Skip to main content

Author: Press Officer

CMC to host a series of Continuing Professional Development (CPD) music seminars

What?            
CMC are presenting a series of Continuing Professional Development (CPD) events throughout July, at no cost to participants.

When? 
The sessions will commence at 3.00pm on Tuesdays throughout July 2020, and it is anticipated that each session will last about 45 minutes.

Forum?
While the sessions themselves will be on zoom, bookings will be managed via eventbrite.  Once you have booked on eventbrite, CMC will send a zoom link to the email address you use for booking on eventbrite.

Format? 
These events will be interactive with a chance to get answers to questions you may have.  It is recommended that you to submit questions in advance via rsvp@nullcmc.ie so that the presenters can consider them in advance and deal with them during their presentations.  However, there will also be a live Q&A session following an overview by the presenters at each event.   

CONTEMPORARY NOTATION IN SIBELIUS CLINIC – 7th July 2020

The series will start with a standalone session by composer and guitarist Anselm McDonnell in the form of a clinic in relation to contemporary notation in Sibelius.

Bookings for this event to be held at 3.00pm on Tuesday, 7th July, will be managed via the following link on eventbrite:  https://www.eventbrite.ie/e/contemporary-notation-in-sibelius-clinic-tickets-111969806706  

ONLINE PERFORMANCES – 14th, 21st & 28th July 2020

CMC will also be presenting the following trio of CPD events about creating, monetizing and marketing online performances on 14th, 21st 7 28th July 2020, respectively.

Further information about this trio of events after the 7th July event, including separate eventbrite links for booking each of the three events.

#1 on 14th July – Creating Online Performances by Eoin Callery (audio) and Sean James Garland (video)

# 2 on 21st July – Monetizing Online Performances by Nick Roth, in which Nick will also go beyond this in terms of how musicians can survive generally in an online world

# 3 on 28th July – Marketing Online Performances by Naomi Belshaw, in which Naomi will also go beyond this in terms of career strategy generally and how to present oneself depending on what path a composer wants to take

Debut release from Belfast electro duo Vivid Dreamer

Vivid Dreamer are musicians and producers Ryan McGroarty and Rocky O’Reilly from Belfast, Northern Ireland. The pair recently retreated to their shared writing space. They locked the door and inflated a dazzling bubble of synthesizers, space echoes and drum machines, wrapped in fairy lights with endless immersive animations looped on their screens.

They felt inspired to create an instinctive escape from the everyday pressures, self-imposed expectations and crippling fears that they often witnessed taking hold of their musician friends. They soon created a character based on those friends.

Their new super friend begins lost in the motions, devoid of the drive that once defined them. They embark upon a journey of searching for themselves, seeping tales of ambition, anxiety, regret, jealousy and even laughable paranoia in THINK ABOUT IT.

They finally find resolve, rediscovering the naivety, hope and child-like innocence that remained deep within. Soaked in the sonics and approaches of the pair’s individual projects they encouraged and dared each other to act more immediately than they ever had before. The result is a blueprint of how they will operate in the future; Openly, honestly and fearlessly.

The debut album will be released on 12th July 2020, a joint release from the duo’s new-formed Reckless Abandon collective and Third Bar in Belfast.

Digital and vinyl pre-orders are available exclusively on Bandcamp from July 3rd.

Live performances will follow.

www.vividdreamer.bandcamp.com

SEAC Live: livestreams featuring renowned Irish artists from iconic Windmill Lane Recording Studios

SEAC Live is a series of live music streams of folk, traditional and contemporary Irish music presented by the Séamus Ennis Arts Centre. They will be streamed from Studio 1 at the iconic Windmill Lane Recording Studios in Dublin’s Docklands.

These streams can be viewed on smart TVs or mobile devices and will be interactive enabling fans to chat with the performers, submit requests and have a front row seat for a great night’s music and entertainment. Audience members can sign up to participate through zoom and will they be projected on to the walls of the studio during the performance.  Some special guests may also be dropping in!

