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The Songwriter Club Dates Announced

This April, The Songwriter Club is taking place in Galway, Dublin and Waterford.

Sinead McNally and Keith McLoughlin set up a meet up group called The Songwriter Club which has been running in Dublin since October 2011. They get musicians to meet up and get chatting about the music industry, the lives of songwriters and much more. Meetings are now held in Galway by Noreena Gill, Wexford by Jimi Cullen, Waterford by Karen Coss and Keith in Dublin.

The idea behind the club is to bring songwriters together every couple of months to chat about all sorts of songwriting stuff, share ideas, set up collaborating groups and also to have fun getting to know each other. There will also be special guests from different areas of the industry. All songwriters, whatever the genre, whatever the standard are welcome to attend.

You can catch The Songwriter Club in –

Galway on Monday 4th April at 7.30pm in Monroes launching The Dominick Street Sessions.

Dublin on Friday 8th April at 7.30pm in Friday Arts at No 5 with special guest speaker Julie Feeney.

Waterford on Saturday 9th April from 2pm – 5pm in Kazbar with guest Roddie Cleere from KCLR 96FM

You can also follow The Songwriter Club on Facebook and Twitter.

New London date and music video release for Award Winning Irish Musical Big Shot

BigShot2Big Shot The Musical has released a video for What’s A Man To Do. And have just announced that following it’s USA premiere last summer, original Irish Musical Big Shot will take to the stage of London’s Irish Centre this August.

Written and composed by 22 year old Dubliner Lauryn Gaffney, Big Shot received outstanding critical acclaim at the San Diego International Fringe Festival last year.

Described as an ‘absolute success’ by the festival organisers, Big Shot the musical was awarded the admired ‘Spirit of Fringe’ Award. The ‘Spirit of the Fringe’ award is the most prestigious award, given to the show that embodies the essence and ethos of the festival, demonstrates dedication and commitment to their work.

Following 5 incredibly successful nights in California and one night in Mexico the Irish cast were also part of World Theatre History by being part of the first ever Bi-National Fringe Festival.

Big Shot tells the story of one Jeremy Crocker, a savvy defense lawyer thriving in New York City’s bustling legal profession. Despite his ambitions, Crocker falls in love with Carrie, a struggling Irish artist who works in Crocker’s go-to café in Downtown Manhattan. Although the two become ever more infatuated by each other, this threatens to derail Crocker’s career, with regard to the dubious new defense case he has taken on. Does Crocker follow his heart or stick with his legal client obligations? The theme of the story is love, justice and living in the moment.

With a blend of energetic and poignant songs and a suitable amount of drama one would expect of a Broadway-style musical, Big Shot is an exposition of original Irish composition and writing that simply cannot be missed.

Facebook: www.facebook.com/bigshotthemusical
Website: www.bigshotthemusical.com

Travis Oaks Sign Worldwide Publishing Deal

Following the successful release of their debut EP in 2014, fans of Travis Oaks wait no more, as a 6-track EP titled Black Light will be released on Friday 10th June 2016.

This coincides with the announcement that the band have signed their self-titled debut EP with Big House Publishing, a New York based independent company.

Fresh from supporting The Strypes at the sold out Olympia Theatre in January, Travis Oaks will have much more to celebrate come Wednesday 15th June, where the four-piece rock outfit will headline (main room) Whelans, Wexford Street.

Speaking about the worldwide deal, A&R of BHI Music Group Shane Galvin said: “We are thrilled to add Travis Oaks to the Big House family. We adore the reckless abandon of their debut EP and believe they are poised for massive things in the very near future.”

Travis Oaks front man Mike Paterson added: “We’re obviously delighted to be working with Big House, this really is exciting for us. In fact it’s an exciting step for any musician or songwriter. We’re looking forward to what the future holds.”

Originally introduced as a three piece band in 2013, Travis Oaks fast became known on the Irish music scene, when playing a number of festivals across the nation, despite no official release at the time.

Soon after the release of their self-titled debut EP in November 2014, not only did the Mike Paterson (vocals), Aran McGillick (bass), and Killian McCourt (drums) earn a new member in guitarist Taran Plouzane but also a well-earned reputation as one of the best live bands the current music scene has to offer.

