‘Come Away With Me’ was also won an Award of Merit for the music video, which was directed and produced by John Bermingham.

“It is an absolute pleasure to receive this award and to gain recognition abroad for our original song” Audrey Bridgeman

The Accolade recognizes film, television, videography and new media professionals who demonstrate exceptional achievement in craft and creativity, and those who produce standout entertainment or contribute to profound social change. Entries are judged by highly qualified professionals in the film and television industry. Information about the Accolade and a list of recent winners can be found at www.accoladecompetition.org.

In winning an Accolade, John Bermingham, Audrey Bridgeman, and Gerry Hendrick joins the ranks of other high-profile winners of this internationally respected award including the Oscar winning production of The Lady in Number Six by Malcolm Clarke, the very talented Dave Bossert of Disney for his short documentary, The Tunes Behind The Toons, Hollywood industry veteran Ron Howard for When You Find Me and Highwire Films Australia for their popular ABC TV series twentysomething.

Rick Prickett, who chairs The Accolade Global Film Competition, had this to say about the latest winners, “The Accolade is not an easy award to win. Entries are received from around the world from powerhouse companies to remarkable new talent. The Accolade helps set the standard for craft and creativity. The judges were pleased with the exceptional high quality of entries. The goal of The Accolade is to help winners achieve the recognition they deserve.”

‘Come Away With Me’ also received Best Music Video Award at the Los Angeles Movie Awards in May where the video was screened. Audrey attended the screening at the Whitefire Theatre, LA and picked up the award.

“A new single from Arrow In The Sky’s upcoming album to release later this year. ‘Fire’ is psychedelic and genre-diffusing, with influences ranging from punk to rock to even some folk.”
–     Hot Press.

“As anticipation builds for the full album release, ‘Time Of Need’ offers a tantalizing taste of what’s to come from this talented Irish outfit.”
–     Pure M Zine

Arrow In The Sky are a dynamic duo of multi-instrumentalists, Conor McCauley and Brian Murphy, hailing from the heart of Ireland. Known for their unique sound, they have previously released two acclaimed mini-albums: Do What Thou Wilt (2009) and Winter’s Requiem (2011). Their songwriting partnership creates a distinct world of rapture and sorrow, blending traditional instruments with an unconventional approach.

Arrow In The Sky’s live performances are as captivating as their studio work, featuring looping guitars, blazing mandolins, and a suitcase-turned-bass drum. This innovative style has made them a favourite opening act for renowned Irish bands like Villagers, The Stunning, and Duke Special.

Their previous singles such as ‘Time of Need’ and ‘Fire’ which has nearly 9k streams on Spotify, picked up support in the likes of Hot Press, Pure M Zine, Rolling Stone En Espanol, The Beat, IMRO Radio Nova, RTÉ 2XM, LMFM  and more and their single ‘My Sunshine’ has gathered nearly 16k streams on Spotify making the duo a hot one to watch!

‘The Girl Who Thought She Was A Bird’ is the next release from their upcoming highly anticipated album, the single is set for release on June 21st and the band hopes to gather more press and radio support to continue building their momentum.

Fans can also experience the song live as Arrow in the Sky at their upcoming gig in Clarke’s Mullingar on the 19th of July.

‘The Girl Who Thought She Was a Bird’, the latest track from Arrow In The Sky showcases the band’s signature blend of lyrical depth and haunting melodies, capturing the essence of human longing and resilience. Originally written during Ireland’s last recession and mass youth exodus, the song’s poignant themes of aspiration and escape remain strikingly relevant today. This modern-day emigration song attempts to capture the enduring human desire for freedom and transformation amidst economic hardship.

The song narrates the story of a young woman dreaming of escape and transformation, set against the juxtaposition of urban sprawl and natural beauty. With vivid imagery of “glass canyon corridors” and a “lion’s roar” sunrise, the song immerses listeners in a world where hope and reality intertwine.

To work on the upcoming single the band brought in their good friend, Leeds violin virtuoso Kieran O’Malley. R’n’B is brought by punk rockabilly double-bass man Tim Fernley and rhythmic powerhouse Michael Cronin on drums.

Facebook       Instagram      Spotify     Twitter

Following a sold out headline show in the Cobblestone on Sunday 9th June, and critical acclaim for his latest two singles, ‘Nixer’ and ‘Frank Edwards’, rising Waterford folk artist Tadhg Williams has released his next single ‘Endgame’.

