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Author: Press Officer

RTÉ Radio 1 music presenter Sandy Harsch Has Passed Away Following a Short Illness

The death has occurred of RTÉ Radio 1 music presenter Sandy Harsch (76). Sandy died unexpectedly after a short illness. She is survived by her two daughters and a sister. Born in Rhode Island, U.S.A. Sandy spent more half a century living in Ireland. Since 1996 she has presented ‘Country Time’ on RTÉ Radio 1.

As well as ‘Country Time’, Sandy co-presented along with Lilian Smith ‘Sisters Doing It For Themselves, and had been a contributor to both ‘Arena’ and ‘Lest we Forget’.

Following the news of her death, Head of RTÉ Radio 1 Tom McGuire expressed his sympathies saying “Sandy Harsch had an encyclopedic knowledge and a tremendous love of American Country music.  This knowledge and love permeated ‘Country Time’ on RTÉ Radio 1 and Sandy’s unique broadcasting style created a wonderful welcome mat for a most appreciative audience on a Saturday night.  She had met and played with many of the stars of country music and her anecdotes and stories gave new life to the playlists she chose for every show.  As a colleague Sandy was much loved in the radio centre and staff here are heartbroken at her sudden passing.”

After moving to Ireland from the US in 1960 Harsch worked as a freelance photo-journalist in music retail and wholesale and then as chief photographer, record reviewer, and interviewer for Hot Press magazine. She got her start in radio at RTÉ as a guest critic with Pat Kenny on“Outside Track” and worked regularly as a panelist, critic, and producing feature items. She moved onto the independent nationwide station Century Radio presenting ‘The Country Store’ in  1989 and then presented a syndicated show on nine local stations. In 1996 she rejoined RTÉ and started presenting ‘Country Time’.  In her lifetime, Sandy interviewed many of the top country artists including Dierks Bentley, Merle Haggard, Martina McBride, and Sugarland.

Sandy Harsch was a recipient of the CMA International Broadcaster Award which recognizes outstanding achievement by radio broadcasters outside the United States who have made important contributions toward the development of Country Music in their country.

On receiving that award she said, “Country Music has been a huge part of my life since I was a kid. I have been sharing this passion on air for 22 years and I am totally honoured that the CMA thinks I am doing a good job. Country is a wonderful part of my life and it is a knockout to be given an award. Thank you so, so much.”

Ar dheis Dé go raibh a anam dilís.

RTÉ Choice Music Prize Is Back | In Association with IMRO and IRMA

RTÉ Choice Music Prize is back and continues to champion Irish music with key dates for 2019’s event announced today on 2FM’s Tracy Clifford Show with Chasing Abbey (Song of the Year 2017 winners) performing live.

The RTÉ Choice Music Prize Live Event will take place on Thursday 7th March 2019 in Vicar Street, Dublin. Tickets go on sale this Friday 23rd November from Ticketmaster outlets and http://www.ticketmaster.ie priced €28.00 including booking fee.

Other key dates include:

Irish Album of the Year 2018 Shortlist Announcement – Wednesday 9th January 2019
Irish Song of the Year 2018 Shortlist Announcement – Wednesday 30th January 2019

The Irish Album of the Year 2018 will be announced at the Live Event and will be broadcast live on RTÉ 2FM in a special four hour extended programme from 7-11pm, with a special RTÉ Choice Music Prize highlights programme going out on RTÉ2 television the following week.

2018 has witnessed another incredible year for Irish music.  A wealth of emerging artists have made serious inroads in various international territories, clearly demonstrating the creative force of Irish music creators right now. Choice Music Prize recognises and champions some of our finest songwriters and IMRO is delighted to continue its longstanding association with this prestigious music prizeVictor Finn, Chief Executive of IMRO.

According to Alan Swan, Director of Music, 2FM,Giving airplay to emerging and established Irish talent is at the very core of what we do at 2FM and our RTÉ Choice Music Prize All-Irish music days, which celebrate Irish music and artists, have become one of the most popular features on the station. This has been such an exciting year for Irish music and we can’t wait to celebrate it with the RTÉ Choice Music Prize on 2FM.”

