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Author: Press Officer

Inisheer Listening Room Retreat October 2017 | IMRO Member Discount

A €100 discount is currently available for IMRO members attending the forthcoming Inisheer Listening Room Retreat With Special Guest Lisa Aschmann (October 8-15, 2017)

IMRO members qualify to attend the annual international songwriters retreat at the reduced price of €975, inclusive of housing, meals, workshops, personal career consultations, local concert and  transport to and from the island from Galway city center.

Special guest Lisa Aschmann, author of 1000 Songwriting Ideas!, is a prolific writer with over 650 recordings in numerous genres, as well as source for film and television, including: West Wing, Hack, Shark, Bones, Numbers, My Name Is Earl, It’s Always Sunny in Philadelphia, Las Vegas, Providence, Sex & the City, America’s Top Models, The X-Files, My Beautiful Launderette, JAG, LA Doctors, Steel, Smoke, Date Fate, Sesame Street, and Horses and Men.

Registration via www.listeningroomretreats.com

Upcoming World Premieres of New Compositions by Vincent Kennedy

IMRO member Vincent Kennedy has a number of significant performances and world premieres of new compositions coming up in August and September 2017.

First up is a performance of Arbour Hill with the RTÉ Concert Orchestra as part of their Summer Lunchtime Concert Series 2017. This happens in the National Concert Hall on Tuesday 15th August at 1.05pm. The concert, conducted by Adam Cooke is introduced by Niall Carroll and will be broadcast live on his program on Lyric FM “Niall Carroll’s Lunchtime Favourites”.  Arbour Hill is a movement from Vincent’s IRISHMEN and IRISHWOMEN a large scale orchestral and choral work of 13 movements celebrating and remembering 1916 originally commissioned by Roscommon County Council.

On Friday September 22nd 2017 at the Theatre-des-Franciscains, Beziers, France the great French Violinist Marie Cantagrill will premiere Dóchas, Grá agus Suaimhneas, Saoirse a three movement Concertante which she commissioned Vincent to write for her. The Orchestre de Chambre d’Ariege will accompany Marie Cantagrill in this world premiere and Vincent will be the composer in residence in Beziers from 18th September in preparation for this exciting premier.

On Friday 15th September 2017 Vincent begins a series of public free concerts of his work The Canticle of the Sun which is nine songs using the words of the poem of the same name by St Francis. The music and lyrics are for Soprano, Harp and Trumpet and will be performed by Marina Cassidy the foremost Irish harpist/vocalist with Vincent himself on Trumpet. The work was commissioned by the Irish Franciscans.

The The Canticle of the Sun has been recorded and while there is no admission to the concerts anyone wishing to can purchase a CD for €10 after the concert.

The full list of performances for The Canticle of the Sun:

Friday 15/9/2017
Killarney – Franciscan Friary, Killarney
7pm

Thursday 28/9/2017

Dublin – Franciscan Friary,
Adams and Eve, Merchants’ Quay
6.30pm

Wednesday 4/10/2017

Cork – Franciscan Friary, Liberty Street,
6.30pm

Thursday 19/10/2017

Galway – Franciscan Abbey,
8, St. Francis Street,
6.30pm

Sunday 22/10/2017
Donegal – Franciscan Friary, Rossnowlagh,
3pm

Friday 10/11/2017

Athlone – Franciscan Friary, Friary Lane
7pm

Thursday 16/11/2017

Ennis – Franciscan Friary, Francis Street
7pm

Thursday 14/12/2017

Clonmel – Franciscan Friary, Abbey Street
7pm

 

Let it Shine | Miles Graham

Last year Miles Graham and his band played The Chocolate Factory as part of Hard Working Class Heroes Festival, it was a storming set in front of a 100 strong crowd. A great crowd for the room, but when you hear this Sligo based man sing you will understand why more people need to be able to witness Miles’s soulful, r&b tones. In the same period, Miles lent his vocal to L’Tric’s “1994”, how lucky were these guys.

Miles Graham writes amazing songs, arranges amazing songs and sings them with a voice that will honestly melt you. Miles is amongst a crop of Irish males at the time of writing that are attracting deserved attention. From Brian Deady to Collective Mgmt’s own Uman, Miles is right alongside them. Indeed, he is gathering applause of his own across the water on BBC Radio 2 for the last few years, including very kind words from the late Sir Terry Wogan who invited Miles on his weekend show in 2015.

