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DERRY’S CULTURE TECH FESTIVAL ANNOUNCES £20,000 STARTUP COMPETITION

The team behind Derry-Londonderry’s Culture Tech festival have this week announced a £20,000 competition for digital startups, alongside a range of new speakers and acts for the August event.

Culture Tech, a four-day festival of digital culture, music and technology, will take place in the historic Walled City between August 29th and September 1st, in the run up to the city’s tenure as UK City of Culture in 2013. As part of the event, the organisers have launched SeedComp in search for the region’s best new digital business ideas.

The competition, which opened on Monday, is open to anyone interested in setting up a digital business in the city and features a first prize of £10,000 alongside two runner-up prizes of £5000 each. A selected shortlist of entries will be invited to present to a judging panel of investors and entrepreneurs during the Culture Tech festival with the three winners presenting live on-stage in front of an estimated 500 delegates, before collecting their awards.

The announcement comes alongside news of several new high-profile speakers at the event including Sir Nick Kenyon, Director of the Barbican in London, Idan Cohen, co-founder of Boxee.com and Julian March, the new Head of Digital for ITV news, sport and weather.

Mark Nagurski from Digital Derry, organisers of the festival, explained: “Culture Tech is a celebration of all things digital and entrepreneurship has become one of the defining factors of our digital culture. Last year’s SeedComp winners have gone on to secure major investment and we’re delighted to be able to make this exciting competition a key part of Culture Tech this year. Moreover, bringing it into the festival will create a unique opportunity for aspiring digital entrepreneurs to get their ideas in front of well-known industry professionals, keynote speakers, the media and the over 500 delegates we expect to welcome to the city for the event.”

The festival, which is being backed by Invest Northern Ireland, Northern Ireland Screen, Seagate and urban regeneration company ILEX amongst others, will be announcing a major programme of music events, as well as its main keynote speakers, in early July. Tickets are currently available online via the festival website at www.culturetech.co with further information about SeedComp at www.digitalderry.org

 

Carol Keogh wins Unsigned and Online title

Dublin-based singer-songwriter wins top prize in competition run by Microsoft and MUZU TV to find Ireland’s best unsigned act

Singer-songwriter Carol Keogh has been announced as the winner of Unsigned and Online, a competition to promote independent Irish music. Unsigned and Online was the collaboration of Microsoft and MUZU TV, in association with IMRO, designed to challenge unsigned musicians to use various Microsoft products and digital media to promote their band. Over the past ten weeks bands and artists from around the country battled it out to win points online and vie for the Number 1 spot. The artists’ videos were viewed nearly 100,000 times.

Carol Keogh walks away an amazing prize worth over €10,000. The prize consists of a digital marketing campaign across Microsoft platforms, including Windows Live and MSN, Ireland’s number one portal, an acoustic session in MUZU TV’s studio and a slot on stage at an upcoming gig at Dublin’s The Academy.

Carol’s song ‘Into the Blue’ beat off some stiff competition from second placed Policy with ‘Suggestion Box’ and The Last Crash with ‘Melt Me’ in third.


Carol Keogh – Into the Blue on MUZU.TV.

Dublin-based Carol has been working the music scene for a number of years, writing, performing and recording with various bands, such as The Plague Monkeys and The Tycho Brahe. She has been performing as a solo artist since 2008 and is currently demoing tracks with her backing band The City Fathers for her forthcoming debut album, which will be called ‘Mongrel City’.

Making the announcement, Orla Sheridan, Consumer Channels Group Manager at Microsoft, said: “We are thrilled for Carol on winning Unsigned and Online, ‘Into the Blue’ is a really great song. Carol has shown a real determination throughout her music career and the win will give her added exposure to help with her continued success.