Here’s the line up so far:

Saturday, July 11th @ 8:30pm (GMT+1) in association with Hawk’s Well Theatre, Sligo
NoCrows
https://nocrows.net
Ticket Link: https://www.tseac.ie/events

Saturday, July 25th @ 8:20pm (GMT+1)
Muireann Nic Amhlaoibh with Gerry O’Beirne & Donal O’Conor
https://www.muireann.ie
Ticket Link: https://www.tseac.ie/events

Saturday, August 1st 8:30pm (GMT+1)
Artist TBC
Ticket Link: https://www.tseac.ie/events

Viewers can tune into SEAC Live from all over the world to watch these amazing performers. They will bring the incredible musical culture of Ireland to homes around the world and will appeal on an international level to the Irish diaspora and to the Irish abroad who are yearning for their Irish culture and heritage.

Background to SEAC Live
The Séamus Ennis Arts Centre usually holds an annual Summer ‘Garden Party’ series with the best of Irish and international artists rocking the intimate venue’s dome stage in North County Dublin. Due to COVID-19 restrictions on touring, artists have suffered a disconnection from their audience. As a response to the pandemic, the Centre is bringing music to a new audience through a combination of high-quality web streaming with the addition of audience participation through Zoom. Artists thrive on engaging with their fans and this quality livestream will allow them the opportunity to reconnect. This new series of interactive musical performances will provide music fans with an enriching live musical experience and will provide musicians with an income for their work.

Partnership with Windmill Lane Recording Studios
The Séamus Ennis Arts Centre chose Windmill Lane Recording Studios as the venue for SEAC Live to ensure high quality sound and for the space to have multiple cameras filming the performance. SEAC Live is one of the first phases of the re-opening of the iconic Irish recording studios, who launched their Visitor Experience in February this year. The team at the studios are putting in place precautionary procedures to ensure the health and safety of visitors and to guarantee that all guests and performers can enjoy their experience safely. SEAC Live will be broadcast from the famous Studio 1, where The Chieftains, U2, The Rolling Stones and The Cranberries recorded. Windmill Lane Recording Studios is one of the most unique cultural attractions in Dublin. Viewers who book a ticket for SEAC Live will get a fascinating behind-the-scenes view of the studios.

Steve Wickham, NoCrows said “The NoCrows are delighted to be part of this live-streaming event for the SEAC. Playing for a live audience is our stock in trade and we are ready make live music again. We’ve been locked away from stage performances since the Lockdown.  Having been the holy ground for a great many records over the years, Windmill Lane studios too, holds a lot of magic and we hope that some of that shine through. NoCrows are celebrating 15 years together so we’ll be playing tunes and songs from our albums and some new tunes written during the time the earth stood still.

Naomi Moore, CEO of Windmill Lane Recording Studios said, “We are delighted host the SEAC Live streaming sessions, supporting an alternative platform for gigging artists. Bringing the audience into the venue through Zoom really excites me about this project. To grab a few friends to have a few drinks and a dance and being able to interact with the musicians is the closest we will get to actually going to a gig for a while. It will also celebrate the reopening of the Windmill Lane Recording Studios Visitor Experience, which we had just launched before lockdown. It will be wonderful to see our famous doors open to the public again.’’

Liz Halpin, Head of Dublin at Fáilte Ireland said: “In recent months, tourist attractions and cultural centres across the country have shown that they can maintain a very real connection with their audiences in many innovative ways. The new livestream series from Windmill Lane Recording Studios featuring some of Ireland’s best-known artists will help to maintain that bond and provide a welcome and entertaining reminder of Ireland’s musical heritage to visitors across the globe. It is initiatives like this that help strengthen the truly unique offering that we have here, and keep Ireland and Dublin front of mind for future visitors from home and abroad.”