Nods of approval (and song plays) have also been received from BBC Radio 2’s Graham Norton, Jo Whiley and Ken Bruce. In addition, Cerys Matthews’ BBC Radio 6 Music has also been talking up the talented soul singer, comparing him to Pharrell Williams on her radio show and saying: “His Array of Songs Blew Me Away.” She continued, “His Magnetic soulful voice and raconteur songwriting talent, inspired by Otis Redding, Van Morrison, Paul Weller, Bill Withers and contemporary singer/songwriters like James Morrison, Aloe Blacc and Plan B marks him out as a special talent.”

 

LET IT SHINE – now on release, wrap your ears around it

‘Delightful, so glad you came on the show’
– Sir Terry Wogan, BBC Radio 2

‘His Array of Songs Blew Me Away’ *****
– Cerys Matthews, BBC Radio 6

‘His voice filled the room spectacularly’ *****
– Alpha Beata UK Tour, Barbican Theatre, London

Music Tutor Required by Masamba Samba School

Masamba Samba School is a busy music collective based in the historic Liberties area of Dublin. They are seeking applications for the post of Music Tutor, a position funded through the Community Services Programme of the Department of Social Protection.

This is a full-time position (39 hours per week), with a basic salary of €19,033 per annum, and the possibility of significant performance-related bonuses.

The job will primarily involve delivering percussion workshops with children and young people in the greater Dublin area, but the successful candidate must be open to working anywhere on the island of Ireland and with diverse participant groups.

In addition to teaching work, the successful candidate will be expected to deliver some admin. and marketing duties.

Essential

Experienced in playing music, ideally percussion
Good Communication Skills
Good Teamwork Skills
Good Computer Skills (Word, Excel, Photoshop, Web and Email)
Strong Personal Motivation

Desirable

Teaching experience
A full, clean driving license and access to a car or van.

All applications must include at least 3 relevant referees.

The Community Services Programme is a labour activation measure, and candidates must fit one of the following criteria:

a. Person in receipt of Jobseeker’s Benefit (JB), Jobseeker’s Assistance (JA) or one parent family payment (OPF).
b. Persons in receipt of disability allowance (DA), invalidity pension, blind persons pension or other disability benefit.
c. Travellers in receipt of Jobseeker’s Benefit or Jobseeker’s Assistance or one parent family benefit.
d. Stabilised and recovering drug mis‐users.
e. People employed from Tús, Community Employment (CE) and Job Initiatives (JI) schemes are deemed eligible. Former RSS workers who were previously CE placements are also eligible.
f. Ex‐prisoners.

Successful candidates will be Garda vetted.

Applications can be emailed or posted to the Masamba Samba School no later than 5.30pm on Friday, 25th August 2017. Interviews will take place on Friday, September 1st.

Masamba Samba School, 25-27 Bow Lane West, Dublin 8. Tel. 01-6336797/087-2363813, Email. info@nullmasamba.com, Web. www.masamba.com

Tales from the Big Apple by a rising Irish music exec

After graduating from Dublin City University (DCU), I found myself at the same crossroads most graduates reach when they come to the end of their study: the “so what’s next?” conundrum. A lot of my friends knew what they wanted to do; they had graduate programs lined up, new jobs or were going on to do masters degrees. I had reached a point in my life where I didn’t know what the future had in store for me, and although a scary thought, it was also exciting.

I always knew I wanted to pursue a career in the music industry. I grew up obsessed with music, and it was inevitable I would at least try to go down that route. I always dreamed of living in New York, and when I learned of the J-1 graduate visa, I knew I had to go for it. I spent the months following graduation working two jobs, and saving up and planning. After almost a year to the day I left DCU, I was at Dublin Airport boarding a plane bound for the city of dreams.

Upon arrival, my main focus was looking for a job. I treated my local Starbucks as an office and began the search. I’d spend my days editing CVs, scouring the internet for jobs, calling companies, and sending emails. I remember thinking about those famous Frank Sinatra lyrics: ‘if I can make it there, I’ll make it anywhere’ and suddenly I was taking those words as my mantra. Within a couple of weeks, my hard work paid off, and I was offered a position at a boutique artist management/booking agency; I felt like I had made it. Within weeks I was working on album releases, attending industry parties, working at photoshoots, and going to concerts all over the city.