She added: “We know that there are countless bands and musicians around Ireland using digital and social media as a powerful tool to gain and maintain their fan base. The power of online has been shown time and again as unsigned acts try to exploit its full potential by sharing their music. But it’s not just about making your music accessible; people need to know where to find you. That’s the reason Microsoft and MUZU TV came together to launch Unsigned and Online. We merged the best of Windows Live technologies, such as Hotmail and SkyDrive with MUZU’s reach and expertise to deliver a platform that really delivered exposure for the acts. SkyDrive from Microsoft is the best way to share documents, photos and videos on the web and across your devices.”

Ciaran Bollard, CEO at MUZU TV said: “Unsigned and Online is a great example of what can be achieved by harnessing the power of the internet and technology to record music and create music videos at a fraction of what it used to cost for artists.  There is an incredible amount of talent out there and Unsigned and Online is a chance for Irish artists to gain nationwide and international exposure.”

Carol has previously released two albums with The Plague Monkeys in the late 90’s and, while performing with The Tycho Brahe, she was nominated for Best Female Singer at the 2002 Meteor Awards. The band was also nominated that year for Best Irish Band.

On winning Unsigned and Online, Carol said: “It’s great to have won the competition, which was based on votes from the public, and the timing couldn’t be better. Digital and social media are the bedrock for unsigned musicians as it allows us to share our music with large groups of people. The exposure that I will get through the prize from Microsoft and MUZU will help greatly in getting my album finished and ready for release.”

All of the tracks are still available to view on www.muzu.tv/unsignedandonline.

European Petition For Instruments On Planes Issue

The Musicians’ Union (MU) is supporting the petition launched today by the International Federation of Musicians (FIM) which calls for European action on the issue of musicians taking musical instruments on planes.

The MU has been lobbying on this issue for many years now, because musicians regularly have problems taking their instruments on planes due to inconsistent policies from airlines.  In 2006 we reached an agreement with the Department for Transport which would have alleviated the problem, but some airlines continued to set their own arbitrary rules.

MU General Secretary and President of FIM John Smith says:

“It is only by working at a European and international level that we can successfully tackle this issue, and that is why today’s petition from FIM is so important. Just a few months ago we saw the U.S. Congress introduce a uniform national policy regarding musical instruments on airplanes – we need to see similar action in Europe.

“The problem is that existing law allows each airline to set their own policy regarding musical instruments – which we have seen recently with BA.  We need uniformity and fairness across the whole sector.”

The link to the petition can be found on the MU website – www.theMU.org

Pop to the rescue of the music industry

New research published by Informa’s “Music & Copyright” reveals that global retail sales of pop music increased 2.3% last year, to US$7.5 billion. Pop ended 2011 as the world’s favorite music genre, accounting for 31.9% of global music sales. Total retail sales slipped 3.7% last year, to US$23.3 billion, so the growth of pop sales was all the more impressive.

The second biggest genre in 2011 was rock, accounting for a quarter of the world’s music sales. Sales of rock were down 5.7%, to US$5.8 million. Pop and rock have dominated music sales for years. In 2000, Pop had a global sales share of 27.8% with Rock at 22.7%.

Aside from pop, all other genres suffered a fall in sales last year. However, the bigger fall in rap, R&B and hip-hop sales allowed country to become the world’s third most popular music genre with a 6.2% share.

According to Simon Dyson, editor of Music & Copyright, “massive sales of Adele’s album “21” clearly boosted pop sales last year. The unstoppable rise in the popularity of Justin Bieber, Michael Buble and Lady Gaga also made sure pop’s bubble didn’t burst. Despite lower viewing figures for the music-based reality TV show, artists and groups created by those shows, such as One Direction, Susan Boyle and Olly Murs, just keep on selling.”

In contrast to previous years, which have seen retail sales of some of the smaller genres such as classical music and jazz fall the fastest, the reverse was the case in 2011. Sales of classical music and jazz were only marginally down last year. Smaller genres have suffered more than most in recent years from retailers giving less floor space to slow-selling, low-margin genres in favor of better-selling items, such as DVDs, video games and consumer electronics.