Join SEAC Live from another legendary home of Irish music, Windmill Lane Recording Studios, for a series of interactive music concerts like no other! 

Sponsors/Funders/Supporters

  • The Séamus Ennis Arts Centre
  • Fingal Arts
  • Fingal County Council
  • The Arts Council
  • Fingal Leader Partnership
  • Windmill Lane Recording Studios
  • The Hawk’s Well Theatre
  • IMRO

Special Offer For IMRO Members | Inisheer Songwriting Retreat | October 18-25

IMRO members qualify for a €100 discount off the €1,075 list price for a week of ‘Community Through Co-Writing’ at the October 18-25, 2020 Inisheer, Listening Room Songwriting Retreat, inclusive of housing, meals, workshops, local concert and transport to and from the island from Galway city centre.

The annual Listening Room series of retreats are led in several countries by Grammy nominated songwriter/founder Brett Perkins. Participation is open to writers at all levels and interest free monthly payment plans are also available. 

Further info and registration via www.listeningroomretreats.com

IMRO Seminar | Bringing Live Online

In light of the recent disruption to the music industry as a result of Covid-19, artists need to find new ways to maintain their connection with audiences around the world, and to help sustain a living, with touring not currently an option. Whilst by no means a new technology, live streaming has become significantly more popular as a result. Music Ally’s ‘Bringing Live Online’ module will cover a range of platforms, case studies and lessons for artists. Besides the big platforms like Facebook Live, YouTube and Twitch, we’ll be looking at newer and/or more-niche platforms like YouNow, and some of the creative ways that artists have been using them to connect and make money.

Date: Thursday 9th July
Time: 3:00pm – 4.30pm
Bookings:  FREE Online Seminar | Booking Essential | Email:  events@nullimro.ie to reserve your place.

About Music Ally

Music Ally launched in 2002 with a mission to help the global music industry to thrive from digital disruption rather than fear it. Their original focus was on providing news and analysis of the way technology is impacting the industry and providing strategy and research to enable music companies to navigate the new landscape. Over time they have evolved, now providing more hands-on marketing services and training for music professionals around the world. Music Ally also plays a role connecting different communities by organising regular conferences, including NY:LON Connect and Sandbox Summit in London and New York, and social events with partners including Music Biz, by:Larm, AWAL, Midem and Circulart. They are currently exploring the evolution of the global music business, publishing regular profiles and analysis of expanding markets as well as launching an editorial service in Japan, opening an office in Medellín, Colombia with plans for Music Ally Africa and Music Ally China too. Their clients are across the music and technology sectors, and include all of the major labels, many independents, music publishers, management companies and music platforms like Spotify, Amazon, Facebook and Google.

Equality In Music | New Power Generation

Over the years, IMRO has consistently pushed for gender balance in the Irish music industry. We take a look at its work with important organisations like Keychange, Sounding The Feminists and Girls Rock Dublin | By Lucy O’Toole, Hot Press

You may be aware of IMRO’s important work collecting and distributing performance royalties, but did you know that the organisation also plays a crucial role in fighting to end inequality in the music industry? Whether sponsoring groundbreaking gender balance initiatives, hosting seminars, or supporting the next generation of young female musicians, IMRO has continuously positioned itself at the forefront of the battle for gender equality in music.

Although female pop stars like Beyoncé and Ariana Grande are headlining some of the biggest stages around the world, it’s important to also recognise that women remain severely underrepresented in numerous roles across the music sector. In January 2019, the Annenberg Inclusion Initiative in Los Angeles published their second annual report on gender and race in popular music, and found that, across 700 popular songs from 2012 to 2018, only 2.1% of producers were women.

The situation in Ireland and wider Europe is just as challenging. However, IMRO is one of several major organisations looking at ways to address this lack of representation. In December 2018, IMRO announced its sponsorship of PRS Foundation’s Keychange initiative – a project that’s tackling gender inequality at music festivals head-on.