Known for their wild, energetic, live performances that compliments their powerful, hook-driven original style of rock n’ roll – it is safe to say no two shows are the same when it comes to the Cavan/Dublin four-piece.

Travis Oaks have been invited to support big names such as The Riptide Movement, The Hot Sprockets , ASH and most recently The Strypes, at the sold out Olympia Theatre, one of Ireland’s biggest venues.

In as little as 3 years, Travis Oaks have reached an overwhelming status; playing major venues in Ireland, Northern Ireland, France, Scotland and UK, receiving national media attention, regular radio airplay and a loyal following.

With many already in high anticipation for a debut album, Travis Oaks continue to tease their fans in the form of a 6 track EP due for release this year, followed by a numbers of shows across Europe.

To coincide with a new release Travis Oaks have joined the Big House Publishing roster after a recent signing with the New York based company.

So yes, you can expect bigger things to come from Travis Oaks, the band you will never forget.

You can follow Travis Oaks on Facebook, Twitter and SoundCloud

Launch of David Collier’s Smacht album

davidcollierErgodos launches David Collier’s Smacht at the Dublin’s Lutherhaus, with a performance by the string quartet of Aoife Ní Bhríain, Adrian Hart, Robin Panter and Kate Ellis, and a new film by director Bob Gallagher. Admission is free.

Smacht is now available to pre-order here: ergodos.ie/shop/records/smacht/

This debut release from David Collier is an engrossing sweep of the Irish composer’s recent work. The nuanced and expansive meditations of the string quartet Smacht are presented together with the pulsating brilliance of Dusk, a dazzling work for four percussionists. Collier’s compositions – sharp-focussed and sincere – radiate warmth and vitality, and are presented in a beautiful vinyl edition with artwork by Louise Gaffney.

Smacht, performed here by the all-star string quartet of Cora Venus Lunny, Adrian Hart, Robin Panter and Kate Ellis, grew out of a workshop with the band This is How We Fly in 2011. “I came across videos of fiddle player Caoimhín Ó Raghallaigh performing his solo material with a loop pedal and loved the hypnotic feel to his music,” says Collier. “I started playing with droning on one string of a violin while changing the notes on another and hit upon the seed that would become Smacht.”

Collier wrote Dusk during a percussion course at Princeton University, where he also met the New York percussion group Mobius Percussion, who later recorded the work. Dusk brings together delicately balanced strains of diverse instruments – glockenspiel, crotales, triangle, wood blocks, cymbal and bass drum – in an ambience where time is at once frozen and in constant adaptation.

The final track on the record is a remix of Smacht by Seán Byrne, a radically different take on this potent material. “So many of songs I loved when I was younger were remixes,” says Collier. “For me they were a portal into the less commercial side of the musical world and really opened my ears.”

Collier’s evocative work is already the basis of a breathtaking film by Irish filmmaker Bob Gallagher, with Smacht as its emotional, tonal and structural bedrock. “I came to Bob with the idea of doing a film about travelling the breath of Ireland in a single night to watch the sun set in the West and chase across the country by night to watch it rise again in the East.” Gallagher took this idea of travel and adapted it to a new narrative. “Together we travelled along the west coast of Ireland following a man as he journeys to the edge of the earth to scatter his father’s ashes.”

The Smacht release tour reaches Amsterdam, Dublin and New York in 2016.

To coincide with the launch of Smacht, Collier has commissioned a limited edition set of handkerchiefs created by textile designer Ruth Doorley at Dublin textile studio Print Block. “The design is part of an enso which comes from Japanese Zen Buddhism, a circle that is hand-drawn in one uninhibited brushstroke to express a moment when the mind is free to let the body create,” explains Collier.

“The circle may be open or closed. In the former case the circle is incomplete, allowing for movement and development as well as the perfection of all things. I was really interested in Japanese aesthetics at the time I was writing Smacht and just afterwards, particularly the aesthetic of wabi sabi which is the beauty of transience and imperfection.” The handkerchiefs are for sale with a digital download of Smacht.