 

The Hit | A New RTÉ TV Programme Is Looking For Songwriters

The Hit | A New RTÉ TV Programme Is Looking For Songwriters

Are you a songwriter that’s waiting to be discovered?

Do you believe you’ve written a song with the potential to become an international hit?

If the answer is yes – then Vision Independent Productions and RTÉ are looking to hear your song…and help get it into the charts!

Inspired by the famous ‘Brill Building’ hit factory in New York (where songwriters would pitch directly to famous singers) the show presents an opportunity for individual songwriters or songwriting teams to bring their songs to the attention of well known singers, who will then record their version of the song for immediate release.

‘The Hit’ is a fresh take on the music/talent genre that brings the art of songwriting centre stage.

Have you written a great song that deserves to be heard?

Interested songwriters should complete the following questionnaire and send it and a copy of your song lyrics to thehit@nullvipmg.tv along with an mp3 or mp4 recording of the song (or a web link to where the recording can be streamed/downloaded) before the closing date of July 2nd 2012.

Terms & Conditions Apply

Love:Live Music Day | 21st June 2012

love:live music is a day long celebration of all forms of music in Ireland through free live music events in cities, towns and villages all over the country.

Ireland is recognised for having a profound musical identity; historically it is one of the most prolific and influential traditional musics in the world. To celebrate this love:live music aims to highlight Ireland’s rich, prevalent and diverse musical landscape, showcasing ‘new Irish music’ against a spectacular backdrop of traditional Irish music, from the indigenous to the avant-garde. This national platform is an opportunity to shine the spotlight on new trends, revive the ancient, experiment with the future and collaborate across cultures, genres and disciplines. It invites participation through the spirit of community music and inspiration through the virtuosic performances of master musicians.

The event is characterised by unexpected musical encounters and the creation of live music in non traditional spaces; particularly outdoor music experiences.

We are encouraging IMRO members to get involved by organising a live music event in your area. Register your event here.

Love:live music aims to promote access to live music for everyone; demonstrate the importance of music in our lives and in our society; highlight the diversity of music practice in all musical genres in today’s Ireland.

Professional Development Opportunity For Musicians

The Ark, A Cultural Centre for Children, and Music Network present

ATTUNE: A UNIQUE PROFESSIONAL DEVELOPMENT OPPORTUNITY FOR MUSICIANS

The Ark, A Cultural Centre for Children, and Music Network are now seeking applications from professional performing musicians to participate in ATTUNE.

ATTUNE is an exciting new professional development opportunity for performing musicians interested in exploring high quality live music performance and child audiences.

Led by musician, composer and musical powerhouse, Brian Irvine, ATTUNE aims to inspire participants to investigate child-centred approaches to live music performance for child and family audiences in a challenging yet supportive environment. The programme will be delivered over a series of 4 consecutive days, culminating in a live performance for an invited audience of children in The Ark’s theatre.

Further information about ATTUNE, including detailed information and an application form are attached or available on this link. You may also contact Aisling O’Gorman, Music Programmer, The Ark, Email:aisling@nulltheark.ie or Aisling Roche, Music Network, Email: development@nullmusicnetwork.ie 

 

 

Creators In The Spotlight As Ireland Hosts Major International Conference On Copyright

International Confederation of Societies of Authors and Composers CISAC Meets in Dublin.

Minister Jimmy Deenihan Opens the Meeting

7th June 2012 – The urgent need to adapt copyright legislation to help safeguard the rights of owners of creative works was among the issues being discussed in Dublin today at a meeting of the General Assembly of the International Confederation of Societies of Authors and Composers (CISAC). Also top of the agenda was the review of theCISAC Professional Rules governing the 232 authors’ societies worldwide, as well as the development of a Global Repertoire Database (GRD) that would serve as a centralised, authoritative source of the metadata used to describe musical works. The Assembly, which is meeting inIreland for the second time, is being attended by approximately 150 creators and senior delegates representing three million creators from 232 authors’ societies, including music, film, visual arts and writers in 121 countries.  