RTÉ Choice Music Prize “Conversations” will return and take place on the day of the RTÉ Choice Music Prize Live Event. Making its debut last year, this imaginative and provocative international music forum is designed to encourage frank exchanges amongst panellists and with the audiences to challenge and elucidate the biggest prevailing issues confronting artists and industry professionals.

The 14th annual RTÉ Choice Music Prize will once again celebrate the best in Irish recorded music.   The Prize has become one of the music industry highlights of the year since its inception in 2005. The Irish Album of the Year award is chosen from a shortlist of ten albums by a panel of twelve Irish music media professionals and industry experts.

The winning act will receive €10,000, a prize fund which has been provided by The Irish Music Rights Organisation (IMRO) and The Irish Recorded Music Association (IRMA).

This year RTÉ Choice Music Prize have also partnered with Yangaroo Music Ireland who will provide all eligible artists a simple, free route for instant delivery of a digital copy of their eligible album directly to the Irish Album of the Year judging panel.  Yangaroo Music Ireland (http://www.yangaroomusic.ie) offer a professional digital delivery service for Labels and Artists to deliver their new music releases instantly to media, venues, festivals and promoters in Ireland.

The Choice Music Prize website has published a list of Irish albums released to date in 2018. This list can be viewed and updated by logging onto http://www.choicemusicprize.ie.

 

Oddsocks – New Single ‘Saying Things’ – Out: November 30th

This November 30th, Oddsocks return with a new synth-driven video/single, Saying Things. This hook-filled moody track is the third release from their latest album ‘The Sound Of The City’ and the accompanying video marks the beginning of their new Temple Lane Sessions video series. Oddsocks look forward to another string of Irish dates after this release beginning with a show in The Soundhouse, Dublin on December 6th.

With the release of their second album ‘The Sound Of The City’, Oddsocks gave listeners a progressive new sound under the guidance of producer Rian Trench . Synth-lead, groove driven tracks dominate the album while the soulful moods of Oddsocks’ multiple vocalists colour each track.

Now the band have been back in the studio to record a live video series (Temple Lane Sessions) covering a selection of their album favourites. These will be released on their social media platforms and website starting on November 30th and will give viewers an insight into the band’s arrangements and performance style.

Latest Album ‘The Sound Of The City’ Available on Bandcamp, Spotify and itunes.

Live Shows:

December 6th- The Soundhouse, Eden Quay, Dublin – 8pm – Tickets €10 @ eventbrite.ie

December 26th – Anderson’s Live, Sligo – 10pm

Listen to or download ‘Saying Things’ on

Soundcloud – here

Spotify – here

“…..Well thought out compositions, with a mix of pure soul and funk…..” – Hotpress

“ …a satisfying synth-addled vibration. “ – The Irish Times

The Songwriting Collective re-visits SchottenFest in Vienna

SchottenFest is a celebration of the strong historical musical and cultural links which exist between Ireland, Scotland and the City of Vienna. It is the brainchild of Irish Singer/Songwriter Shane O’Fearghail, who is now a resident of Vienna, and the Vienna Songwriting Circle.

Now in its third year, it provides Irish Artists an excellent opportunity to showcase their talents in the Austrian City. Shane is a co-founder of The Songwriting Collective and this year four of its members, Danai Kelleher, Jon Ryan, Mandy Bate and Tony Bardon are travelling to Vienna at the end of November to support him. They will be performing at an informal curtain raiser on the eve of the Festival and Danai will be joining Mundy, David Keenan, Emma Langford and Ray Heffernan on the formal programme.

The Songwriting Collective holds monthly songwriting workshops at IMRO HQ. See https://www.meetup.com/The-Songwriting-Collective/

For further information see http://www.schottenfest.com

Irish Composer Úna Keane Launches Crowd-funding Campaign in Support of New Release

Encouraged by the reaction to her 2017 Album “As I Wake, Still I Dream”, Irish Composer Úna Keane is currently Crowd-funding to help release her next Album of Minimalist Piano music in May 2019.

