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Author: Press Officer

Book A Place At A Stars & Wishes Songwriting Workshop

IMRO members are invited to apply for one of fifteen places at an upcoming workshop – where participants bring their unfinished songs or songs-in-progress for constructive feedback by the other group participants in a supportive atmosphere, for the purposes of learning.

DATE: Saturday 17th November 2012

TIME: 9.30am to 5.30pm

VENUE: Dublin City Centre – venue to be confirmed

Attendance is FREE but BOOKING IS ESSENTIAL and considered on a first come first served basis.

Please contact Carolyn or Enda with your contact phone number at starsandwishesireland@nullgmail.com

If you can’t come to Dublin but are interested in a future workshop in your area email starsandwishesireland@nullgmail.com

The Stars and Wishes Ireland Songwriting Workshops were started in June 2009 on foot of an IMRO Songwriting retreat in the February of that year. The aim of these workshops is for participants to present their songs (preferrably works in progress) for the group itself to critique, for the purpose of learning and improving the craft of songwriting in a positive constructive way. Participants must bring 2 songs for critique by the rest of the group, using the ‘Stars and Wishes’ method, which will be outlined at the very beginning of the day. Participants must remain for the entire workshop. Songs will be submitted on the day either by CD, or participants should bring their own guitar / keyboard to present their song. Lyrics of the 2 songs should be sent to starsandwishesireland@nullgmail.com by confirmed participants as word or .pdf formats, or else participants can bring their lyrics on memory stick / A4 pages on the day for viewing by others within the group, in order to get the most from the feedback.

Carol Keogh Launches Fundit campaign to record and release her debut solo album, Mongrel City

Critically acclaimed songwriter and performer Carol Keogh has launched a crowd-sourcing campaign on the Irish website Fundit.ie. The campaign, if successful, will crystallise Keogh’s long-held ambition to record her debut album, ‘Mongrel City’, with her backing band The City Fathers. Crowd-sourcing has become an increasingly viable way for artists to fund projects through pre-sales of work and other rewards. People can visit the project page, view an explanatory video and choose the reward that appeals to them and which best suits their budget. The Irish-based Fundit follows a growing trend set by the US-based Kickstarter and the UK’s Pledgemusic.

As well as the opportunity to pre-purchase the finished album in several formats, Keogh’s reward packages include handwritten lyrics booklets, tailor-made cover versions chosen by the funder and acoustic renditions of songs from her back catalogue with previous bands The Plague Monkeys, The Tycho Brahe and Autamata. Keogh is also a gifted painter and funders can choose to buy bespoke oil paintings created for the individual. Top end rewards include a private live performance and Keogh will even exploit her culinary skills to cook a meal as part of an exclusive evening’s entertainment!

Carol Keogh has been writing and performing since the mid-90s with the aforementioned bands, as well making notable guest appearances on recent albums by Jerry Fish and Sharon Shannon. For the past few years she has been developing the songs for Mongrel City, many of which relate to her home town of Dublin, the mongrel city of the album’s title. Her backing band, The City Fathers, is comprised of multi-instrumentalist and composer Colin J Morris, bass-player and fellow songwriter Elton Mullally (formerly frontman with Brando), guitarist Martin Moran and former Frames drummer Dave Hingerty.

Check out Carol’s Fundit page at  http://www.fundit.ie/project/mongrel-city-debut-album-by-carol-keogh 

 
 

 

Irish electronic duo Versives release ‘Two Enemies’

The first in a trilogy of EPs from the duo will be released on 2nd November in the build up to the unveiling of their debut album early in 2013. The three EPs will each reveal a fraction of cover artwork, with an extra piece being revealed with each new release until the entire image finally comes together as the completed album artwork.

Versives are an electronic duo based on the south coast of Ireland. Currently picking up airplay across the USA. Their music has drawn comparisons to the likes of New Order, Depeche Mode, and The Pet Shop Boys. Writing almost exclusively on acoustic guitar and piano has ensured the strength of Versives songwriting. While their studio recordings and live set is very much electronic the strength of the underlying songwriting is what makes Versives stand out from the masses.