CISAC members meet annually to discuss a variety of topics impacting on creators and collective management of their rights. The vast majority of the societies attending the Assembly are not-for-profit organisations set up by and governed by creators in various territories worldwide. The Irish Music Rights Organisation (IMRO) which administers the performing right in copyright music inIrelandon behalf songwriters, composers and music publishers is hosting this year’s event.

 Advances in technology and in particular the growth of the internet over the past 10 to 15 years have resulted in enormous upheaval in the area of copyright. One of the consequences of this upheaval has been the difficulty experienced by creators in receiving a fair commercial return for the use of their work by others. In many territories existing copyright legislation has failed to keep pace with these changes while in other cases, changes to legislation have left creators even more vulnerable to exploitation.

Kenth Muldin, CEO of STIM (Swedish Musical Society) and Chair of the CISAC Board of Directors said; “The entire creative community gathered today at CISAC General Assembly paid a moving tribute to its President Robin Gibb, who died just a couple weeks ago after fighting a long-term illness. We all missed his presence today. Robin has been our President and the voice of CISAC for the past five years and throughout this period we have been blessed by his presence and his infectious enthusiasm. He took his role very seriously – we knew we could count on him whenever the principles of authors’ rights were under attack”.

Olivier Hinnewinkel, CISAC Director General, added: “Holding the CISAC General Assembly in Ireland today is the perfect timing as the Irish Government is currently reviewing copyright legislation here. Authors’ societies worldwide, and through their international umbrella organisation CISAC, are constantly improving the business and technical solutions to easily and efficiently provide access to the worldwide creative repertoire for all users. However, fair remuneration for the uses of creators’ works and effective copyright protection are necessary to foster the development of the creative economy”.

Jimmy Deenihan, T.D. Minister for Arts, Heritage and the Gaeltacht, who addressed the Assembly said; ”The Government is strongly committed to reviewing and updating copyright legislation in order to strike the right balance between encouraging innovation and protecting creativity. The Copyright Review Committee, an independent committee established by my colleague Minister Bruton, is carrying out an extensive review of the current copyright legislative framework and has recently published a wide-ranging consultation paper on the issue.

The Committee has invited further submissions from all affected or concerned by the issues raised in the Paper including information providers and ISPs, innovators, rights-holders, consumers and end-users.  This consultation process is due to end on 29 June, 2012 so I would strongly encourage all interested parties to actively engage with the work of the Copyright Review Committee in the coming weeks”.

Victor Finn, CEO, IMRO said; “It is appropriate that Ireland is hosting an event like the CISAC General Assembly as creatives in Ireland have played an important role nationally and internationally for many generations. The success of Irish music creators, film makers and writers on the international stage has contributed significantly to the positive and vibrant imageIreland enjoys throughout the world. The diversity and quality of creativity inIreland is the most important ingredient in fostering our reputation as a dynamic and culturally rich nation.”

Today’s meeting is the first coming together of CISAC member societies since the untimely death of CISAC President Robin Gibb on May 20, 2012. Mr Gibb had served as CISAC President since June 2007. Mr Gibb, who was part of one of the most successful songwriting teams in the history of pop music, was a passionate advocate of collective rights management and a proud President of the CISAC. He enthusiastically used his position as President of the organisation to persuade global policy makers to support creators and promote and uphold the value of copyright.  French visual artist Hervé di Rosa, Vice-President of CISAC since June 2010, will serve as President of CISAC until the end of the mandate in June 2013.