She’s been touring consistently over the past couple of years (even up to 7 months pregnant!), and has loved connecting with so many people through her music. She now aims to build on this, with with plans to tour Ireland, the UK and mainland Europe when the album comes out in May 2019.

While her 2017 record was a piano solo affair, this new album will also feature (quiet) electronics, soundscapes and vintage typewriter.

She’s nearly 50% way now, but she needs to reach her target of €10,000 by November 30th, or else she gets nothing!

Here are some of the rewards you can pledge towards to help Úna release her next record :

• Pre-order a signed copy of the album
• Pre-book concert tickets
• Host a house concert
• Have your short film scored
• Treat your colleagues / students to a composition Workshop or…
• Join Úna for a pre-show dinner with 3 of your friends in her touring van (she’ll cook!).

Full details here >>>  https://fundit.ie/project/una-keane-the-next-record

“Consistently beautiful” – The Irish Times
“Lingers even after the final note has been struck”The Sunday Times
“Go hear / see her soothing, strange genius”Michael Smiley
“A testament to the wonderful mysteries of sound”John Kelly

Premiere Release for Eithne | The First Full Scale Irish Language Opera

This double CD from the RTÉ lyric fm label with extensive sleeves note is based on the first concert performance of Eithne in over one hundred years by Irish National Opera and the RTÉ National Symphony Orchestra. Conducted by Fergus Sheil, Eithne features a stellar cast of Irish singers including Orla Boylan, Robin Tritschler, Imelda Drumm and Gavan Ring.

The dramatic plot of Eithne is drawn from the magical legend Éan an Cheoil Bhinn (The Bird of Sweet Music). Composed by the English/Irish composer Robert O’Dwyer, the libretto was written by renowned academic and playwright Tomás Ó Ceallaigh. The story follows the adventures of Ceart, chosen heir to the High King of Ireland, and his ne’er-do-well brothers Art and Neart. Together they travel to the Land of Eternal Youth (Tír na nÓg) in pursuit of a mysterious bird. Unbeknown to the brothers the bird is Eithne, daughter of the King of Tír na nÓg. Cursed by her father, she must remain in birdlike form until a worthy warrior defeats the gigantic Guardian Spirit of their land, thus winning Eithne’s hand and releasing her from the spell.

The music of Eithne is immediately appealing, sitting firmly within the sphere of the late-nineteenth European operatic tradition, while also incorporating elements of Irish musical motifs. If the influence of Wagner occasionally looms large, the soft consonants, long vowels and in-line rhyming of the vocal score reveal the Irish language as completely apt for the operatic stage.

The Irish Times in 1909 reported that the premiere of  Eithne, conducted by the composer (grasping a length of penny-cane in lieu of his forgotten baton) was ‘…enthusiastically received…’ Its revival more than a century later was greeted by a full house in the National Concert Hall, Dublin and was described by critics as a ‘…remarkable revival of an intriguing opera.’

This double CD recording of Eithne from the RTÉ lyric fm label with 68 page booklet containing the full libretto and English translation along with Gavan Ring’s essay about the composition of the opera by Robert O’Dwyer is a must for all music collectors!

★★★★★ A superb production … a triumph of musicality, performance and dedication.

Irish Mail on Sunday

Order here  >>> https://www.rte.ie/lyricfm/articles/releases/

Screen Composers Guild of Ireland Launched

The Screen Composers Guild of Ireland (SCGI) is the newly established representative body for professional Irish and Irish based composers who provide original music for use in film, TV, animation, video games and advertising content. SCGI brings together, for the first time, some of Ireland’s most prominent and active composers for screen with the aim to promote and increase visibility for this key creative sector. SCGI seeks to become an active voice and conversation partner within the Irish audiovisual industry and it is welcomed by an existing network of audiovisual guilds in Ireland including SPI, SDGI and the screen writer’s guilds. SCGI is also a member of the European composer alliance – ESCA, and are contributing to the international conversation on protecting and promoting the creative industries Ireland.