“We have a pledge that festivals can sign up to, so they can target reaching a 50:50 gender balance by the year 2022,” project manager Jess Partridge told Hot Press earlier this year. “Over 150 festivals have signed up since we started a year ago, and it’s constantly growing.”

Keychange is also a talent development programme, investing in the next generation of female talent in music. In the first stage of the programme, Partridge revealed that Keychange brought “a group of 60 women to different festivals, and has put on workshops to give the women an opportunity to network.”

By partnering up with Keychange, IMRO has joined a prestigious list of sponsors that includes the likes of Spotify, Soundcloud, the British Council, Songtrust and various other national performance rights organisations. IMRO’s support is enabling female artists from Ireland to take part in this unique initiative, and to collaborate with artists from a network of 12 countries, as Keychange continues to expand its programme. Ireland’s Hard Working Class Heroes Festival is a participant in the initiative.

Speaking at the announcement of the partnership, IMRO’s Eleanor McEvoy stressed that that “international collaboration is essential to the creative and business development of all artists and the music industry’s future success. Enabling more women access to international networks and new markets at critical stages in their career will help them realise their potential as future leaders of an industry that is ready for and will benefit from change,” she continued. “Right now we have an opportunity to respond and commit to tangible change within the music industry. Our hope is that this will be the start of a more balanced industry which will result in benefits for everyone.”

Of course, the fight for gender equality in the music industry is a multifaceted one. Seminars, public meetings and workshops are all crucial steps towards sparking a wider conversation about representation in the music sector. With support from IMRO, Sounding The Feminists (STF), an Irish-based, voluntary-led collective of composers, performers, musicologists, critics and promoters, have organised a series of free music industry seminars for female (cis and trans) and non-binary artists of any age or experience level.

Through these ‘Pitch Perfect’ professional development workshops, STF looks to address the lack of representation across the music sector, while also building a community where gender issues can be readily discussed. Participants are offered instruction in how to best pitch their ideas to organisations, publishers, agents and radio stations. In doing so, the women learn how to carve out a positive space for themselves within the music sector.

Through IMRO’s sponsorship, STF have been able to cover the expenses of participants travelling to the workshop from outside Dublin City Centre – ensuring that the free seminars can be accessed by all.

IMPORTANT RESOURCE
IMRO are also passionate about building an inclusive world for the next generation of Irish talent, and as such, are nurturing young female musicians through their sponsorship of Girls Rock Dublin. Part of the global Girls Rock movement, the camp provides a unique environment in which 20 teenage girls can express themselves through music tuition and collaborative workshops.

Led by coaches active in the local independent music scene, along with some very special guests, the camp provides an invaluable space for young female artists, many of whom describe feeling intimidated by the male-dominated music world when starting out. “Our aim is to build up self-esteem in girls, but what we’re ultimately trying to do is bring about a new, confident generation of female musicians, and a gender balanced music scene,” Rossella Bottone of Girls Rock Dublin tells IMRO.

“Last year I found out about the IMRO sponsorship, and decided to get in touch with them to see if we matched their criteria,” she continues. “They loved our gender balance focus. This year we’ve applied again and got the same sponsorship, which is great. It’s nice to know that they really care about what a group of volunteers like us are doing.”

Based in the Sound Training College in Temple Bar, Girls Rock Dublin caters for those who identify as female (trans and cis) or gender non-binary, aged between 12 and 17. Since its launch three years ago, the non-profit group has passionately embraced and promoted diversity.

“Half of our 20 places go to applicants from low-income households and direct provision,” Rossella says. “We’ve recruited girls in direct provision through organisations that work with them directly, like MASI [Movement of Asylum Seekers in Ireland] and RAMSI [Refugee and Migrant Solidarity Ireland]. It’s an issue we’re really passionate about.”

2019 also saw the introduction of a Ladies Camp on the October Bank Holiday for artists over 18, as well as the launch of the Girls Rock Dublin Gear Library, in partnership with Dublin Public Libraries. The programme, which will allow teenagers to loan out music equipment, is sure to become an important resource for up-and-coming, cash-strapped musicians.

