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David Dee Moore Releases Two New Songs

David Dee Moore is celebrating 40 years of playing, writing and producing music with a new self-titled album in the Spring of 2020.

In the run up to the album release, David will be sharing a few tracks; the first of these is his brand new song Strawberry Freckles and one of his more popular tracks on the live circuit, Peaches and Green. Both are available on all platforms from November 22nd 2019.

  • Strawberry Freckles is a beautiful guitar and dobro driven Americana pop song held together with Irish rhythms and sweeping strings. The song is a fictional story of a young man who tries in vain to catch the attention of a beautiful woman who is already smitten with someone else. He’s prepared to wait in vain.
  • Peaches and Green tells the tale of a road trip taken by David from Atlanta Georgia to Asheville North Carolina and the interesting people and things he comes across along the way. The song is so infectious and dares you not to sing along with the hook line.

Musicians involved with the tracks include ‘Track Dogs’ trumpeter Howard Brown, Eamonn Mulderrig from ‘Vickers Vimy’ on brushes, celebrated fiddle players Joseph McNulty and Brian McAteer, Colin Henry on dobro, Derek McGowan on guitar and Rebecca McRedmond on backing vocals.

David Dee Moore celebrates 40 years of music-making having spent the last 20 years playing in the West of Ireland especially in Matt Molloys bar (The Chieftains) to packed audiences with his rhythmic foot stomping set and he recently played at the Westport Arts Festival, the Belfast/Nashville festival and a series of select Irish venues.

Originally from Belfast, Dee Moore as he was known, grew up playing music with singer/songwriter Bap Kennedy, teaching him his first guitar. He played bass guitar in punk band The Ex-Producers appearing on such programmes as the BBC series ‘Something Else’ which featured bands like the Clash, Ian Dury and the Undertones and also winning a BBC songwriting contest which set David up for a career in music. Completely against the grain, David then turned his hand to traditional folk music joining ‘A Handful of Earth’ where he met up with fiddle player Brian McAteer who became his long time musical accomplice. David and Brian joined the touring folk rock band Clíbin with Uileann piper and cellist Neil Martin, another musician who features regularly on his albums.

This experience in traditional music and folk rock culminated in the creation of ‘The Loose Connections’ with Niamh Parsons and one of the worlds finest Uileann pipers John McSherry. The band released the Album ‘Loosely Connected’ in 1993 on the Scottish Greentrax label. It featured a few songs from David like ‘Little big time’, ‘Don’t give your heart away’ and ‘Play a merry jig’ and it immediately became one of the top folk recordings in the UK and Ireland that year. The album is considered a classic and catapulted the band to major popularity around the world with the Green Linnet label in the USA signing up the band and re-releasing it to critical acclaim. A second album followed, ‘Loosen Up’ which was produced by David with most of the tracks including traditional sounding tunes all written by him.

David and Niamh split in 1998 with their last gigs together at the Dublin Ohio Irish music festival in the USA and the Tönder Festival in Denmark. David continued writing songs and playing session bass, collaborating with artists like Steve Wickham (The Waterboys), the legendary Liam Clancy, Juliet Turner and Jerry Fish. His talent was still sought after and he wrote music for films and documentaries for RTE, BBC and Channel 4 (UK).

In 2010, David began work on a demo CD for a brief tour of the USA which featured a collection of new and old songs under the title ‘The Almighty Warrior’. This whetted the appetite for David to begin work on his acclaimed CD ‘The sun, the moon, the stars…and other moving objects’. This is a collection of Irish, Americana and contemporary songs that features legendary musicians, Nick Scott (Gilbert O’Sullivan, Van Morrison), Pete McKinney (The Waterboys, 4 Of Us) and John McCullough.

The album was recorded at Red Box Studios in Belfast, co-produced by Donal O’Connor and released in 2013. In 2015, David released the self-produced EP ‘Burst’ showcasing 5 songs with a pop flavour and followed it with his ‘A Sea So Shallow’ EP in 2018 which celebrated David’s home on the West coast of Ireland.

He is now recording and putting together a compilation of songs celebrating his 40 year career in the music business. This will be released in Spring of 2020.