Belfast Music Week 2012 | Full Programme Of Events Announced

Featuring more than 250 events in 70 venues across the city, this represents a dramatic increase in activity for the third year of this event, which takes place November 4-11.
 
There will be live music in a rich variety of places, including iconic venues such as the Ulster Hall, The Lyric Theatre and The MAC. But there will also be unique moments at Europa Bus Station, Connswater Shopping Centre, HMV record shop, Cultúrlann and the Palm House in Botanic Gardens.
 
There will be chamber music and hip hop, blues and electronica, talent nights, music exhibitions and traditional sessions.
 
Some of the highlights include:
 
A celebratory day at the Ulster Hall, November 10, marking 25 years of electronic music in the city. ‘25’ will feature industry panels and live performances from the likes of Ryan Vail, Defcon and the return of the legendary Orbital after a 20 year absence.
 
Barry Douglas and Cameratino at the Naughton Room in the Lyric Theatre, November 5. An exceptionally intimate performance, especially arranged for Belfast Music Week, with a programme of Mozart, Brahms, Breval and Mercadante.
 
Twelve cutting edge bands playing a showcase night at The Limelight, November 8. Admission is free and music industry figures will be flying in to witness the talent.
 
The premiere of a Two Door Cinema Club film, ‘What We See’ at the QFT, November 5, directed by Gregg Houston.
 
Lunchtime gigs at HMV Records, Donegall Arcade, November 5-7.
 
Playbacks of classic NI albums in the Black Box Café each lunchtime, November 5-7.
 
A night at the former Spires centre, November 6. The ‘In-spired’ concept will present choirs and collaborations with acts such as Katie & The Carnival, Silhouette, Gareth Dunlop and Farriers.

Speaking at the announcement of the program of events, Lord Mayor of Belfast Alderman Gavin Robinson said:
 
“Hosting last year’s MTV EMAs gave Belfast and its people a sense of belief that we can be a credible musical city, and to see our homegrown talent take their rightful place on a world stage is something we can all be proud of. Belfast Music Week is a celebration of our music, our artists, our industry, our venues and our unique musical community.”
 
Stuart Bailie, CEO of the Oh Yeah, and Belfast Music Week co-ordinator, added:
 
“Last year there were 170 events over 45 venues in the Belfast Music Week programme and we’re astonished to see how the venues, bands and promoters have pulled together something even more expansive in 2012. Music continues to define us, to lift us and to energise us.”
 
For a full list of announced Belfast Music Week events and to purchase tickets visit: www.belfastmusic.org

New Sound Worlds in Paris!

The innovative and imaginative contemporary music series, NewSoundWorlds, curated by the composer Siobhán Cleary travels to Paris to take part in the tenth anniversary celebrations at the Centre Culturel Irlandais.  The festival is held in collaboration with the Contemporary Music Centre Ireland and made possible through funding from Culture Ireland.

The festival includes performances given by the Vanbrugh Quartet and pianist Hugh Tinney (25 October), violinist Catherine Leonard and Hugh Tinney (26 October), and the NewSoundWorlds Ensemble (27 October).

Featured composers include Elaine Agnew, Gerald Barry, Enda Bates, Siobhán Cleary, Raymond Deane, Donnacha Dennehy, Benjamin Dwyer, David Fennessy, Dave Flynn, Andrew Hamilton, Gráinne Mulvey, Garrett Sholdice, Jennifer Walshe and Ian Wilson.

The Contemporary Music Centre is very excited about the works of so many Irish composers being performed over three days in Paris.  It’s a special experience for any Irish composer to feature in the anniversary programme at the Centre Culturel Irlandais and at the Irish Embassy.  We’re grateful to both hosts for creating this showcase of Irish works and we have no doubt that the innovative programming we have all come to enjoy with Siobhan’s NewSoundWorlds series will be well received by Parisian new music enthusiasts.” Evonne Ferguson, Director, Contemporary Music Centre Ireland

NewSoundWorlds Festival in Paris

Date:  25 – 27 October 2012

Booking: €7 per concert/ €10 for both concerts on 25 and 27 October (admission free for students/unemployed), reservation recommended