Three years have passed and I’m still in the industry. I’ve learned a few things along the way that I had to adopt.

1. In the music world, the normal 9-5 lifestyle does not exist.The entire industry moves incredibly fast, and I learned pretty quickly that I needed to keep up. A lot of events also happen at evenings and weekends, and in order to meet people and discover new acts, I needed to get out there. I remember the CMJ Music Marathon my first year and attending three events in one night, jumping from a showcase hosted by Australian artists to another party thrown by the French consulate. There is a constant shifting tide with new waves of trends that I had to be on top of; everyone wants to discover the “next big thing” and music is always changing.

2. There is no such thing as “an overnight success.” I don’t know which media outlet first started using this term, but the fact is it’s simply not true. There’s a saying in the industry that “it takes 10 years to become an overnight success,” and it couldn’t be more true. I’ve worked with bands who have been playing together for a long time, and even they haven’t found that sort of “overnight success” status because it doesn’t exist. This doesn’t just apply to recording artists, it applies to all aspects of the business. Every Manager, Publicist, Agent, Producer or even Stylist has spent years building their own careers, trying to establish their names.

3. Relationships are everything. I’ve been lucky enough to work in various aspects of the industry over a short period of time and have made connections with people from all areas. A lot of the experiences I’ve had and people I’ve met are because of someone else. I never would have imagined I’d be a Producer, but upon meeting a musical theatre Composer/Writer, I was asked to be producer for a musical. I also never pictured myself Tour Managing a band, but one Manager asked me to do it and before I knew it, I was driving all over the U.S. tour managing for two weeks. Relationships are what supply opportunities. The music world in New York is quite small and everyone knows everybody. I see all of the same people at the same networking events, and that’s how I was able to build connections.

4. The music business is rarely glamorous. I found that this business is tough and that I needed to be in it for the love and passion, and luckily, I am. A music industry veteran once said to me that “the music business is 23 hours of stress, pain and hard work, and one hour of magic; you live for that one hour.” Artists are working constantly for that 90 minute show. Behind the scenes, everyone is thinking of social media, marketing campaigns, writing, recording, touring, budgets and so on. From the outside, it looks so easy. Artists just show up, perform, and then go home. Nobody knows that that 90 minute performance took months of preparation and hundreds of people working non-stop for countless hours.

5. Teamwork is essential. Looking back over all those countless groupwork assignments I had to do in DCU, they really did prepare me for the real world. Nothing is different in the music business. I am constantly in contact with artists, venue personnel, journalists, publicists, managers, and together we all have to work together, for the same desired outcome. Everyone wants their act to make it, but the team around that act is just as important as talent is. Even the largest stars in the music industry didn’t get there on their own – the teams of people they surround themselves with are who help them achieve that status.

Today, I’m still working with some of NYC’s rising stars; I’m constantly moving forward and looking towards the next project. I arrived in New York having worked in retail and banking – that was my CV. Now I can say that I manage, book and publicize artists along with having worked as a Producer, Creative Director, and Writer too. In a few short years I have gone from not knowing what I was gonna do, to working on things I never thought I would be able to. But the dreams keep growing; they keep evolving, and even though I’ve come a long way, I have so much more yet to achieve.

Keep up with my adventures on Twitter/Instagram – @garrethbrowne

CISAC Welcomes European Parliament Votes on Transfer of Value and Audiovisual Rights

Key votes on copyright in two committees of the European Parliament were welcomed by CISAC – the International Confederation of Societies of Authors and Composers – on behalf of millions of creators worldwide today. Voting on the EU draft Copyright Directive proposed by the European Commission last September, the Parliament’s Culture and ITRE committees backed amendments that will help bring fair remuneration to authors by addressing the “transfer of value” and levelling the playing field for digital services in Europe.

The Parliament’s Culture Committee also supported proposals to grant audiovisual creators fair remuneration for the making available of their work. Screenwriters and directors play a pivotal role in the film industry yet do not have the right to receive payment for the re-use of their work in the digital environment.