Bob Gallagher and Lankum win Best Irish Music Video at Irish Film Festival London

Irish filmmaker and visual artist Bob Gallagher has won the Best Irish Music Video Award for his work directing ‘The Young People‘ for the band Lankum, at the 2019 Irish Film Festival London. The video was originally premiered with a feature on the American music website Billboard. ‘The Young People’ explores body language, characterisation and how micro narratives can be gleaned from focusing on just people’s feet. Using a mix of documentary footage captured around Dublin City and a performance by the band, the video touches delicately on the theme of suicide, contrasted with the ephemeral movement of bodies through the city over the course of an autumn morning. 

The award ceremony was hosted last week at the Irish Embassy in London. Bob also received a second nomination for his work with Junior Brother on the video for ‘Full of Wine‘. This is Bob’s second time winning the award at the London Irish Film Festival. In 2018 he received the Best Irish Music Video award for his work with Pillow Queens on the video for ‘Favourite‘. He was also nominated in 2018 for Villagers ‘Fool‘. 

Bob was recently featured in the October edition of Totally Dublin Magazine as one of five leading Irish filmmakers working in the medium of music video. The article, which describes Bob as ‘One of the nation’s premiere creative forces in the visual arts‘ can be viewed here.

Gallagher has crafted award winning music videos collaborating with acts such as Girl Band, Villagers, SOAK, Lisa Hannigan, Pillow Queens, Junior Brother, Myles Manley and James Vincent McMorrow.  His recent video for ‘The Young People’ by Lankum is one of a series of videos he has been commissioned to make by renowned London label Rough Trade Records, which this year also included a collaboration with contemporary dancer Oona Doherty for Girl Band’s ‘Shoulderblades‘. 

In 2017 Bob was hand picked to attend a ten day practical workshop in Cuba with Werner Herzog, after which he was declared by Herzog to be a ‘Good Soldier of Cinema’. The workshop resulted in two short documentary films currently on the festival circuit, ‘Salon’ and ‘The Impossible Flight of the Stone’. 

Bob was invited earlier this year by Dublin City Council to stage a retrospective of his music video work titled ‘Under My Garage‘ at the Music Town Festival in Dublin. Taking the form of a fictional late night talk show, Under My Garage combined live music, visuals, and on-stage interviews centred around Bob’s music video work. The performance included appearances from Villagers’ Conor O’Brien, Girl Band, Pillow Queens, Ena Brennan, Participant, Cal Folger Day and Myles Manley. This year also saw Bob stage his first solo photography exhibition ‘Forced Perspectives‘ as part of an artist residency at The Darkroom, Dublin. which went on to feature in the Photo Ireland Festival. Bob was also invited to participate in the inaugural Fermanagh-Omagh District Council International Artist’s Residency, working with young people across loyalist and nationalist communities to create short film projects. 

Bob is currently based in New York City where he is developing his first feature film script. 

IMRO Showcase Opportunity at Temple Bar TradFest 2020

As part of the exciting programme of events taking place at Temple Bar TradFest 2020 IMRO will host a series of music showcases and industry events over the course of the festival.

Music groups or artists interested in putting themselves forward to perform at one of these showcases should email an audio and/or website link to events@nullimro.ie before Friday 15th November 2019. (please include Temple Bar TradFest in the subject matter of your email)

TradFest has grown over the past ten years to become a firm fixture on the Irish festival calendar. Year-on-year it has seen a huge increase in international visitors from Norway, Sweden, Denmark, France, Spain and Germany. The festival has presented some of the biggest names in Irish music alongside many exciting new performers and musicians. Families will not be disappointed either, with outdoor stages carrying an emphasis on young Irish music and dance talent; street entertainment and a children’s club being just some of the many free events taking place during the festival.

http://www.tradfest.ie

Creators’ Royalties Shift to Digital as CISAC Global Collections Hit Record €9.7 Billion

Worldwide royalty collections for creators of music, audiovisual, visual arts, drama and literature reached a record €9.65 billion in 2018, according to the 2019 Global Collections Report published today by CISAC (International Confederation of Societies of Authors and Composers). Royalties from digital sources jumped 29% to €1.64 billion, thanks to rapid global expansion of music and subscription video on-demand (SVOD) services. In the last 5 years, creators’ digital income has nearly tripled, now accounting for 17% of collections compared to 7.5% in 2014.