Programme:

Thursday 25 October, 7.30pm

Vanbrugh Quartet with Hugh Tinney, piano

Raymond Deane Embers

Frederick May String Quartet

Dave Flynn String Quartet No. 2 ‘The Cranning’

Siobhán Cleary Scenes from a Dongba Script

Aloys Fleishmann Quintet

Donnacha Dennehy Pluck, Stroke and Hammer

Centre Culturel Irlandais, Paris

 

Friday 26 October (Invitation only)

Catherine Leonard, violin; Hugh Tinney, piano

Ravel Ondine

Ian Wilson From the Book of Longing

Raymond Deane Parthenia Violata

Siobhán Cleary The Whitening

Ravel Sonata in G major

Embassy of Ireland, Paris (Invitation only)

 

Saturday 27 October, 7.30pm

NewSoundWorlds Ensemble

(William Dowdall, flute; Paul Roe, clarinet; Nick Roth, saxophone; Izumi Kimura, piano; Joanne Quigley, violin; Cora Venus Lunny, viola; Kate Ellis, cello; Enda Bates, sound engineer)

Enda Bates Duo & Tape (violin, cello & electronics)

Gráinne Mulvey Shifting Colours (flute and tape)

Garrett Sholdice After Thomas Tallis (piano)

Gerald Barry In the asylum (piano trio)

Jennifer Walshe /AND JUMP FROM THE GOLDEN GATE BRIDGE

Andrew Hamilton music for losers (cello)

Benjamin Dwyer Tiento (soprano saxophone & piano)

Elaine Agnew hmmm

David Fennessy The room is the resonator (cello & electronics)

Siobhán Cleary Psychopomp (ensemble)

Centre Culturel Irlandais, Paris

 

Further information and booking:

Centre Culturel Irlandais

5, rue des Irlandais

75005 – Paris

Tel +33 (0)1 58 52 10 30

Fax: +33 (0)1 58 52 10 99

 

The CCI is located beside the Panthéon in the 5th quarter.

RER B: Luxembourg station

(jardin du Luxembourg exit)

Metro: Line 10 – Cardinal Lemoine

Metro: Line 7 – Place Monge

Bus: 84, 21, 27 (nearby)

Public Parking: 22, rue Soufflot

 

Information on the composers involved can be found on the Contemporary Music Website: www.cmc.ie

Siobhán Cleary: http://www.cmc.ie/composers/composer.cfm?composerID=21

Vanbrugh Quartet: www.vanbrughquartet.com

Leonard & Tinney Duo: www.classicallinks.ie

Kate Ellis: www.kateelliscello.com

 

Christie Hennessy Song Competition Live Final

Saturday 17th November – 9pm
The Brandon Hotel, Tralee, Co. Kerry

On Saturday 17th November, the final of the Christie Hennessy Song Competition will take place in the Brandon Hotel, Tralee. Ten finalists selected from over 200 entries across Ireland will perform their original songs in front of a live audience and a panel of expert judges. The winning songwriter will be presented with a cheque for €1,000 on the night, courtesy of Tralee Chamber Alliance.

The Christie Hennessy Song Competition takes place as a tribute to the life and music of one of Tralee’s most famous sons. Christie grew up in a house full of music in Tralee and went on to become one of Ireland’s best known singer songwriters. Among his songs which went on to be recorded by other artists were “All The Lies That You Told Me” performed by Frances Black, “Don’t Forget Your Shovel” performed by Christy Moore and “Oh Jealous Heart” performed by Moya Brennan.

Last year the inaugural Christie Hennessy Song Competition took place as part of a week-long celebration of Christie Hennessy in Tralee. The winning song, “Superman” by Paul McDonnell, has since gone on to be playlisted by Radio Kerry.