David Collier is an Irish composer based in Amsterdam. His music is inspired by minimalism and ambient electronica and has been described as “aurally stunning” (Totally Dublin) and “conceptually elegant” (I care if you listen). Performances of his pieces have been given by ensembles and musicians including orkest de ereprijs, Ensemble Avalon, So Percussion and Kate Ellis. His music has been featured at international festivals including New Music Dublin at the National Concert Hall, Kilkenny Arts Festival and the Young Composers’ Meeting.

For further & tickets, visit; www.eventbrite.ie/e/david-collier-smacht-album-launch-tickets

www.davidcollier.ie

New Valley Wolves Irish Tour

New Valley Wolves have announced they will be touring around Ireland on the back of their very successful 2015 album ‘Refusal Is Our Weapon’.

The Dublin based rock band have already received excellent reviews, and have even been named Dublin Concerts – Irish Band Of The Week for this week.

NVW have already played all the major Irish festivals and it’s definitely worth catching them while they are on the road!

March 17 – Whelans, Dublin

April 14 – Dolans (Die), Limerick

April 23 – Thirsty Scholar, Waterford

May 14 – Sin É, Dublin

May 28 – Brewery Corner, Kilkenny

June 24 – Sea Sessions, Donegal

October 12 – Roisin Dubh, Galway

You can follow New Valley Wolves on Facebook, Twitter and SoundCloud

The Mighty Stef Announce Their Final Concert

With over a decade of touring behind them and four critically acclaimed albums the time has come for THE MIGHTY STEF to rip it up and start again. Gary Lonergan, Daniel Fitzpatrick and Stefan Murphy along with touring drummer Gaz Earle will play their final concert in just under two months time in Dublin with a smattering of other shows between then and now.

THE MIGHTY STEF – FINAL CONCERT

MAY 13TH – BUTTON FACTORY – DUBLIN

SPECIAL GUESTS: KNOXVILLE MORNING / A LAZARUS SOUL

While no individual member of the group is retiring from music, everyone will be getting back on the horse pretty soon with some new and exciting projects but for a number of different reasons, some personal, some business but nothing too dramatic.

They will release their last single: CAPRI SUN on Good-Friday, March 25th which is taken from 2015’s Year Of The Horse Album.

You can follow The Mighty Stef on Facebook, Twitter and SoundCloud

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Nathan Carter Announces New Album | Stayin’ Up All Night

Nathan Carter Temple Bar

New Single ‘Temple Bar’ Available Now

Out April 29th on Decca Records DECCA RECORDS

“Carter’s live shows arouse something approaching mass hysteria” – Irish Post

“Carter has been quietly filling venues across the UK and America and while doing so has been quietly outselling most indie darlings” – Guardian

Irish country music phenomenon Nathan Carter announces the release of his new album ‘Stayin Up All Night’, on April 29th through Decca Records.

The 26 year-old household name has had three #1 albums, two #1 singles and two #1 live DVDs in Ireland. His last album ‘Beautiful Life’ has been certified 4-times platinum and he even had his own Christmas TV special on RTE last year.

From the age of 4, when he started learning the accordion, to being head chorister at Liverpool Catherdral, to Fleadh gold medals and singing for the Pope, music has always been at the heart of Nathan’s life. Inspired by the country music his parents’ loved – Johnny Cash , Waylon Jennings , Don Williams and Dolly Parton –Nathan’s passion, talent and infectious personality took him from working men’s club gigs to number one in the Irish charts – with his cover of Bob Dylan’s ‘Wagon Wheel’ – in short order. National TV, sold out tours and the top of the charts have been his domain ever since.

Stayin’ Up All Night features 13 tracks of Nathan’s trademark modern country sound, and will be preceded by the single ‘Temple Bar’, a paen to the streets of Dublin’s famous district, on March 18th.

Balanced with mid-tempo numbers like Island Town, Buy Me A Rose and Liverpool, there’s a gentle side to the album, with a touch of nostalgia to ease you though the morning after. Don’t Know Lonely is a huge ballad, while Banks of the Roses is a traditional stomper, revealing Nathan’s fiddles-and-accordion Irish folk roots. The album rounds off with the beautifully personal Thank You.

New Single ‘Temple Bar’ Available Now

Entries open for the Clancy Brothers Songwriting Competition 2016

One of the biggest original song contests in Ireland, the Clancy Brothers Songwriting Competition 2016, is now open for entries.