The increase in major markets’ digital collections – notably the United States, France and Japan – are the biggest drivers of global growth. This growth is helped by new and extended licensing deals between societies and digital platforms, from dedicated content services like Spotify to social media platforms such as Facebook and video on demand platforms such as Netflix and Amazon.

Global collections for music repertoire, accounting for the majority of the total, rose 1.8% to €8.5 billion, driven by a 29.6% growth in digital income and the continuing surge in subscription streaming revenues.

Total collections up 1% in 2018

Total collections in 2018, for all repertoires, grew 0.9%, the fifth consecutive year of growth. Over the five years since 2014, global collections by CISAC societies are up 25.4%. Digital growth, combined with resilience in the two other major uses (TV/radio and live/background), are continuing to offset declining income from physical media.

TV and radio, the largest collections source, declined 2.4% in 2018, while live and background revenue grew 0.5%. Combined, these two sectors have substantially grown since 2014, adding €653 million in revenue.

CISAC Director General Gadi Oron said: “This Report provides many reasons for optimism about our sector. Digital revenues show an impressive increase, have nearly tripled in the last five years and have enormous potential for further growth. More markets are seeing digital income taking the top position of all revenue streams, which is an extremely positive sign. In a landscape of fragmenting income sources, the role of authors societies in generating monetary value for millions of creators has never been more vital.”

Digital shows its growth potential

The Report shows other key indicators of the shift to digital: Asia-Pacific is a digital leader, with an online share of 26.3%, twice that of Europe at 13.3%; and Australasia, Sweden, South Korea, Mexico and China are in a growing group of “digital champions” where online revenues are now the top collections source. However, the Report also highlights the need for legislative action to bring fair creators’ remuneration, calling on governments to follow the example of the landmark EU Copyright Directive, adopted in April 2019.

Jean-Michel Jarre, CISAC President, said: “Digital is our future and revenues to creators are rising fast, but there is a dark side to digital, and it is caused by a fundamental flaw in the legal environment that continues to devalue creators and their works. That is why the European Copyright Directive is so momentous for creators everywhere. The Directive has sent an amazing, positive signal around the world, building a fairer balance between creators and the tech platforms”.

Other key highlights of the 2019 Report include:

• Global collections broken down by repertoire, type of use and region.
• Ten individual market case studies (Canada, Chile, China, Denmark, India, Italy, Malawi, Mexico, Poland, Senegal).
• Analysis of key legislative developments affecting creators’ remuneration in music, audiovisual visual arts, drama and literature.

Download Key Highlights of the Report
Download the 2019 Global Collections Report

Job Vacancy – Music Generation Development Officer, Dún Laoghaire-Rathdown

Dún Laoghaire-Rathdown (dlr) County Council is now inviting applications for the position of Music Generation Development Officer.

Job reference: 008488  

A Music Generation Development Officer will be appointed by dlr County Council and will be responsible for managing an extensive performance music education programme on behalf of dlr Local Music Education Partnership. 

Music Generation dlr is part of Music Generation – Ireland’s National Music Education Programme, which is co-funded by U2, The Ireland Funds, the Department of Education and Skills and Local Music Education Partnerships.

Temporary five year fixed term contract (Salary range: €47,588 – €58,157 per annum)

Application form, job description and person specification available online at – www.dlrcoco.ie 

Closing date for receipt of completed application forms: 4pm, Thursday 28 November 2019.

Late applications will not be accepted.

Based on the volume of applications received short-listing may apply. Short-listing will take place on the basis of the information provided in the application form. Depending on the qualifications and experience of applicants, short-listing thresholds may be significantly higher than the minimum standards set out.

dlr County Council is an equal opportunities employer.