WIDER SOCIETY
With the support of IMRO, Girls Rock Dublin has also hosted the ‘Switched On’ interactive evening workshop, for women over 18. Led by expert coaches, the participants were offered the opportunity to explore one of three key topics: live sound engineering, guitar and bass pedal effects, and vocal looping. The fee for the ‘Switched On’ workshops also went back towards funding the Girls Rock Dublin summer camp – allowing female musicians to support their younger counterparts, while also learning invaluable skills.

IMRO has also reached out to the next generation of emerging female talent by hosting songwriting masterclasses with Grammy nominee Carla Marie Williams. The interactive workshop coincided with Women’s History Month in March this year, and covered the fundamentals of songwriting, while simultaneously serving to empower Ireland’s future female songwriters, producers and artists.

While the struggle for gender equality in the music industry is far from over, the work of groups like Keychange, Sounding The Feminists and Girls Rock Dublin has ensured that the issue is finally coming to the attention of wider society. By working closely with these valuable organisations and initiatives, IMRO has taken significant steps towards making gender balance in the Irish music scene the accepted norm, allowing artists to concentrate on the important stuff – making music.

Other Voices ‘Courage’ Returns

After an overwhelmingly positive response to Other Voices ‘Courage’ worldwide – with over 1.15 million views total –  it will return with a brand new series on the 23rd of June. Series two of the live streamed concerts will feature an all star lineup of artists performing in a selection of iconic cultural and heritage locations around the country. 

The first episode of the second series will feature performances from acclaimed alternative folk musician James Vincent McMorrow, who is just about to release his fifth album and choice prize nominated singer songwriter Maija Sofia. They will be joining us from the beautiful location of Killruddery House and Gardens in Bray Co. Wicklow. 

On Thursday 25th of June winners of the 2020 RTÉ Choice Prize LANKUM will perform live from Kilkenny Castle.  

Further performances will be streamed from Glenveagh National Park, The Crawford Gallery in Cork City along with the Guildhall in Derry, the Guinness Storehouse and Swords Castle in Fingal.  

Once again performances will take place on Tuesday and Thursday nights and will be made available worldwide, free of charge, due to the support of the Department of Culture, Heritage and the Gaeltacht, RTÉ and IMRO. Courage series one is currently being shown on RTÉ 2 Thursdays at 23:30. 

Speaking of the project Minister Madigan said: “Building on the phenomenal success of the original Courage programme with a reach of over 2.7m, I am delighted to support this new initiative of live streamed performances from some of our best known heritage sites.  The outpouring of wellbeing created by the first series of performances will no doubt be carried through Courage 2 and reminds us that culture lifts us up beyond circumstance and challenges and is vital to the core of our collective humanity.” 

IMRO Chief Executive Victor Finn said: “In times of crisis we often turn to music creators and artists for their unique ability to interpret and reflect on the world in which we live. Music is a collective experience which can overcome physical distance and is the perfect antidote to the growing sense of alienation and isolation we have all felt in recent times – even more so, now we are being asked to actively practise social distancing.  The Other Voices ‘Courage’ series brings some of our finest Irish music creators to the world stage from a number of unique locations around Ireland in what we hope will be inspiring and unforgettable performances.”  

Other Voices founder and director Philip King said: “We are delighted to present this second season of Other Voices Courage as part of the Government’s response to the Covid-19 pandemic. This is about bringing people together through music, and recognising the essential and powerful contribution that artists continue to make to our lives. We are inspired by the response here in Ireland and globally to the first season of Other Voices Courage, and our artists and crews have helped to bring beauty, solace, strength and a sense of belonging to people at this time of national and global crisis – is ar scáth a chéile a mhaireann na daoine. The Department of Culture, Heritage and the Gaeltacht has played a leading and imaginative role in making it possible for our artists and crews to work together to create and present Other Voices Courage.