Bringing together a wealth of experience and talent in its membership, SCGI offers an opportunity for screen composers to contribute to the development and growth of their own sector both here and internationally and to contribute to the ambition to grow the audiovisual industry in Ireland and deliver a global reputation for excellence in media production. SCGI will offer skills and development resources to both members and wider industry, seeking to build capacity in the sector and enhance the use of music for screen by productions.

Original music for screen is a crucial creative element in the production of new media content. Music plays a vital role in creating the narrative, delivering emotional cues, informing on genre, era, location, giving pace and exhilaration to scenes or arousing fear and anticipation. Original musical score delivers a custom tailored musical element to an audiovisual production, with its own distinct IP value and cultural capital. Original score can range from one composer creating a full soundtrack using music creation technology, to a composer working with a full orchestra to deliver powerful performances which can resonate well beyond the film or production. Composers for screen generate employment opportunities for performers, orchestrators, sound engineers, recording studios and deliver culture capital and economic return from the creation of musical works of lasting importance.

Ireland has a wealth of skilled musical talent working in this sector, composer members of SCGI work in all genres of music and deliver to all areas of audiovisual production. SCGI aims to promote and make visible the work of creators in this area, to promote the contribution and value of music as a creative element and to improve the status and rights of composers working to deliver music to the audiovisual sector. A key objective of SCGI is to contribute in a positive and proactive manner and to create relationships of value with funders, broadcasters, producers, industry stakeholders and Government departments in Ireland and to promote and facilitate the growth of Irish composers internationally.

SCGI founding members
Niall Byrne, Bill Whelan, Stephen Rennicks, Darren Hendley, Daragh O Toole, Rod Morris, Brian Whelan, Greg Magee, Mark Murphy, Rori Coleman, Michael Fleming , Stefan French, Denis Kilty, Liam Bates, Ken Touhy, John Mc Phillips, Maurice Roycroft, Kevin Whyms, Denis Clohessy, Ivan Fitzpatrick, Giles Packham, Ray Harman, Anna Rice, Brian Crosby, John G Walsh, Sarah Lynch, Hugh Rodgers, Stephen Lynch, Nick Seymour.

SCGI Board of Directors
Brian Crosby (Chair), Giles Packham, Ray Harman, Anna Rice, John G Walsh, Sarah Lynch, Hugh Rodgers.

Executive
SCGI CEO is Sarah Glennane a music and audiovisual industry professional who authored the Music for Screen in Ireland report and has been instrumental in the setting up of SCGI.

Download a Summary Report Here

Download the Full Report Here

 

For more information or for queries on industry events or festival please contact:  Sarah Glennane:  sarah@nullscreencomposersguild.ie

Twitter: @screencomposer2 

CISAC 2018 Global Collections Report Highlights Growth in Digital Royalties

Global royalties’ collections for creators of music, audiovisual, visual arts, drama and literature rose to a record high of €9.6 billion in 2017, up 6.2% on the previous year, according to the 2018 Global Collections Report published today by CISAC (International Confederation of Societies of Authors and Composers).

Royalties from digital income are reported over the €1 billion mark for the first time after a 24.0% increase in 2017. Digital collections have nearly tripled (up 166%) in the last five years, boosted by the streaming boom and, lately, by surging consumer uptake of video streaming services.

Music royalties have grown to €8.3 billion, up 6.0%, with digital also reported over €1 billion for the first time.

Despite digital’s rise for all repertoires to €1.27 billion, revenues from digital uses remain far below collections from broadcast, live and background uses. Only 13% of creators’ royalties come from digital sources (up from 11%), a reflection of the gross mismatch between the volume of creative work being made available via digital channels and the amounts being returned to creators.

It is the fifth consecutive year of global growth for creators, and the first to see increases in all repertoires. Solid growth in TV and radio collections suggests surging digital revenues are not currently cannibalising traditional markets. In 16 of the top 20 digital collecting countries, broadcast royalties saw growth.

Commenting on the Report, CISAC Director General Gadi Oron said: “This impressive performance proves that authors’ societies are delivering value to the millions of creators they represent around the world. They have responded to rapidly changing technology, licensing digital services in new flexible ways and handling trillions of data transactions. And they are fighting for the best licensing terms and the highest royalties possible in a world where powerful users are determined to avoid, or minimise, paying a fair return for their work”.