The IMRO Other Voices Open Call is Open for Submissions

Filmed in front of a live audience, the IMRO Other Room is all about shining a light on fresh, exciting music from Ireland. In previous years, the IMRO Other Room has given television debuts to acts such as James Vincent McMorrow, Villagers and Lisa O’Neill. The Open Call is your opportunity to apply to be part of the IMRO Other Room and have your performance included in the Other Voices TV series, which will air on RTÉ2 in 2020.

“IMRO is delighted to be once again part of this unique and special gathering of songwriting and performing talent. IMRO has a strong reputation as a champion and supporter of new music creation and the IMRO Other Room provides the perfect platform for this.”Victor Finn, IMRO, Chief Executive.

THE IMRO OPEN CALL: HOW IT WORKS

• You can submit one audio recording of an original song written by you – the tracks have to be owned/controlled by you and/or your music publisher throughout the world (and any samples need to be cleared).
• Each recording needs to be submitted via a weblink (please do not send mp3 or WAV files). For the purpose of this submission this is limited to YouTube, Spotify and SoundCloud.

Send your entry to: events@nullimro.ie (please include Other Voices in the subject matter of your email)

Closing date for submissions: 11am Wednesday 13th November

TERMS AND CONDITIONS

• This is an application process for The IMRO Other Voices Open Call Dingle.
• Applicants must be available to travel to Dingle on 29th – 30th November.
• Applicants must be over the age of 16 years old.
• This performance will be filmed for inclusion in the ‘Other Voices’ TV Series.
• Applications will only be accepted via a submission made to events@nullimro.ie

The Pale – New EP – ‘Young Caesar’ – Release date – November 22nd

Irish music Luminaries, The Pale release their new EP ‘Young Caesar’ on November 22nd. The title track is the lead track from the EP which is taken from their critically acclaimed album ‘Merciful Hour’, along with the previously released singles, ‘Loser Friends’, ‘Ursa Major’ and ‘Such Dumb Luck’.

Their 1992 UK and Ireland hit single ‘Dogs With No Tails’ is included in the new season of BBC/RTE’s hit TV show ‘The Young Offenders’, which will feature the song in Season 2, Episode 3 of the popular show, not once, but twice during the episode.

Next year will see The Pale celebrate their 30 year anniversary in the music industry, releasing 13 albums and numerous tours across the world in that time. Expect some very exciting announcements regarding the celebrations to follow in the new year.

Young Caesar’ is a song about trying to make sense of a society that has become over saturated with media, commentary and opinion. To feel like a minnow in an ‘Ocean of information. The song was influenced by the 1970’s movie ‘Network’, George Orwell’s novel ‘1984’, Aldous Huxley’s novel ‘Brave New World’ and a classic Bill Hick’s stand-up routine” – Matthew Devereux

The Pale started life in Dublin’s Northside in the early 90’s but drew their influences from far beyond. the band cut their teeth busking on Dublin’s Grafton street, along side fellow Irish musicians like Kila, Paddy Casey, Mic Christopher and Glen Hansard. For some they are best remembered for their hits ‘Butterfly’ and ‘Dogs With No Tails’. That is only the tip of the iceberg for a band that has steered clear of the beaten track, releasing a string of albums the effortlessly skip between style and genres, all the while retaining a strong lyrical focus. Flirtations with chart success, forays into alternative circuses, tours way off the beaten path in Russia, Japan, Eastern Europe and beyond are all par for the course for a band that have refused to trade off past glories. 2019 has seen them release their 13th studio album to date ‘Merciful Hour’, followed by shows across Ireland, as well as Electric Picnic and closing the Friday night of Feile 19 in Tipperary.

“Never ones to truly stick to a genre, Dublin band The Pale are back with a hodgepodge of musical influences on their 13th studio album, and – true to form – they continue on in the same vein that they always have in that you never know what tricks they have up their sleeves.” Louise Bruton – Irish Times ****

“The great thing about The Pale is that just when you think you have them pegged down and labelled, another track sends you off course yet again. Irish music fans should treasure them”. Rob McNamara – Golden Plec ****

“It has been said that you don’t release 13 albums without displaying a chameleon-like ability for change, and it is true of this release – from song to song, you never know which course it’s headed. This tactic of misdirection has served them well in the past and does so again”. Colin Sheriden – Hot Press ****

Screen Composers Guild of Ireland Presents a Screen Composition Masterclass with Patrick Doyle

Date: Monday 11th November, 10.30 – 3pm
Location: Studio 1, RTÉ Radio Centre, Donnybrook
Bookings: Places are limited please RSVP | sarah@nullscreencomposersguild.ie Donation of €30 for non SCGI members

Gain an invaluable insight into the working techniques of one of the world’s foremost composers for live action and animation at this masterclass in the wonderful setting of Studio 1, RTÉ Radio Centre.