For further information please contact:

Keith Johnson
Director of Marketing & Membership
Irish Music Rights Organisation
Copyright House
Pembroke Row
Lower Baggot Street
Dublin 2
Ireland

DD: 353 1 6448035
P: 353 1 6614844
F: 353 1 6763125
E: keith.johnson@nullimro.ie

 

ABOUT CISAC:

 

CISAC– the International Confederation of Societies of Authors and Composers –  is the leading worldwide network of collective management societies protecting and promoting the interests of creators and rights holders. In a globalised and digital world, CISAC’s main missions are to provide highest business standards to protect creators’ rights, to reinforce the international network of authors’ societies, to be their spokesperson in all international debates and to reassert creators’ inalienable right to live by their creative work.

With 232 authors’ societies from 121 countries as its members, CISAC indirectly represents around 3 million creators and publishers of artistic works in all genres including music, drama, literature, audiovisual, photography and the visual arts.

As an international organisation, CISAC’s fundamental role is to enable authors’ societies to seamlessly represent creators across the globe and, in particular, to assist them in ensuring that royalties flow to authors for the use of their works anywhere in the world. In 2010, the royalties collected by CISAC’s member societies in their respective national territories topped 7.5bn EUR.

Founded in 1926, CISAC is a non-governmental, not-for-profit organisation with worldwide headquarters inFrance and regional offices in Chile, Hungary, Singapore and South Africa.

Web : www.cisac.org

Songwriting Tips and Demo Dip Session with Ralph Murphy & Oscar, Grammy and Golden Globe winning Hall of Fame Songwriter Paul Williams

Date: Thursday 12th July
Location: “Harry’s Bar”, Langton House Hotel, 67 John Street, Kilkenny.
Time: 7:00pm – 9:00pm

Songwriters wishing to reserve a place at this seminar should send an email to membership@nullimro.ie to book a place.

(limited availability | no admission charge | booking essential)

An element of this seminar will feature a demo listening session. A number of tracks will be selected during the course of the seminar to be critiqued by Ralph. If you would like to have a track of yours considered please bring along a copy of the song in CD format, making sure to clearly mark your name and the name of the track on the CD cover and a please include a typed or clearly written copy of the song lyrics.

Paul Williams Biography

Paul Williams is an Oscar, Grammy and Golden Globe winning Hall of Fame songwriter. He is a recipient of The National Music Publishers President’s Award and is President and Chairman of the Board of ASCAP (the American Society of Composers, Authors and Publishers).

Recognised as one of America’s most prolific and gifted lyricists and composers, Paul’s standards have been recorded by such diverse musical icons as Elvis Presley, Frank Sinatra, Barbra Streisand, Ella Fitzgerald, Ray Charles, David Bowie, Tony Bennett, Sarah Vaughn, Johnny Mathis, The Carpenters, Luther Vandross, REM, Mel Torme, Anne Murray, Diana Krall, Gladys Knight and Diana Ross. His songs have also found favour with Country legends including Chet Atkins, Kris Kristofferson, Charlie Pride, Crystal Gayle, Lynn Anderson, The Oak Ridge Boys, Diamond Rio and Neil McCoy.

When asked which song is his favorite, Paul is quick to respond, “That’s easy! It’s “The Rainbow Connection”. It’s a thrill to hear my words interpreted by such inimitable talents as Willie Nelson, the Dixie Chicks, Sarah McLachlan, Judy Collins, Jason Mraz and Kermit the Frog!” “The Rainbow Connection”, from the children’s classic The “Muppet Movie”, is one of two Paul Williams’ songs that grace the American Film Institute’s list of the top movie songs of all time; the second, “Evergreen” is from the award winning Streisand/Kristofferson remake of A Star Is Born. Additional song scores include the cult favorites Phantom of the Paradise and Ishtar, as well as “The Muppet Christmas Carol”, “Bugsy Malone.”, and Emmet Otter’s Jugband Christmas, the latter of which has now been adapted for the stage. His recent work has remained wonderfully diverse, from creating and writing the songs and story for Disney’s A Muppets Christmas: Letters To Santa, to writing with the Scissor Sisters, to penning the music and lyrics for Garry Marshall’s theatrical sensation Happy Days.