“Endgame is a bit of a funny song in that it was actually a challenge. I was seeing a therapist at the time and I had experienced a break up. I found it hard to express myself after that break up. I couldn’t cry. I felt like stone. The therapist challenged me to write a song suggesting that it could act as the emotional release I needed. She was right – it kind of poured out of me and looking back on the lyrics now, three years later, it’s more of a song about loneliness and isolation. I think it’s probably the most honest song I’ve ever written.”

The cover art features Williams’ great-grandparents, James Morrissey and Mary Flavin. “When I was digging around for cover art for these tracks, I was looking through my own family photos and came across this one. They’re actually in their mid-50s in this photo, which is a bit mad given they both look about 70, but there’s a lot of character in the image. And I think it’s a nice antithesis to a song about loneliness and isolation, to have the cover art as two people who I personally know were together until the day they died.”

Recently described as “a luminary in the contemporary folk music landscape, poised to leave an indelible mark on Dublin’s vibrant cultural tapestry” by Pure M Magazine, Williams has earned widespread critical acclaim for his most recent two singles, including plays on RTÉ Radio 1, Today FM, FM104, Beat 102 103, iRadio and Radio Nova, and articles in RTÉ and Hot Press Magazine.

Since Williams released ‘The Summer Song’ in 2021, he has worked to develop his stage craft, supporting a variety of acts from Mary Black and The Stunning to Kingfishr and Niamh Regan, and has completed an undergraduate degree in history – a huge source of inspiration for his songwriting.

In 2023, a small Irish tour road-tested new songs alongside a band, before going into the studio with producer, Geoff Warner-Clayton (Gavin James, Kingfishr, Driven Snow), to further develop these songs. They have been mastered by iconic producer John Reynolds (Sinéad O’Connor, Damien Dempsey).

“This is quite an excellent song… There’s something sort of very poetic about it. What an epic war time song it is.” – Kieran McGuinness, Radio Nova on ‘Frank Edwards’

“I was blown away with it. His storytelling in this is absolutely phenomenal.” – Nessy Monaghan, RTÉ 2XM on ‘Frank Edwards’

“Tadhg is a poet who conjures songs both humorous and moving, rich in humanity.” – Junior Brother

“Catchy and relatable.” – Claire Beck, Today FM on ‘Nixer’

Credits:

Vocals & Guitar: Tadhg Williams
Piano: Gemma Cox
Cello: David Doyle
Production: Geoff Warner-Clayton
Mastering: John Reynolds

Ahead of their upcoming headline show at Beyond the Pale festival…

HousePlants (Paul Noonan & Daithí) share new video for ‘No Pushover’, recorded live at the Button Factory, Dublin.

Buckle up for what promises to be an electrifying performance from HousePlants at the Beyond the Pale festival this weekend. The duo have just released a live recording of “No Pushover”, giving fans a thrilling preview of their set. Watch it here: https://youtu.be/AQRfhMSOITk?si=ivbR_CfgSQoToZXq

The performance was filmed at their recent headline show at The Button Factory in Dublin. Artists Bell X1 frontman Paul Noonan and groundbreaking producer Daithí, were joined on stage by Alex Ridley (Drums), Glenn Keating (Bass), and Sinead White (Keys & Stylophone), with the set captured by the talented DOP Paul Mahon.

Daithí says: “‘No Pushover has been a highlight of our show for the past few months, it really hits that euphoric moment when the audience and the band join up. Sinead has become the best stylophone player in the country, we’re delighted she gets to flex her stylo-muscles.”

After their acclaimed 2021 Choice Prize-nominated album “Dry Goods” and the 2022 EP “Seaglass,” HousePlants are back with a bang in 2023. They’re suited and booted, with a new album on the horizon and fresh singles “No Pushover” and “Every Flower is a Field.”

Don’t miss HousePlants on Beyond the Pale’s main stage this Saturday, June 22nd at 5pm.

Spotify
Instagram
Twitter
Facebook
Bandcamp

‘JILTED’
The Premiere Concert:
The Sugar Club: June 23rd
A New Original Musical You’ll Want To Run Away With

‘Lauryn Gaffney is one of the best Irish Musical Theatre composers I have had the pleasure of hearing in recent years’ London Box Office

‘Excellence in the music’ View From The Gods

‘When musicals are this good it’s hard not to notice’ RTÉ Radio One

Embark on an emotional journey as “Jilted“, an exciting new original musical, takes the stage for its premiere concert at The Sugar Club on June 23rd. Bursting with raw emotion, unforgettable melodies, and powerhouse performances, “Jilted” promises to captivate audiences and leave them craving more.