ABOUT JAMES VINCENT MCMORROW

Over the last decade, Dublin-born McMorrow has established himself as a multi-faceted songwriter with a vast spectrum of styles. He sings, produces, plays everything, and has a network of collaborators that stretches around the world. He’s crafted a home for himself in the worlds of hip-hop and textured r&b, even worked on Drake’s 2016 album, Views. It’s fair to say his early days of being pigeon-holed as an ‘indie folk singer-songwriter’ are long dead. He’s remained resolutely independent this whole time, self-financing his artistic ambition. But for his new record, Grapefruit Season, he felt it was time to push things up a level.  McMorrow’s internal journey of the last ten years underpins the lyrics of the album. “I have more responsibilities, people and expectations around me than ever, and the world is constantly telling me to change and grow as a person,” he explains. “But I don’t feel any more responsible or capable than I did when I was 18 years old. The record is about embracing the idea that it’s okay to not have things figured out. It’s about embracing the chaos and belligerence of life, rather than bending or changing yourself to suit what society expects of you,” he says.

 ABOUT MAIJA SOFIA

Maija Sofia Makela is a musician and writer from rural Co. Galway. Her uniquely striking debut album ‘Bathtime’, a collection of songs exploring the female experience throughout art, history and folklore was released in November 2019 through Trapped Animal Records to unanimous praise across Irish and UK media. It was nominated for the prestigious RTE Choice Award Irish Album of the Year and was described in the Sunday Times as “quietly breathtaking […] the arrival of a unique new voice.” 

ABOUT LANKUM 

Lankum have an alchemical ability to combine traditional folk roots with contemporary undercurrents to forge music that is dark, mysterious and transcendental.Comprising brothers Ian Lynch (uillean pipes, tin whistle, vocals), Daragh Lynch (vocals, guitar) alongside Cormac Mac Diarmada (fiddle) and Radie Peat (harmonium, accordion, vocals), Lankum channel a diverse set of influences and histories to create a beautifully rare thing: a songbook from and for the people.Their third full length album The Livelong Day, which was released on Rough Trade Records at the end of 2019 won the band the coveted RTÉ Choice Prize. The album blends alternative folk and psychedelia to cement their reputation as one of the most talked about groups to emerge from Ireland in decades. Born of years criss-crossing Dublin’s folk and experimental scenes, their previous two albums Cold Old Fire (2013, recorded under former name Lynched) and Rough Trade debut Between The Earth and Sky (2017) breathed new life into ancient/modern rituals with urban punk fervour, rural psycho-geography and, underpinning it all, the eternal drone of the uilleann pipes.

Investing in Europe’s next generation by investing in culture

As the EU has started discussing the proposed recovery plan, 94 organisations from across Europe’s cultural and creative sectors are uniting their voices to alert EU leaders : our sector needs strong and systemic support measures to recover from this crisis.

As it is now well understood, the cultural and creative world is one of the first and hardest hit by the crisis.

According to the Commission’s own estimates, some parts of our sector – which accounts for €509bn in value added to GDP and over 12 million full-time jobs – are expected to lose up to 80% of their turnover in the 2nd quarter of 2020.

We have a higher than average percentage of self-employed workers, freelancers, micro-businesses and youth employment, which makes us particularly vulnerable in times of crisis.

As the European economy is slowly restarting, it is far from business as usual. Cultural actors are gradually resuming their activities, but all have to implement strict safety rules which means they won’t be operating at full capacity for the foreseeable future and are therefore facing challenging economic decisions. From individual creators and creative workers all the way to big production and media companies, the whole value chain is impacted.