Although most people came to know the witty Mr. Williams as one of Johnny Carson’s recurring favorites on The Tonight Show, or as an actor in dozens of films, television comedies and dramas, it is his musical legacy that continues to inspire. “We’ve Only Just Begun”, “Rainy Days And Mondays”, “You and Me Against The World”, “Just An Old Fashioned Love Song”,”Let Me Be The One” all remain pop classics and are performed by Paul in venues from New York to the Philippines.

Publicly lauded for his work as a songwriter, performer, actor and humanitarian, Paul predicts he’ll be remembered for playing Little Enos in the Smokey and the Bandit trilogy and for his lyrics to “The Love Boat” theme, although it is the lyrics from Bugsy Malone, recast for a recent Coke commercial, that aptly sum up his philosophy: “You give a little love and it all comes back to you; You’re gonna’ be remembered for the things that you say and do”. As a devoted husband to writer Mariana Williams and proud father, Paul considers his son Cole, and daughter Sarah, to be his best work.

Ralph Murphy Biography:

Canadian songwriter Ralph Murphy has achieved near-legendary status in Nashville through his career as a performer, producer, songwriter, publisher, and most recently, Vice President, International and Domestic Membership, ASCAP.
He had his first UK Number One in 1965 with ‘Call My Name’ recorded by James Royal. Other hits followed with acts like Vanity Fair and The Brotherhood of Man.

In 1969 Ralph moved to New York as Director of Production for Belwin/Mills Publishing, where he produced demos for Broadway musicals and started two successful record labels. Among the many acts he produced during that time were legendary Canadian Rockers April Wine, for whom he produced two gold albums. He had a country hit in 1972 by Jeanie C. Riley ‘Good Enough To Be Your Wife’. With Roger Cook, he formed the Picalic Group and Pic-A-Lic Music Publishing and has had more than twenty Number One records and was publisher for Song of The Year, ‘Talking In Your Sleep’ by Crystal Gayle. Pic-A-Lic became one of the most successful independent publishers in Nashville and was eventually sold to EMI.

In 2006 Ralph had success in the UK charts with ‘21st Century Christmas’ (co-written by Paul Brady), a No.2 for Cliff Richard and again in 2011 in the Canadian Indie Charts with a No.1 song ‘Working at Christmas’, performed by Paul Brady and Terri Clark, written by Keith Donald, Ralph Murphy and Paul Brady. He is also an instructor for the respected Nashville Songwriters Association International Song Camps.

IMRO Music Industry Seminar | Music Licensing Deals in Today’s World: Making Money as a Songwriter

IMRO Music Industry Seminar | Presented By Todd Brabec

Date: Tuesday 10th July
Time: 7:00pm – 9:00pm
Venue: IMRO, Copyright House, Pembroke Row, Dublin 2

BOOK NOW!

IMRO members looking to reserve a place at this seminar should send an email to membership@nullimro.ie

(limited availability – no admission charge)

Video game royalties, music in apps, movie and television song negotiations, interactive dolls and toys, e cards, performing right organisation radio payments, live performance royalties, non-interactive and interactive streaming, downloads and physical product sales, music in ads, Broadway shows, lyrics on clothes, musical toothbrushes – these are but some of the areas where songwriters and composers make money in today’s world of music. Todd Brabec, former ASCAP Executive Vice President and author of” Music Money and Success: the Insider’s Guide to Making Money in the Music Business” will discuss how traditional licensing deals work as well as how new media licenses in the online world are structured and negotiated. He will also talk about how much money can be made in the initial negotiation as well as the backend royalties that can continue for many decades from song uses throughout the world.

Todd Brabec

Todd Brabec is author of Music Money and Success: the Insider’s Guide to Making Money in Music”, former ASCAP Executive Vice President and Director of Worldwide Membership, Entertainment Law attorney, Adjunct Associate Professor University of Southern California/Thornton School of Music.

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