Created by Lauryn Gaffney, a musical theatre writer who has gained recognition for her exceptional work in the industry. With a passion for storytelling and music, Gaffney has a unique ability to create captivating and emotional narratives that resonate with audiences. Her commitment to exploring complex themes and creating rich characters has set her apart as a rising star in the musical theatre world.

After Lauryn’s success with her first Original Musical ‘Big Shot’ hitting Off-Broadway, 54 Below and winning 5 Broadway World Awards, it feels about time to bring her newest show to life. Set against the backdrop of love, loss, and redemption, “Jilted” weaves together a tapestry of heart-wrenching narratives and uplifting anthems that will linger in the hearts of all who attend. Led by a stellar cast of renowned Irish musical theatre performers and accompanied by a live band, the premiere concert of “Jilted” offers a glimpse into the world of musical theatre at its finest. With each note and every lyric, audiences will be transported on a journey of love, longing, and ultimately, self-discovery.

“We are thrilled to bring ‘Jilted’ to life at The Sugar Club. This concert is a celebration of originality, creativity, and the power of storytelling through music. We cannot wait to share this unforgettable experience with audiences and invite them to join us on this magical journey.”

Don’t miss your chance to be a part of musical history. Get your tickets now for the premiere concert of “Jilted” at The Sugar Club on June 23rd. It’s an event you won’t want to miss! For ticket information and to learn more about “Jilted,” visit https://thesugarclub.com/tc-events/jilted/

Lauryn Gaffney Instagram
Jilted Instagram

Following the release of her single ‘Went To Walk’ in May 2023, Sligo-based Austrian violinist/singer/yodeller and composer Claudia Schwab sets out to launch her third solo album of the same title, coming July 7th.

‘Went to Walk’ video: https://www.youtube.com/watch?v=M3XomKobGUE

Born out of a solitary forest, the seaside, and mountain dwellings during the periods of lock down, Schwab’s album marks a return to the origins of her composing practices: a world of sound that she could create, and retreat to, entirely on her own.

Never shy of crossing borders between genres, traditions, and conventions, the album presents an introspective body of folk-inspired songs with experimental elements. Amalgamating aspects of the worlds of Irish, Austrian and Indian Classical music traditions, the compositions are interwoven with sound samples collected at home in Sligo, as well as during arts residencies in Crete, Austria, India and Sri Lanka. Amidst the sounds of a whistling kettle, wooden drawers, a coffee cup, nuclear alarms or Indian prayers, we hear of unfinished love stories, the yearning to be left alone, diverse “what if” scenarios of re-crafting our lifestyles, or reflections on the startling lack of being present to our own lives.

Featuring guest musicians Jos Kelly (keys) and Matija Solce (accordion) on the title track “Went To Walk”, as well as Michael McGoldrick (flute/whistle) on the avantgarde yodel-trad experiment “Jodlphase”, the remainder of this delicate body of sounds is written for an intimate solo set up of violin, vocals, piano and loops.

Today, Claudia shares the second taster of what’s to come with new song ‘Ois Z’Vü’. Speaking on the song, she says “What do you do when you feel overwhelmed? My strategy is this: I go to bed. Don’t call me, leave me my peace. These days they were beautiful, but now I’m going to lie down. Sometimes I am missing a bit of time to breathe and dream; that moment has come Now.”

Written in her native Austrian dialect, the song features a rhythm collage made out of sound samples such as a wooden drawer, a crunched spinach bag, samples of space and nuclear alarms, her front door, a bulldog attack on her neighbour’s tree, and her granny’s old pendulum.

Ois Z’Vü video: https://youtu.be/vYNU7BB1HrQ?si=E7iFxpbbaEPaLekw

The album ‘Went to Walk’ will be available on CD and all streaming platforms July 7^th 2024.

TOUR DATES:
July 7th; 7pm at Methodist Church, Sligo @ Cairde Sligo Arts Festival, IRE (https://www.cairdefestival.com/events/claudia-schwab)
August 11th; 12pm at Viru Folk Festival, EST
October 8th; Mermaid Arts Centre, Bray, IRE
October 28th: The Glens Centre Manorhamilton, IRE
November 1st; UCC FUAIM, Cork, IRE
(More dates to be announced soon)

ALBUM TRACK LIST:

1. WHAT IF                              03:44
2. SHRAVANABELAGOLA     01:02
3. WENT TO WALK                 07:26
4. JODLPHASE                       05:52
5. UNDER WATER                  05:11
6. STRAY BIRDS                     05:11
7. STOP THE CLOCKS           09:51
8. OIS Z´VÜ                             04:36
9. EK ONG KAR                     01:10
10. HOW LONG                        03:15

Total running time: 47min.