With a prize fund worth over €5,000, this is a competition designed with the songwriter in mind. First prize includes €500 cash sponsored by IMRO, studio time at Crossroads Recording in Kilkenny, a music video from All That Can Be Productions, CD duplication from Duplication Ireland, and a design package from InMusik. With these prizes the winner will have all they need to record and produce a professional quality CD.

The free to enter competition is open to all musical genres and styles, all ages and all nationalities. As long as it is a song, it is eligible for entry. Songs are judged on melody, composition, originality and lyrics, not on performance or production skills. The competition is easy to enter, either by sending an MP3 by email or a CD by post.

The three finalists will perform their song at a concert during the Clancy Brothers Festival of Music and Art 2016 as part of a 15 minute set, after which the winner will be announced. The two runners up also receive cash prizes of €250 each and a design package from InMusik so no one leaves empty handed.

For full details please go to www.cbsongwriting.com. Entries can be posted on a CD to:

Clancy Brothers Songwriting Competition,
42 Main Street,
Carrick-on-Suir,
Co Tipperary

or emailed in MP3 format to cbsongwritingcompetition@nullgmail.com.

Entries must include lyrics. Please read rules before entering, for full details please go to www.cbsongwriting.com.

Competition Details

Open Competition

• Free to enter
• Any genre of song
• Any nationality
• All ages
• Enter by post or email
• The final three perform their entry as part of a set at a concert on June 2 during the Clancy Brothers Festival of Music and Art 2016
• Closing date: April 29th, 2016
• Finalists will be notified on or before May 13th, 2016

First Prize

• €500 cash sponsored by IMRO (imro.ie)
• CD duplication, artwork and packaging worth €215 from Duplication Ireland (duplicationireland.ie)
• A day in a recording studio, including mixing and mastering from Crossroads Recording , Kilkenny worth €500 (crossroadsrecording.ie)
• Music video including a day’s shooting in South East Ireland (Waterford/Kilkenny/Tipperary) with All That Can Be Productions (allthatcanbe.com)
• Premium design package worth $1,250 from InMusik which includes artwork, covers and online banner design (inmusik.co)

Runners Up

• €250 cash sponsored by IMRO (imro.ie) and the Clancy Brothers Festival (clancybrothersfestival.org)
• Premium design package worth $1,250 from InMusik, which includes artwork, covers and online banner design (inmusik.co)

The Irish music industry has long been made up of a succession of sub-cultures, many of which cross over at some point. Of late, it has been the ever growing hip-hop scene that has garnered attention – especially given the success of Rusangano Family and Hare Squead. Yet these acts are just the tip of the iceberg, with musicians across the country making beats, writing rhymes and creating their own visions.Word Up promo 1

From this has come the Word Up Collective, a collection of like minded souls working – not only in hip-hop – but in a number of related styles: the soulful RnB styled AikJ, the fiery disco and funk influenced pop of Katie Laffan, Belfast’s Craft Work and his mix of spoken word with classical and world music samples, trip-hop vocalist Soulé, and the alternative rap of Anti-One and MC Axiom. They are joined by some of the most exciting young hip-hop artists working in the county today – the art and comic book influenced Young Phantom, seventeen year old MC Sam Ojo, performer and producer Damola, the RnB and rap duo Stay Gold, the devilishly dark Dyramid and video director and music maker Steven Beatsmith. Discover more about the Word Up roster here.

And that’s just the start. With behind the scenes support from Annette and Phil Udell (State.ie, BIMM, WholeWorldBand), the project is set to search out new talent across Ireland – offering young musicians a helping hand, the opportunity to perform at their regular live nights both in Dublin and around the country access to workshops and a route to the Irish music industry and beyond.

With a number of stand alone gigs already under their belts, the entire complement will come together for the first time at Word Up Collective #1, a live launch at the Bello Bar that will also feature special guest Roll Blunt, the UK producer who has found a home at Detroit’s Black Day In July alongside Wu-Tang Clan affiliate Bronze Nazareth, Salute Da Kidd, June Megalodon and more.