And yet the recovery package announced by the Commission on 27 May does not reflect the reality of the cultural and creative sector, despite the encouraging messages by the Commission and the strong position taken by the European Parliament. The proposal on the table falls way short of our sector’s expectations:

Despite being identified as one of 14 of the hardest hit ecosystems, there is neither a sector specific instrument for culture, nor a clear indication on whether or how we can benefit from different instruments. The section on REACT-EU in the Commission’s Communication refers to culture, but there is no guarantee that we will receive appropriate support.

As for Creative Europe, the EU’s only programme specifically dedicated to the cultural and creative sector, the Commission’s announcement is a missed opportunity and a real disappointment. Along with the budget dedicated to education and youth, the budget dedicated to culture is the only one to decrease compared to the Commission’s own 2018 proposal, and it is a far cry from the European parliament’ .. Quite ironic for a recovery plan named “Next Generation EU”.

To bring the EU’s support for our sector to a level that is commensurate with its contribution to the EU’s economy and its citizens’ wellbeing, we call on Member States and the European Parliament:

• To push for a substantial increase of the Creative Europe budget. We fully support the European Parliament’s proposal for a budget of €2.8bn.

• To guarantee that the entire sector can benefit appropriately from the recovery plan’s various instruments.

Let’s invest in culture to show the EU’s #NextGeneration that we really care about their future!

  1. AEPO ARTIS – Association of European Performers’ Organisations
  2. AER – Association of European Radios
  3. Animation Europe
  4. BOZAR – Centre for Fine Arts Brussels
  5. CALLIAS Foundation
  6. CEDC – European Coalitions for Cultural Diversity
  7. CEM – Centre Européen de Musique
  8. CEPI – European Audiovisual Production
  9. CEPIC – Centre of the Picture Industry
  10. CICAE – International Confederation of Arthouse Cinemas
  11. CIRCOSTRADA – European Network for Circus & Street Arts
  12. De Concert!
  13. EAS – European Association for Music in Schools
  14. ECSA – European Composer and Songwriter Alliance
  15. EDN – European Dancehouse Network
  16. EFA – European Festivals Association
  17. EFFORTS – The European Federation of Fortified Sites
  18. EFJ – The European Federation of Journalists
  19. EFNYO – European Federation of National Youth Orchestras
  20. EFP – European Film Promotion
  21. EGDF – European Games Developer Federation
  22. EHTTA – European Historic Thermal Towns Association
  23. EIBF – European and International Booksellers Federation
  24. EJN – Europe Jazz Network
  25. ELIA – Globally Connected European Network of Higher Arts Education
  26. EMC – European Music Council
  27. EMCY – European Union of Music Competitions for Youth
  28. EMEE – European Music Exporters Exchange
  29. EMMA – European Magazine Media Association
  30. EMMA – European Music Managers Alliance
  31. EMU – The European Music School Union
  32. ENCATC – European network on cultural management and cultural policy
  33. ENCC – European Network of Cultural Centres
  34. ENPA – European Newspaper Publishers Association
  35. EOFed – European Orchestra Federation
  36. EPC – European Publishers Council
  37. ERIH – The European Route of Industrial Heritage
  38. ESNS – Eurosonic Noorderslag
  39. ETC – European Theatre Convention
  40. Eurocinema
  41. Europa Distribution – The European Network of Independent Film Publishers and Distributors
  42. Europa International – the network of European sales agents
  43. Europavox : music online media & festivals
  44. ECA – European Choral Association – Europa Cantat
  45. EVA – European Visual Artists
  46. EWC – European Writers’ Council
  47. FEDEC – European Federation for Professional Circus Schools
  48. FERA – Federation of European Film Directors
  49. FEP – Federation of European Publishers
  50. FIA – International Federation of Actors
  51. FIAD – The International Federation of Film Distributors’ Associations
  52. FIAPF – International Federation of Film Producers Associations
  53. FIM – International Federation of Musicians
  54. FSE – Federation of Screenwriters in Europe
  55. GESAC – European Grouping of Societies of Authors and Composers
  56. GIGMIT
  57. IAMIC – International Association of Music Information Centres
  58. IAML – International Association of Music Libraries, Archives, and Documentation Centres, member of EMC
  59. IAO – International Artist Organisation of Music
  60. ICMP – The Global Voice of Music Publishing
  61. IETM – International Network for Contemporary Performing Arts
  62. IFJ – International Federation of Journalists
  63. IFPI – International Federation of the Phonographic Industry
  64. IFRRO – International Federation of Reproduction Rights Organisations
  65. IGCAT – International Institute of Gastronomy, Culture, Arts and Tourism
  66. IMMF – International Music Managers Forum
  67. IMPALA – The Independent Music Companies Association
  68. IMPF – The Independent Music Publishers International Forum
  69. IMZ – IMZ International Music + Media Centre
  70. In-Situ – European Platform for Artistic Creation in Public Space
  71. INES – Innovation Network of European Showcases
  72. ISCM – International Society for Contemporary Music on behalf of the
  73. ISFE – The Interactive Software Federation of Europe
  74. IVF – International Video Federation
  75. Live DMA – European network for live music venues & festivals
  76. Liveurope – The live music platform for new European talent
  77. KEA European Affairs
  78. MCA – Michael Culture Association
  79. NAMM – National Association of Music Merchants
  80. NEMO – The Network of European Museum Organisations
  81. News Media Europe
  82. On the Move
  83. Pearle* – Live Performance Europe
  84. REMA – European Early Music Network
  85. Res Artis – Worldwide Network of Arts Residencies
  86. SAA – Society of Audiovisual Authors
  87. SEEHN – South East European Heritage Network
  88. SHAPE – Sound, Heterogeneous Art and Performance in Europe
  89. Sistema Europe – The Sistema Europe Association
  90. Tenso Network Europe
  91. UNI MEI – UNI global union – media, entertainment & arts
  92. UNIC – International Union of Cinemas
  93. We Are Europe
  94. Yourope – The European Festival Association