Composer Patrick Doyle will give a hands-on workshop on his writing methods including breaking down scenes from some of his work, providing insights into recording live performances, managing relationships on productions and thinking outside the box. This masterclass is suitable for composers for screen of all levels and will include plenty of opportunity for Q&A.

Registration from 10.30am
Masterclass will start promptly at 11am
Break for lunch 12.30pm – 1.30pm
Finish 3pm

About Patrick Doyle

Patrick Doyle is a classically trained composer. He graduated from the Royal Scottish Academy of Music in 1975, where he was made a Fellow in 2001.

After many years composing for theatre, radio and television, Patrick joined the Renaissance Theatre Company as composer and musical director in 1987. In 1989 director Sir Kenneth Branagh commissioned Patrick to compose the score for feature film ‘Henry V’, conducted by Sir Simon Rattle, and they have subsequently collaborated on numerous pictures, including ‘Much Ado About Nothing’, ‘Hamlet’, ‘As You Like It’ and ‘Cinderella’.  Patrick and Branagh’s collaboration within film and theatre has continued to this day, with performances worldwide that include Branagh’s 2015 production of ‘The Winter’s Tale’ and 2016 productions of ‘Romeo & Juliet’ and ‘The Entertainer’ which both ran at the Garrick Theatre in London’s West End.

Patrick has been commissioned to score over 50 international feature films, including ‘Harry Potter and the Goblet of Fire’, ‘Gosford Park’, ‘Sense and Sensibility’, ‘Indochine’, ‘Carlito’s Way’ and ‘A Little Princess’. His work has led to collaborations with some of the most acclaimed directors in the world, such as Regis Wargnier, Brian De Palma, Alfonso Cuaròn, Ang Lee, Chen Kaige, Mike Newell and Robert Altman.

In October 2007, Patrick Doyle’s ‘Music from the Movies’ sell-out concert on behalf of The Leukaemia Research Fund was staged at The Royal Albert Hall. It was directed by Sir Kenneth Branagh and starred a host of international talent, including Emma Thompson, Sir Derek Jacobi, Dame Judi Dench and Alan Rickman, among many others. In December 2013, the London Symphony Orchestra performed a programme of Patrick’s work in a special celebratory concert at the Barbican for Patrick’s 60th birthday, at which Sir Derek Jacobi, Emma Thompson and soprano Janis Kelly performed.

Patrick has received two Oscar, two Golden Globe, one BAFTA and two Cesar nominations, as well as winning the 1989 Ivor Novello Award for Best Film Theme for ‘Henry V’. He has also been honoured with a Lifetime Achievement Award from The World Soundtrack Awards and Scottish BAFTA, the Henry Mancini Award from ASCAP and the PRS Award for Extraordinary Achievement in Music.

Patrick has composed several concert pieces, including Tam O Shanter, commissioned by the Scottish Schools Orchestra Trust; Corarsik, composed for Emma Thompson’s birthday; ‘The Face In The Lake’, commissioned by Sony and narrated by Kate Winslet and The Thistle and the Rose, commissioned by Prince Charles in honour of the Queen Mother’s 90th birthday. His concert suite Impressions of America received its world premiere in July 2012 with the National Schools Symphony Orchestra, of which Patrick is a patron.