Contemporary Irish Music in South Korea

aic-logo-largeIrish composers Nick Roth and Anna Murray will perform a very special event in Seoul of their own work, including the world premiere of Roth’s Seed II and improvisations for saxophone and electronics. The concert is presented by the Embassy of Ireland in South Korea, and Pernod-Ricard Korea.

Composers Murray and Roth are visiting Korea to take part in the International Society for Contemporary Music’s World Music Days Festival. World Music Days is an annual festival taking place in a different location across the world each year, showcasing the music of the ISCM’s member countries.

This year’s festival takes place in Tongyeong, South Korea from 27 Mar – 1 April, and the chosen Irish work is Nick Roth’s Woodland Heights, which will be performed by the Hong Kong New Music Ensemble on the 30 March at the Tongyeong Concert Hall. The Association of Irish Composers is the Irish section of the ISCM: composer and AIC Secretary Anna Murray will attend the festival and General Assembly as the Irish delegate on behalf of the AIC.
For more about the ISCM see www.iscm.org, and for more about the Association of Irish Composers, see www.composers.ie. This project is supported by Culture Ireland and the Embassy of Ireland in Korea. The Association of Irish Composers is supported by IMRO.

About Seed II
Seed II is a study of plant genetics. Stemming from earlier works Woodland Heights for Orchestra (2014) and Little Woodland Heights for Children’s Ensemble (2015), the work strives to develop musical analogues for embryonic and rhizomic growth structures in its treatment of composed, recorded and improvised materials, whilst exploring the philosophical implications of their juxtaposition.
Nick Roth
Dublin, February 2016
About Woodland Heights
Woodland Heights is a study of forest canopy ecology. More specifically, the work is an illustration of the premise that “species composition and tree size distributions become more diverse with increasing stand age” and that “with increasing age stochastic processes play increasingly important roles in creating structural complexity”.

Mapping the growth of a model forest stand over a 720-year period, a crotchet in the score is equal to one year in ecological time. Data from the projected interaction of seven genera is translated into musical elements: maximal height, average lifespan and reproductive cycle. These form gestures expressing the statistical distribution of harmonics from seven individual fundamentals, with phyllotaxic elements shaping motivic structure and adaptive qualities delineating the formal architecture of the piece.

This piece is dedicated to the trees of “Woodland Heights”, Greenhills Close, Chorleywood – to the laurel, oak, birch, rowan, beech, holly…and the wild apple.

Paris, March 2014

Nick Roth is a saxophonist, composer, producer and educator. His work explores the liberation of improvisation from composition, the impact of nature on technology and a contemporary interpretation of traditional music.

A fascination with pattern, cycle and structure has led to ongoing conversations with mathematical biologists, forest canopy ecologists and hydrologists, seeking a conception of music as translative epistemology.

Simultaneously subsumed by an insatiable appetite for literature, his compositions investigate the philosophical impact of poetry and the symbiotic resonance of words as sound and text.
A curious predisposition and a steadfast refusal to accept the existence of boundaries between the real and the imaginary has led to collaborations with an array of international performers, composers, choreographers, directors, visual artists, festivals, poets and ensembles.

Nick is artistic director of Yurodny, a founding member of the Water Project and a partner at Diatribe Records, Ireland’s leading independent record label for new music.
www.nickrothmusic.com

A mixed-media composer with a particular interest in text-based music and collaborative processes, Anna Murray’s work as a composer is informed by her interest in non-musical artforms and non-standard concert contexts. Through her composition work, Anna’s focus is to seek out the points of connection, both technical and expressive, between music and other arts, including visual arts, film and literature.

She holds an MPhil in Music and Media Technologies from Trinity College Dublin, where her specialisation was mixed-media composition. Her thesis, The Echoes: A Composition Exploring Text-Setting Techniques through Structural Rhythm, was the beginning of what was to be the guiding principles behind her compositional work: the search for an approach to setting texts which allows for a cohesive expression of shared meaning and intent. This has developed and grown into an approach toward composition that celebrates the many ways in which the listener can hear and explore sound.

Anna regularly performs with electronics and visuals and is the co-director of multimedia production company Fractal Music Dublin.
www.soundcloud.com/annamurraymusic

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