New EP from Anna Murray – These Are the First Words I’ve Spoken

New EP out now to listen/buy direct on Bandcamp:
http://annamurray.bandcamp.com/album/these-are-the-first-words-ive-spoken

Available on streaming services 26/06/20

Electronica made from digital synths, beats, and samples. Organic sounds of beach waves, gamelan, voices, early gramophone recordings and noh percussion build and interlock with digital synths to build a world of industrial clanking, claustrophobic drones and incessant beats.

Anna Murray is a musician/composer from Ireland and currently based in Tokyo, where she is studying Japanese traditional noh theatre. These Are the First Worlds I’ve Spoken is her first EP of beat-based electronica, following from two albums of improvised experimental drone music, Rndr and RndrII. She also released an album, Goodbye Iowa, with indie band The Manhattan Syndrome earlier this year.

Masamba Samba School releases documentary video about their music projects in disadvantaged communities

Masamba Samba School is a community music collective, which has operated in Dublin since 1994.

While the performance side of Masamba is loud, colourful and well-documented, the organisation’s work in the community is less well known.

“We deliver over 400 music workshops each year, mainly with children in disadvantaged communities, but due to child protection and GDPR issues, we rarely have an opportunity to document this work”, reports Masamba’s Manager, Simeon Smith

Towards the end of 2019, Masamba teamed up with long-time collaborators Champlain College, to host  film student Connor Rousseau. Connor engaged in the project of documenting Masamba’s work enthusiastically, visiting every aspect of the group’s work, and shooting many hours of video footage.

This week, the first product of this partnership is being released. Entitled ‘A Young Heart Sings to the Beat of a Drum’, this short documentary details Masamba’s work in the community, with a specific focus on one of their long-term projects with St. James’s Primary School, in Basin View, Dublin 8.

‘A Young Heart Sings to the Beat of a Drum’ is a sensitive and thought-provoking insight into an innovative music project, taking place in the shadow of the famous Guinness Storehouse.

Keep up to date with IMRO news and events

Please select login