Dublin based folk band Blue Fish Diamond will release a new single called The 1980s on Friday 21^st June, which will be available on all major streaming platforms from that date.

About The 1980s
The 1980s is about the loss of a loved one and a longing to see them again. The opening line “I’ve been spending my days trying to find a way to the 1980s” captures the finite and irreversible nature of death. In the form of a nostalgic ode, the song reminisces about days spent together. A desire to return to the past culminates in acceptance that this cannot happen with the line “Long is the road and I don’t know if I’m ever going to make it”. The artwork for the song was designed to convey a sense of absence and the emptiness of grief.

The 1980s was produced by Gavin Glass at Orphan Recording Studios and it was written by Jim Murphy. The artwork for the single was designed by Cathal MacHale.

Blue Fish Diamond are a Dublin based folk band who have been described by Hot Press magazine as “a bit of a super-group for those in the know in the capital”. The band was founded in 2016 by Jim Murphy, who in 2014 left a 25 year career in the insurance industry to pursue music full-time.

In 2018, the band released their debut album From Dark to Light and followed this up in 2021 with their second album Frozen Stars on the Night. Their main influences include Leonard Cohen, Tom Petty, R.E.M., The Beatles and Paul Simon.

Blue Fish Diamond’s music has been played on radio stations across Ireland including on national radio and they have also caught the attention of radio presenters in various European countries, the United States, Canada and Australia. One of their songs (Salvation Call) was included on a global retail playlist throughout 2019 and for part of 2020.

They have played at many Dublin music venues including Whelans, The Workman’s Club and The Grand Social and at venues in Kilkenny, Cork, Mayo, Wicklow, Monaghan and Cavan. In 2018, they played at Electric Picnic and they have also played at music festivals in Dublin, Cork and Monaghan.

“a bit of a super-group for those in the know in the capital”
Hot Press Magazine (IE)

“[Sunshine in My Brain] is absolutely stunning, a melancholic anthem with some of the most impressive instrumentation I’ve heard from any unsigned act”
RGM Magazine (UK)

“[Free] is a vibrant ode to nature and freedom through wily guitars, rich harmonies, driving backbeats, and charming visuals”
Atwood Magazine (USA)

“The rollicking new track comes packed with shimmering guitars and silky vocals”
Indie 88 (CA)

“the Dublin based band harness the power and skill of each and every musician to create compelling, emotive music
Listen to Discover (UK)

Photo credit:  @psychedelly

‘Seán Finn and the Late Bloomers’ released their second single ‘Damaged Goods’ on the 16th of June. Helmed by frontman Seán Finn, the group have become known for their quirky stage antics and vibrant musicality. The group have frequented many of London’s notable live music venues such as the Spice of Life, Soho and Toulouse Lautrec, Kennington.

‘Damaged Goods’ is a wistful piano ballad with an endearing melody, heart-tugging lyrics, and a warm instrumental backdrop. The song ponders the hardships faced by young women as they leave home and face the world on their own. Despite the heavy topic, the narrator assures them that one day their prince will come. The reflective songwriter had this to say about song:

‘This tune started off as a simple piano ballad, but when I brought it to the band they really added a sense of gravitas to the track. The arrangement came together beautifully on this one, with smooth basslines, tasteful drum fills and a soaring flute melody that ties it all  together. It’s one of those songs that I’m surprised I wrote myself, but absolutely delighted to say it’s one of my own.’

With international dates on the horizon, the group are rolling out their debut project this summer. ‘Damaged Goods is available in all the usual places now.

Emerging from the vibrant and ever-evolving Irish music scene, “Give it to You” marks a collaborative effort between two of Ireland’s most promising young artists, ‘Badscandal’-  Luke Power  and Lea Heart.

“Give it to You” is the epitome of a summer dance anthem. From the moment the track begins, it captures the listener with its smooth, easy-going baseline while the intoxicating beat weaves through the song, creating an irresistible rhythm that beckons you to move. This track is more than just a song; it’s a feeling, a vibe, a soundtrack to the perfect summer day.