The ten finalists in the 2012 Christie Hennessy Song Competition taking to stage on the night for a chance to win this prestigious prize are:

Ciara Donnelly – Song: Circus

John Buggy – Song: What’s On Your Mind

Colin Deady – Song: Seasons Tide

Christine Deady & Enda Reilly – Song: Follow the Water

Peter Fitzpatrick – Song: This Hometown

Colin Fahy – Song: We’ve Come A long Way

Rachel Barror – Song: Fake Luv

Eli Spring – Song: Make a Wish

Dermot Kelly – Song: The Moon on His Back

Stuart Daly – Song: The Landing Light

 

Entry to the live final is free of charge, but due to limited capacity, booking is advised.

To reserve a place in the audience, email IMRO at membership@nullimro.ie or phone 01 661 4844.

 

The Christie Hennessy Song Contest is supported by IMRO, Tralee Chamber Alliance, Radio Kerry, Tralee Town Council, Kerry’s Eye, Tralee Advertiser, The Troubadour Club & Brandon Hotel.

 

CISAC Announces Fourth Biennial World Creators Summit

“Create – Connect – Respect”

June 4 & 5, 2013, Washington, DC

CISAC (the International Confederation of Societies of Authors and Composers) has announced details of the fourth biennial World Creators Summit – Create, Connect, Respect, which will be held June 4-5, 2013, in Washington, DC, at the Ronald Reagan Center.

Formerly known as the World Copyright Summit, this conference is the leading international and cross-industry forum addressing the future of the creative community and the entertainment business in the digital economy.  Now in its fourth edition, this biennial event brings together the world’s most prominent creative artists, government officials, and industry leaders to exchange views on the value of creative works, the future of copyright, the role of creators, and the collective management of authors’ rights. While issues of copyright are always central to a discussion about the economic and moral value of a creative work, the event’s new name expresses the expanded focus on the creator.

“We are so pleased to return to the United States and to Washington, DC with the World Creators Summit,” said Hervé Di Rosa, French visual artist and CISAC Acting President. “Since we began hosting these biennial events in 2007, we have always emphasised the creators of art, whether music, drama, literature, audiovisual, photography, or visual arts. The change to the event name makes clear the emphasis on creators, whose work is the foundation of creative industries.”

The purpose of the Summit is to establish a constructive dialogue, exchange ideas, debate diverse viewpoints and discuss solutions linked to intellectual property and creative content online with all the stakeholders in the new digital economy – from creators, rights organisations and guilds, to content service providers, broadcasters, telecommunications operators, hardware manufacturers, legal experts and policy-makers. The Summit’s slogan, “Create – Connect – Respect,” encapsulates the event’s vision of a fair and sustainable environment for the creative sector.

“Copyright is at the core of any discussion on creative activity and creators’ ability to thrive in the digital era,” said Olivier Hinnewinkel, Director General of CISAC. “The rapid changes in the market have had a huge impact on today’s copyright debates. The World Creators Summit brings together the top minds and decision makers from all copyright areas to engage in these debates and discuss how our changing market impacts on creators’ ability to earn a livelihood from their creation. With so much change in the air, from the U.S. Presidential election to the rise of cloud services, we are looking forward to some fascinating and thought provoking discussions”

The last Summit was held June 7-8, 2011, in Brussels and brought together over 730 participants from around the world, with 57 countries represented. Over 130 speakers took the stage, including:

Javed Akhtar, Indian scriptwriter, poet and lyricist

Carlo d’Asaro Biondo, Google Vice President for Southern and Eastern Europe, MEA

Michel Barnier, European Commissioner, Internal Market & Services

Victoria Espinel, White House Intellectual Property Enforcement Coordinator

Robin Gibb, legendary singer and songwriter of the Bee Gees and CISAC former President

Francis Gurry, WIPO Director General (World Intellectual Property Organisation)

Jean-Michel Jarre, French author, composer and performer

Ivo Josipović, President of Croatia and music composer

Neelie Kroes, Vice President of the European Commission and European Commissioner for Digital Agenda

Arnaud Nourry, Hachette Livre Chairman and CEO

Jean-Paul Philippot, RTBF Administrator General, and European Broadcasting Union President (EBU/UER)

Hervé Di Rosa, French visual artist and CISAC Acting President

Frank Stella, US painter and sculptor / CIAGP Chair (International Council of Creators of Graphic, Plastic and Photographic Arts)

An even larger audience is expected in Washington, DC in 2013 with delegates from all around the world, especially from North & Latin America, Europe and Asia.