Gadi Oron, Director General of CISAC, representing authors societies in 121 countries, said: “It is good news to see policy makers in Europe standing up for creativity and culture and voting to close vital loopholes that are harming millions of creators. These two committees have understood the opportunity for Europe to take the lead in making sure creators in the digital market are properly respected and fairly remunerated. We now look for this positive signal to be confirmed in the plenary vote of the European Parliament later this year.”

Make The Internet Fair For Music Creators

Platforms that host your works and actively monetise them currently fall under a legal loophole. That’s why they get away with not paying you your fair share.

While the European Commission heard your voice last summer and proposed a balanced Copyright legislation, the European Parliament and the Council (the member states) are likely to change it for the worse.

Now is the time to make your voice heard in Brussels so that the new Copyright legislation protects your interests, and not just that of internet giants.

IMRO Presents James Vincent McMorrow with 2 IMRO No.1 Awards

Ahead of his biggest hometown show to date in Dublin’s Trinity College on 7th July, IMRO took the opportunity to present James Vincent McMorrow with two IMRO Awards in recognition of his number one albums “True Care” and “We Move”.

The IMRO Number 1 Award was introduced to acknowledge IMRO members who reach number 1 in the album charts here in Ireland or overseas.

“We Move” was the third studio album by the Irish singer-songwriter. Recorded in Los Angeles, Toronto and Dublin, and released in September 2016, the album went on to be nominated for the RTE Choice Album of the Year.

‘True Care’ came closely on the heels of the critically acclaimed album, and was recorded in December of 2016 with a release in May of 2017.

Speaking on True Care’, James said: “Life is long. But then, it isn’t really. Since I’ve been making records it’s been about following a cycle. Make a record. Wait. Release a record. Play for 18 months. Take a break. I don’t really understand that cycle any more. I want to make records when I’m compelled to, and I want to release them when they’re still as fresh to me as they are to whomever is hearing them for the first time. The idea of sitting around waiting doesn’t make sense to me.

I had an idea fixed in my head since the second I stopped making We Move. This idea of a very real now, and a very vague future. I had this date, December 2914, which I was writing towards. Not in a specific, ‘what will it be like in the future’ kind of way. I just wanted to fix a point way out there, so far away that I’ll never see it, and use it as an anchor point to start writing about my life now, remembering my life before now, and the complete abstraction that is my life in the future.”

http://www.jamesvmcmorrow.com/

Sunday Shapes | New Release from Great White Lies 

‘Sunday Shapes’ is the first single release from Great White Lies series of recent recordings with producer Comrade Hat. Following a busy period touring Ireland, Canada & Los Angeles the jazz/pop sextet are set to release new music to a growing international audience.

‘Sunday Shapes’ brings together elements of what the group have become known for. Hooky bass lines growl under dynamic vocals glittered with bursts of harmonies, powerful keys, brass and thumping percussion. These very elements have brought them comparisons to Prince and Regina Spektor.

Since the release of their self-titled debut ep they have performed live on RTE 1, Bloom in Phoenix Park, Stendhal Festival, won VAI song of the year and music featured in BBC NI documentary ‘Love In A Day’.

Tour dates:

13/07               Ned’s Point, Buncrana, Co. Donegal
15/07               The Alley Theatre, Strabane, Co. Derry w/Lauren Bird
27/07               The Workman’s Club, Dublin w/guests
29/07               Shindig Nights, Letterkenny, Co. Donegal

Further dates TBC & a stunning music video, live video and a remix to follow the single.

Out 12th July 2017

 

A New Studio for Dublin

After months of planning, construction and final touches, Ergodos announce their new purpose-built composition and post-production studio – right in the heart of Dublin.

Built as a home for their own work, they also hope the studio will serve an ever-vibrant community of musicians, producers, engineers and composers. Housed in a former factory (now MART Creative Hub) on Portobello Harbour, the studio was designed to provide an excellent listening and working environment, providing transparent acoustics and accurate sound reproduction.

An exceptionally quiet room, the Ergodos studio is an inspiring workspace for a range of music and audio projects, including composition, production, mixing, mastering, audio restoration, podcasting and media production.

For more information, including a full specification and rates, visit the studio website.

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