Both artists have rapidly gained recognition for their unique styles and undeniable talent. Luke Power, known for his dynamic approach to songwriting and production, seamlessly blends contemporary pop with an edge of alternative flair.

Lea Heart, with her soulful voice and captivating presence, has been winning hearts with her emotive performances and relatable lyrics. Together, they create a synergy that is both fresh and electrifying.

The quality of “Give it to You” is simply top-tier , showcasing the meticulous attention to detail that both Luke and Lea have poured into this project.

Lea Heart’s vocals are a standout feature, her voice gliding effortlessly over the instrumental backdrop. Her performance is both powerful and nuanced, conveying a sense of joy and freedom that is perfectly suited to the summer vibe of the track. Luke Power complements this with his smooth vocals and stellar production layering the track with lush synths and subtle harmonies that enhance the overall sound without overwhelming it.

Lyrically, “Give it to You” is all about seizing the moment and embracing the carefree spirit of summer. The verses are filled with relatable scenarios that paint a picture of sun-soaked days and endless nights. The chorus is catchy and memorable, with a hook that will have listeners singing along after just one listen.

In “Give it to You,” Luke Power and Lea Heart have crafted a track that is not only a testament to their individual talents but also a celebration of collaboration and creativity.

The song is a perfect blend of vibrant energy and laid-back charm, making it an essential addition to any summer playlist. With its catchy beat, relatable lyrics, and top-tier production, “Give it to You” is set to become a standout hit of the season, cementing both artists as rising stars in the music industry.

Follow BADSCANDAL on Spotify
Follow LEA HEART on Spotify

And across social media platforms to stay updated on the latest releases and upcoming performances

Niall Colfer releases music that is a mix of Americana, rock n’ roll, soul and folk.

Former member of the critically acclaimed Wexford band Salthouse, in 2009 Niall released his first solo album, entitled Finds, on legendary independent Dublin label 1969 Records. This was followed by a period of gigging to promote the album with acts such as The Proclaimers (who he supported on a memorable night in Dublin’s National Concert Hall) and The House of Love. When on tour with American Music Club singer, Mark Eitzel, Niall was introduced to the man who would provide the sonic template for the new songs he had been writing. This was Sean Coleman, a producer and multi-instrumentalist who had spent two decades in San Francisco recording and playing with such artists as Eels, Kelly Stolz, American Music Club and members of Wilco. The two began to record together soon after.

The first fruits of these sessions was released in the form of an EP entitled Before the night goes in 2014 with an album released under the Dovecote moniker, in 2016. This eponymous album received radio play on all the major Irish stations (including the prestigious ‘Album of the Week’ on RTE Radio 1), as well being the focus of features in Hot Press, the Irish Independent and the Arena show on RTE Radio 1. This was followed by invitations to play the famous Other Voices festival in Dingle and the Windmill Lane Sessions.

In 2015 Niall’s song ‘After all that’s happened’ featured heavily in the film ‘Poison Pen’, which was screened at the film festivals in Ireland, Europe (Luxembourg) and the USA (New York, Virginia, Chicago).

Originally from Wexford, Niall lives in Dublin and is an archaeologist. Never one to rush creativity, Niall has now written his next album, which will be released in Autumn 2024. The second song to be released from the upcoming album is ‘Now You Know’. This was recorded and produced by Sean Coleman at Old County Studios, Dublin, and features Graham Hopkins (The Frames, Glen Hansard, Dolores O’Riordan, Therapy?), on drums with Niall and Sean sharing the rest of the instrumentation duties. According to Niall this song is a meditation on storytelling, honestys and groove.

Press reviews for Finds
“Proving that the art of song writing isn’t dead, Niall Colfer’s debut is a joy to listen to from start to finish….Blind Eye is one of the best tracks that I’ve heard in moons”.  Hot Press
“.. you’d need a heart of concrete to resist..”  Sunday Business Post
“Intelligent pop music that steers clear of self indulgence”   The Star
“Finds is a keeper”  Evening Herald

Press reviews for Dovecote
“An early contender for Irish album of the year” –  GoldenPlec.com
Album of the Week – RTE Radio 1
“Genius”– Sunday Independent
“Outstanding debut…Excellent” 8/10 – Hot Press
“A laid-back album that is delicate and robust in all the right places” – The Irish Times

INSTAGRAM – FACEBOOK – BANDCAMP