CISAC President, electronic music pioneer Jean-Michel Jarre said: “CISAC is at the heart of a battle for the future of over 4 million creators worldwide. I am passionately involved in this struggle. Europe has now recognised that it is time for change: it is not acceptable for the law to shield large tech monopolies and sustain a systemic injustice for creators. There is now a message to get to the rest of the world: it is time for other governments to sit up and follow”.

The CISAC Global Collections Report provides exclusive in-depth data and analysis from CISAC’s 239 member authors’ societies in 121 countries. The 2018 Report includes:
•10 individual country case studies;
•breakdowns by region;
•global growth forecasts on video streaming;
•for the first time, comprehensive pages of raw data including country and repertoire rankings.

Global Collections Report highlights:
•Music collections increase 6.0% to €8.34 billion
•Audiovisual collections rise 6.8% to €611 million
•Literature collections climb 5.2% to €227 million
•Visual arts royalties jump 19.0% to €208 million
•Dramatic repertoire collections grow 3.7%
•TV and radio continue to be the top use category at €3.89 billion, followed by live and background at €2.74 billion

CISAC’s global network of 239 societies licenses content and collects royalties on behalf of 4 million creators for uses including TV, radio, live, background, digital and private copying.

Download the 2018 Global Collections Report.

Download the Key Highlights.

Composing for Dr Who and The Radiophonic Workshop

Presented by Belfast Media Festival 2018

Composer Mark Ayres of the Radiophonic Workshop presents an illustrated history of the pioneering BBC department from its founding in 1958 to its more recent independent reincarnation.

He also deconstructs their most famous creation: the original Doctor Who theme as realised in 1963 by Delia Derbyshire.

Time: 12.30 – 1.30 pm

Date: Friday 16th November

Location: The Mac Centre, Belfast

FREE Event

http://www.belfastmediafestival.co.uk/

 

It’s Back | Other Voices Dingle 2018

Following a glorious Autumn stopover in Ballina, Co, Mayo, Other Voices journeys home to Dingle, Co. Kerry for a beautiful winter weekend of music, song and story from November 30th, 2018.

The IMRO Other Room will showcase six of Ireland’s most exciting new acts, filmed for the 2019 TV series in front of a live audience. Victor Finn, IMRO Chief Executive said: “Other Voices has a long tradition of presenting the very best in musical talent from these shores and further afield and IMRO is delighted to once again play a part in bringing this iconic show to our screens. The IMRO Other Room opens a door each year to some of our finest emerging songwriters and performers and we look forward to shining a light on this wonderful talent”. Those selected for the IMRO Other Room this year are Kitt Philippa, Columbia Mills, I Have A Tribe, Mango & Mathman and Kojaque.

The final performance slot at the IMRO Other Room will be decided by the public through the IMRO Other Voices Open Call with RTÉ 2FM. Details of the Open Call were announced on the Tracy Clifford Show and submissions are now welcomed from artists and performers of all genres until midnight on Sunday November 11th. See www.othervoices.ie for details. Artists who submitted through the Open Call for Other Voices Ballina earlier this summer will automatically be entered for consideration and do not need to re-apply. A shortlist of artists will be curated by music and music media professionals and this shortlist will be announced on the Tracy Clifford Show in mid-November, when music fans can choose their favourite track from the selection published on the RTÉ 2FM website. The artist with the most public support will be the nominated Listener’s Choice and will be invited to take the final place on the IMRO Other Room line-up at Other Voices in Dingle, which takes places on Saturday 1st December and will be filmed and broadcast as part of the 2019 Other Voices TV series on RTÉ Two early next year. For details, terms and conditions, please see www.othervoices.ie