Patrick scored ‘Rise of the Planet of the Apes’ for Fox Studios, and ‘Brave’ for Disney/Pixar, for which he was subsequently awarded Best Original Composition for Film at the International Music and Sound Awards. In addition, Patrick completed a score for the silent movie ‘IT’ starring Clara Bow, commissioned by The Syracuse Film Festival, which received its world premiere at the Syracuse historic Landmark Theatre in October 2013.  His score was recently performed in Glasgow at the Royal Concert Hall by young students of the Royal Conservatoire of Scotland Junior Orchestra as part of a pioneering music education programme for the International Society for Music Education (ISME)

In 2015, Patrick completed work on the music for Walt Disney’s live action version of ‘Cinderella’, directed by Branagh. Patrick also completed recording a solo piano album, made up of a collection of his film scores to date, which was released by Varese Sarabande in July 2015. In 2016 Patrick completed the scores for the remake of Scottish classic ‘Whisky Galore!’ and Amma Asante’s ‘A United Kingdom’, starring Rosamund Pike and David Oyelowo. In 2018 Patrick completed the score for ‘Sgt Stubby: An American Hero’ and Twentieth Century Fox’s ‘Murder On The Orient Express’. Most recently, Patrick composed the original score for ‘All Is True’, directed by and starring Kenneth Branagh for Sony Picture Classics.

This event is supported by BAI Sectoral Development Fund
Photo Credit: Alex Brady

Irish band Cronin new single “There’s a Darkness”

Cronin take a break from the studio recording the follow up to their critically acclaimed debut with a handful of dates across Europe and a new single. ‘There’s a Darkness’ will be available to stream from Friday 25th October.

Recorded and mixed in their own Transmission Rooms studio with the help of Karl Odlum (Glen Hansard, Ham Sandwich), Ger McDonnell (U2, Kasabian). The song with a perfect Autumnal feel for this time of year with Halloween around the corner is a taste of an ambitious project Cronin have for 2020. They are also due to hit the road with a series of gigs through November and the Christmas period.

CRONIN LIVE DATES

SAT 26TH OCT – BOYLES OF SLANE
SAT 2ND NOV – PAPIRHUSET, DRAMMEN, NORWAY
THURS 14TH NOV – THE GROVE INN, LEEDS, UK
FRI 15TH NOV – WHELANS, UXBRIDGE, LONDON, UK
SAT 16TH NOV – WHELANS, CROYDON, LONDON, UK
SUN 17TH NOV – LONDON TBC
SUN 15TH DEC – THE BRUDENELL, LEEDS, UK
THURS 26TH DEC – THE VILLAGE INN, DRUMLISH, LONGFORD, IRL
FRI 27TH DEC – MONROE’S GALWAY, IRL
SAT 28TH DEC – THE STABLES AT SMIDDY’S, MULLINGAR, IRL

More dates to be announced.

A FEW NICE WORDS ON CRONIN

“they’re good boys, brilliant.” Alan Mcgee, Creation Records
“You sound like me but in tune.” Nick Cave
“An invigorating mix of Nick Cave, the Bunnymen and just about every classic British guitar band you care to name.” Hot Press Magazine
“I love that kind of thing they do and they do it so well. Fantastic album.” The Paul McLoone Show – Today FM
‘Great songs.’ The Chris Moyles Show On Radio X
‘Wonderful’ Janice Long BBC Radio Wales

Brendan Graham’s ‘Crucan na bPaiste’ wins at Royal National Mòd 2019

In Glasgow’s Royal Concert Hall last week, ‘Crucán na bPáiste‘, written by Brendan Graham and performed by the Oban Gaelic Choir, in a choral re-imagining of the song by choir director Sileas Sinclair, won the prestigious Lovat and Tullibardine Shield Choral Competition at this year’s Royal National Mòd. The competition, which dates back 127 years, started in Oban in 1892 and is the premier festival of Scottish Gaelic literature, song, arts and culture and one of the more notable peripatetic cultural festivals in Scotland. It is often referred to simply as the Mòd.

Crucán na bPáiste‘ was the only song from outside of Scotland performed in the competition, which featured nine of Scotland’s elite Gallic Choirs, as all the other songs performed were of the Scots Gallic tradition. Scottish singer Kim Carnie, who has previously recorded Crucán na bPáiste, as has Capercaillie’s Karen Matheson, put a beautiful Gallic snas on the songs Irish lyrics.

Here in Ireland, Eimear Quinn and Cathy Jordan have also recorded the historically significant song.

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