CISAC is the leading worldwide network of collective management organisations and a unique international NGO uniting 231 authors’ societies and guilds in 121 countries, thus representing over 3 million creators and publishers from all creative genres (music, film, visual arts and literary). In 2010, worldwide royalties collected by CISAC members on behalf of creators reached €7.5 billion ($9.6 billion).

Follow:      

@CreatorsSummit/ #WCS13

www.CreatorsSummit.com

www.cisac.org / @CISACNews

Newly Updated Pro-Music Website Is An Essential Guide To The World’s 500+ Digital Music Services

Today sees the launch of the newly redesigned www.pro-music.org website – a simple information resource for anyone looking to find out more about legitimate digital music services across the world. The new version of Pro-music, which is backed by partners across the global music sector, gives precise and up-to-date information about the world’s 500+ legal music sites.  To keep pace with the growing choice of models available to music fans, the site now breaks down all the services by type (download, subscription, and ad-supported services),  as well as by territories across the globe.

Pro-music is created by IFPI in partnership with a coalition of global music industry partners representing major and independent record companies, performers, managers, publishers, retailers and musicians’ unions. 

The site has two main features: 

  • A comprehensive directory of links to licensed music services, listed by type of service and by country
  • An information portal with simple guidance about copyright law, an online guide on how to access music safely and legally (available in nine languages), and links to useful educational resources and reports about the industry

www.pro-music.org is designed to help music consumers find licensed sites and learn about digital music. It can also be a useful aid for other kinds of users, such as journalists, researchers and students.  The site is backed by seven organisations, from across the music industry, detailed in the “About us” section of the site: IFPI, FIM, GERA, GIART, ICMP, IMMF and IMPALA.

Pro-music is a great illustration of the rapidly-expanding choices available to consumers in today’s digital music world.  We hope that you will try out the newly-redesigned site and find it useful, easy to understand and easy to use.

American CD Honours Irish Contribution To American Civil War

A music CD produced in Nashville and featuring Irish and American artists has been released to honour the significant contribution made by Irish combatants on both sides of the American Civil War.  Two of the Irish heroes celebrated on the CD are Waterford born Union General Thomas Francis Meagher who also played a major role in establishing the tricolour as Ireland’s national flag, and Confederate General Patrick Cleburne from County Cork.

The CD, entitled The 1861 Project – Volume 2: From The Famine To The Front, features Maura O’Connell, Jerry Douglas, Connie Smith, David Olney, Ben Sands, Sierra Hull, and numerous others performing songs specially composed for the project including tracks by IMRO songwriter members Ian Smith and Liam Merriman.

From The Famine To The Front is the second instalment of The 1861 Project, an ongoing series of groundbreaking releases from Nashville’s creative artists’ collective Cohesion Arts. The new CD graphically depicts the deeply moving stories of Irish immigrants during the American Civil War, through a collection of songs that draw on time-honoured Irish and American traditions to touch hearts on both sides of the Atlantic.

The CD’s producer and principal songwriter is Thomm Jutz, familiar to Irish audiences from his role as guitarist in Nanci Griffith’s band. His roots-music resume includes production and/or guitar credits with Griffith and Mary Gauthier, and Irish artists of the calibre of Liam Merriman, Tony McLaughlin and Neil White. The veteran musicians Jutz gathered around him to record Volume 2 inject Nashville heart and soul into this remarkable collection of Celtic-inspired songs, and bring real-life heroes from the past vividly into the present.

“The Irish tradition is woven tightly into so much great American culture and music,” Jutz says. “It continues to be a huge influence on me. Irish immigrants played such an integral role in the US Civil War. Some fought for the North, some fought for the South; the American conflict of brother against brother was also Irish against Irish.”

In the wake of the potato famine in the late 1840s, Ireland’s young population left for America in droves. Volume 2‘s opening track, “The American Wake,” performed by acclaimed Irish songstress Maura O’Connell with dobro master Jerry Douglas, captures the heartbreak of departure and the stark realization that those who left would likely never return home.