With the success of the Hennessy Sound Lounge this summer, Other Voices are delighted to welcome Hennessy as partner on this year’s Music Trail, featuring more than 35 artists performing across 12 venues throughout the weekend. The first slew of acts confirmed for the Hennessy Other Voices Music Trail include Irish/French dream-pop purveyors A Ritual Sea, Galway experimental electro producer Daithi and Elma Orkestra, the new project from Derry multi-instrumentalist Eoin O’Callaghan. Galway native Grainne Cotter will offer up her stunning alt-pop-blues sound, while Cork’s Happyalone will slake hearts and minds with their blissful sonic textures. Catch Kerry experimental folk singer Junior Brother, shoegazing Dundalk rock revivalists Just Mustard, avant-garde Dublin folksters Pine The Pilcrow and Dublin rock band Silverbacks. Irish-Nordic group Slow Moving Clouds promise post punk drones, baroque strings and soaring falsettos, while Kildare’s Tebi Rex brings Irish hip-hop to a whole new level. Other Voices pilgrims will get up close and personal with Derry politico-punks The Wood Burning Savages, Cork electronic singer-songwriter and multi-instrumentalist Trick Mist and the hugely talented Dublin producer and vocalist Wastefellow. Many more Hennessy Other Voices Music Trail artists will be announced shortly. Festival goers can enjoy Hennessy Very Special and Ginger across the weekend in Music Trail venues.

Commenting on the sponsorship, Elaine Cullen, Market Development Manager Moet Hennessy Ireland, said: Hennessy has been a long-time supporter and nurturer of Irish cultural talent. As with any brand partnership, real results come from authentic collaborations. Other Voices has always identified and supported new Irish music talent, from Damien Rice to Saint Sister more recently. We feel there is a true synergy between Hennessy and Other Voices and look forward to working together to craft, and enjoy, a Hennessy Other Voices Music Trail filled with exciting voices and memorable moments.”

This December, over 100 gigs and talks will take place over three days in Dingle. This year, Other Voices are introducing a registration charge of €30 + booking fee (€10 per day). By registering for Other Voices, music fans will be ensuring that Other Voices returns to Dingle for another year of magic. While there are some sponsors on board, it only part-funds the weekend. This registration fee will go towards ensuring an event that meets the highest standards for all attendees. To register and purchase wristbands, log on to www.eventbrite.ie. All attendees who register in advance will have their names entered into draws to win tickets to St. James’ Church, signed Other Voices posters, tickets for Ireland’s Edge, Other Voices merchandise and much more. Gigs in An Diseart, An Chonair, Nellie Fred’s and McCarthy’s will only be accessible to those who have registered and collected their wristband in the Other Voices Hub.

Running as a distinct strand alongside Other Voices, the culture and creativity series Ireland’s Edge will take place on November 30th and December 1st at the Dingle Skellig Hotel. Ireland’s Edge – Áit / Place will look at the theme of place, our personal and collective idea of identity and home, and how social, political and environmental change can disturb, disrupt and dismantle our understanding of what ‘place’ means. These themes will be examined in the company of an engaged, curious audience, and panels of thinkers, policy makers, innovators, commentators and artists. The two-day event will feature contributions from Ciarán Devane, British Council CEO and Chairperson Designate of the HSE, Carole Cadwalladr, Journalist at The Observer and 2018 Orwell Prize recipient, Professor John Naughton, Author, Internet Historian and Senior Research Fellow at the Centre for Research in the Arts, Social Sciences and Humanities (CRASSH) at University of Cambridge, H.E. Mrs. Deike Potzel, German Ambassador to Ireland, Billy Mag Fhloinn, Performance Artist, Folklorist, Musician and many more. Tickets for Ireland’s Edge – Áit / Place are priced €15 and available now at www.eventbrite.ie. For more information see www.irelandsedge.net

With a truck load of musical delights for St. James’ Church yet to be announced, not to mention the return of Music Trail West, Banter, After Dark, art exhibitions, DJ sets, live radio broadcasts and more, Other Voices Dingle 2018 is set to be the ultimate end of year gathering.

Other Voices Dingle 2018 is made possible with the support and partnership of RTÉ, Department of Culture, Heritage and the Gaeltacht, Kerry County Council, Hennessy, IMRO and Fáilte Ireland.

www.othervoices.ie

@OtherVoicesLive / @OtherVoices / #OtherVoices

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