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Month: March 2010

Choice Prize 2010

The 12 strong jury panel of Irish music media professionals deliberated at length tonight and chose the album from the shortlist of 10 records released by Irish artists in 2009. The audience attending the event in Vicar Street, Dublin and were treated to performances by 8 of the 10 shortlisted acts. The event was hosted by Today FM’s Alison Curtis and was broadcast live in a special broadcast on Today FM hosted by Paul McLoone.
The full shortlist of nominated albums was as follows (albums in alphabetical order):
And So I Watch You From Afar “And So I Watch You From Afar” (Small Town America)
Bell X1 “Blue Lights On The Runway” (BellyUp)
Codes “Trees Dream in Algebra” (EMI)
Adrian Crowley “Season of the Sparks” (Chemikal Underground)
Dark Room Notes “We Love You Dark Matter” (Gonzo)
The Duckworth Lewis Method “The Duckworth Lewis Method” (1969/Divine Comedy Records)
Julie Feeney “Pages” (Mittens)
Valerie Francis “Slow Dynamo” (VF)
Laura Izibor “Let The Truth Be Told” (Atlantic)
The Swell Season “Strict Joy” (Plateau)
Previous winners of the Choice Music Prize are:
Irish Album of the Year 2005: Julie Feeney – “13 Songs”
Irish Album of the Year 2006: The Divine Comedy – “Victory For The Comic Muse”
Irish Album of the Year 2007: Super Extra Bonus Party – “Super Extra Bonus Party”
Irish Album of the Year 2008: Jape – “Ritual”

 

THE ART OF IMPROVISATION | BERKLEE COLLEGE OF MUSIC | DUBLIN WORKSHOP

The Art of Improvisation

What are the underlying theories? What are the stylistic considerations? Who does it? How do we learn it? How does it relate to the composer's craft?

These questions will be our guide as Berklee College of Music presents its annual improvisation workshop in Ireland. The workshop is for all musicians, from classical to Irish traditional, from pop and rock to jazz, and more.

Improvisation is fundamental to the realization of all music. Learning the techniques of improvisation strengthens the core musical aptitudes of any and all musicians. Composition in all musical styles requires the composer to consciously or unconsciously apply improvisational concepts. Performers have spontaneously composed throughout history. The giants of classical composition were known for their ability to improvise. They delighted their patrons and fellow composers in the salons of old Europe with improvised renditions over a figured bass or using a cantus firmus, a given theme, or a harmonic progression for inspiration. They melded the art of composition and the art of improvisation.

Much of the folk and indigenous music from around the world does not depend on notation. In these musical communities, the teacher or master musician passes the music "by ear" to the student in much the same way contemporary musicians learn from each other. Those who seek to build their own musical vocabulary emulate the master musicians. This has been the path to musical creativity that so many have followed.

Berklee College of Music is dedicated to teaching music using the music of today. Its 12 majors encompass the broad range of careers in music and include: composition (classical and jazz); film scoring; songwriting; contemporary writing and production; and performance, offering ensemble opportunities in many styles, including jazz, pop, rock, and bluegrass, among others.

This broad view of music has made Berklee an open and diverse place for the cultivation of ideas on improvisation and composition. Berklee establishes workshops that focus on various facets of contemporary music education. This year's program in Dublin focuses purely on improvisation. We are pleased to be working with Newpark Music Centre, Berklee's official partner in Ireland and our host for the workshop. Our special thanks to the Dublin Institute of Technology (DIT); University of Limerick; National University of Ireland, Maynooth; Royal Irish Academy of Music; Trinity College Dublin; Queens University Belfast; University College Cork; Irish Music Rights Organisation; and the Irish Arts Council for their involvement and interest in this program, and our gratitude to Ireland's own Bill Whelan for his inspiration and guidance.

Classes
The Berklee in Dublin Improvisation Workshop will present classes in lecture and master class formats, enabling students to learn about improvisational techniques and practice them in the master class.

Chord Scales and Voicings–How the improviser and composer use chord scales to create melody over chords, harmony, and chord voicings.

Style Labs–The elements of various styles of improvisation will be discussed. Insights into practicing improvisation will be presented.

Master Classes–Students will put into practice the skills and techniques discussed in the morning classes. The master class will offer vocalists and instrumentalists the chance to gain improvisation skills using their own songs or materials provided in class. Students will work in a helpful, non-critical environment with faculty who are world renowned for their knowledge, teaching skills, and empathy with students.

Clinic–This will be a presentation by Berklee Media.

Evening Jams–A place where you can play your music for and with each other.

Five-Week Scholarship Awards– Presented to selected students at the workshop for study at Berklee's Five-Week Summer Performance Program.

Berklee Auditions and Interviews– Conducted on Saturday and Sunday, April 10-11, for students interested in pursuing full-time study at Berklee in Boston. Students who are enrolled in the program will be forwarded audition information in their acceptance packets.

Closing Event–On Friday night, students will gather for a closing event where they will receive certificates of participation. At this time, students selected for the Five-Week Program Scholarships will receive their awards.


APPLY HERE: http://www.berklee.edu/summer/dublin.html

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