Jutz and his Irish and American co-writers unearthed a fascinating cast of characters and stories all but lost in the sweep of history. From folk icon Jim Rooney’s reflective, half-spoken tribute to Confederate General Patrick Cleburne, “Stonewall Of The West,” to Sierra Hull’s haunting ‘”Song Of The Mystic” and Liam Merriman’s rollicking take on “Irish Whiskey,” these songs are populated by historically important figures such as the afore-mentioned Meagher, Chaplain William Corby and Father Abram J. Ryan. 

The 1861 Project, Volume 2: From The Famine To The Front brings history brilliantly and musically alive, reviving real people, real emotions, and issues that are still relevant. It is available through www.1861project.com, CDBaby, Topspin, and iTunes.

For further information see www.1861project.com

The Happy Prince | Featuring Orchestral Score By Vincent Kennedy

The Happy Prince Sunday 21st October 5pm Town Hall Theatre, Galway as part of Baboró Festival

A unique and exquisite orchestral and storytelling adaptation of a favourite Oscar Wilde story. Retold by Little John Nee, with a musical score composed and conducted by Vincent Kennedy, the production is directed by Barabbas Theatre Company’s Raymond Keane. The music is performed by Donegal Youth Orchestra and sung by Donegal Youth Choir.  This is a rare opportunity to see this group of talented young people performing and singing on the Town Hall Theatre stage, as part of Baboró’s Family Weekend. 

Commissioned by Donegal County Council’s Public Art Office
Produced by An Grianán Theatre
Supported by Donegal VEC Music Education Partnership

This is what happens when you invest in young people and the arts. These young performers are brilliant. Plus we get a chance to enjoy the talents of Little John Nee as a bonus. 

Baboró International Arts Festival for Children : 15th – 22nd October 2012
Hynes Building, St Clares Walk, Merchant’s Road, Galway, Ireland
t: +353 (0) 91 562 667 e:


Vincent Kennedy is a composer from Dublin, Ireland.  His compositions include The Happy Prince (2012), adapted from Oscar Wilde’s children’s story of the same name, a collaboration with Little John Nee commissioned by Donegal County Council; The Heart of Truth (2012) a Children’s Musical commissioned by Gorey Educate Together School; The Kilcormac Cantata (2011) commissioned by Offaly County Council and shortlisted for the Alianz Business to Arts Award 2012; Dublin – Overture to my City (extended version 2011) for National Symphony Orchestra of Ireland; Where the North Wind Blows  (2011) Peace process commission; The Meath Chronicles (2011) commissioned by Meath County Council; True Minds (2010); Dublin – Overture to my City (Original version) commissioned by RTÉ for RTÉ Concert Orchestra; Galileo’s Tears (2009) written in response to Ryan Commission Report; Dreams (2008), Violin concerto for Cora Venus Lunny and Dublin Philharmonic performed as part of a 48 city USA tour 2009; Friendship (2009) commissioned by PSFS and first piece of music to be performed in the dome of the Mansion House, Dublin (Cantando Chamber Choir), The Winds of Change (2007) Peace process commission; Whatsa’ Heaven For? (2006) commissioned by the RCBS and performed at the WASBE conference in 2007; Symphony no 1- The Hook, A Place and A People (2005) commissioned by Wexford County Council; Tommy Donnybrook (2004) commissioned by Lyric FM, his response to youth homelessness and addiction on Dublin streets; The Great Leveller (2004) commissioned by CMC/Temple Bar Properties/AIC and  inspired by James Joyce’s Ulysses; Soliloquy and March, winner of the RTÉ prize for music to celebrate the life of the broadcaster Michael O’Hehir and subsequently performed in Croke Park on All-Ireland Final day by Artane Band; The Sailing Boat and Other Stories written and performed by the Antipodes Ensemble, Switzerland.

Vincent is currently writing his Symphonies No 2 and No 3, the latter for the University of Arizona, Phoenix, USA.

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