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The Songwriting Collective | October Workshop Announced

Songwriting Workshops facilitated by The Songwriting Collective (TSC) will return on Wednesday 19th October from 6.00 pm to 9.00 pm at IMRO HQ, Copyright House, Pembroke Row, Dublin 2. 

The workshop will be followed by a presentation of co-writes and other self-penned songs later in the evening. This workshop is facilitated by Tony Bardon, who has extensive experience of running workshops in Ireland and in Europe, as a result of his involvement with EU-funded music projects and veteran songwriter Colm Jackson.

TSC uses Meetup.com for communication purposes so if you are interested please sign-up, here: https://www.meetup.com/the-songwriting-collective/events/289097349/

All are welcome to attend. 

IMRO Radio Awards 2022…And The Winners Are

Tonight, at a much anticipated awards ceremony in the Lyrath Estate Hotel Kilkenny, the 2022 winners of the IMRO Radio Awards were announced. The first in-person awards since 2019, the room was electric with the radio industry from all over the island meeting once again! The ceremony was presented by Radio and TV broadcaster Dermot Whelan to a packed room with many of Ireland’s well-known radio presenters, producers, programme staff and radio station heads.

The big three Awards of the evening – Stations of The Year – were won by:

Full-Service Station of the Year : Today FM
Music Station of the Year : Cork’s Red FM
Local Station of the Year : WLR FM

This year’s three Hall of Fame Inductees – Rachael English (RTÉ Radio 1), Keith Finnegan (Galway Bay FM) and Albert Fitzgerald RIP (Midlands 103) were also celebrated, having had their plaques presented in September at IMRO offices.

Speaking at the event, IMRO Radio Awards Committee Chair Chris Doyle said, The atmosphere tonight was amazing with the industry celebrating together for the first time in many years.  Well done to everyone across Ireland for another year of high-quality radio broadcasting across Ireland and congratulations to all the winners recognised tonight”

Eleanor McEvoy, IMRO Chairperson, said“On behalf of IMRO, I would like to give my heartfelt congratulations to the winners of this year’s IMRO Radio Awards. We all witnessed over the course of the last 3 years just how much we relied on radio to keep us informed, connected, and entertained during very challenging times.  The winners of these awards have been chosen because of their excellence in broadcasting, and I would like to say a profound thanks to them for their service to radio in Ireland.”

Celene Craig, BAI Chief Executive commented : “It is wonderful to see the return of the in-person Awards night and the BAI would like to congratulate all the nominees this evening. Recognising and celebrating the creativity and skill of those working across the radio sector is important. Each year the IMRO Awards serve to illustrate the breadth of talent in the industry, and the range of categories reflects the diversity of quality programming on offer for listeners across the country. The BAI is delighted to continue its support and extends its congratulations to all involved.”

Full list of 2022 winners

 

Photo Credit: ANDRES POVEDA PHOTOGRAPHY LTD

Telefís – the second album – a Dó – featuring A Certain Ratio, Sean O’Hagan, Will Sergeant and Jah Wobble – Out Oct 7 

Telefís, the groundbreaking collaboration between two Irish iconoclasts – acclaimed producer Garret “Jacknife” Lee (U2, REM, The Killers) and revered singer/lyricist Cathal Coughlan – present their second album of 2022 — a Dó (October 7th). The album was finished several months prior to the sad passing of Cathal Coughlan on May 18th earlier this year. Telefís is Irish for Television and pronounced Tel-eh-feesh. It’s also a nod to the post-punk heroes of the late 70s that dwell in Jacknife and Cathal’s collective consciousness. Their first transmission arrived last Autumn with the twisted electro-funk of “We Need” , a cheeky and satirical look back to the early days of TV in Ireland and the memory fragments of their youth. But as with all of Cathal’s lyrics, there are contemporary lines drawn to today’s power structures and hierarchies. Flights of the imagination ensuring that nothing is ever quite what it may appear.

The duo had already completed ‘a Dó” (Irish for number two) earlier in 2022 prior to Cathal’s decline in health. So now that his family has encouraged us to continue on, it will stand as a testament to the endless creativity and songwriting genius of one of Ireland’s most beloved musical figures of the past 40 years. Jacknife Lee notes…“his dying was always a part of these songs. Not literally but the reflections and the examination of where he came from. After his death we could have waited and I accepted that we might have to, but now I just want to celebrate Cathal. I want people to know that he was active up to the last few days. We were working on a 3rd album – writing and planning. I know that might have been something to just take his mind off his illness, but that was the way he dealt with the situation and I want to honour that. There are many layers to Cathal Coughlan. The mischief and the profound melancholy. It’s on show on this album. It’s some of his best work. His death will show how deep these lyrics are, how playful he was when writing stuff like this knowing what lay ahead of him. It shows his commitment to words and ideas. It’s his life.”

Their debut album ‘a hAon’ (number one), released in March, playfully dissected the early days of Irish society in the TV era through a prism of electronic dance music, drawing on what they saw as a ‘corrosive nostalgia’. It also paid homage to their musical heroes of the punk and post-punk era. But amongst the muscular beats and distressed synth stabs there were also strange ballads, haunting melodies and somber reflections. ‘a Dó’ continues to broaden these sonic horizons and opens up the band’s output to outside collaborators. We have guest appearances from Cathal’s longtime friend and Microdisney co-founder Sean O’Hagan on the first single “Space Is Us” , Echo & The Bunnymen’s Will Sergeant guests on two tracks, legendary Mancunians A Certain Ratio on another. The inimitable Jah Wobble also contributes bass smarts following his dub odyssey with the band on their single “Falun Gong Dancer” earlier this year.

The last words belong to Cathal himself who wrote these thoughts several weeks before his death…

“Tales are spun & mis-spun, spanning the initial, tentative arrival of colour TV transmissions on Irish public broadcaster RTÉ in the early 1970’s, reaching depictions of the high technology of 1981, all the way to the private agonies of the photo model guy who tries to sell you cloud storage services for 2023. Yes, you excitable TikTokers and bemusable Dad Rockers, Telefís is here to pick your minds – clean – once again!” 

Tracklisting

  1. Seo É Glór Na Teilifíse
  2. Swinging At The Hypnodrome
  3. Space Is Us (with Sean O’Hagan)
  4. Stock Photo Guy (with A Certain Ratio)
  5. Hare Coursing In Mayfair
  6. Airstrip
  7. The Age Of Cling (with Will Sergeant)
  8. The Casiotone Angelus
  9. Strawboy Supernova
  10. Feed The Light
  11. We See Showbands
  12. The Carthagians
  13. Circling Over Shannon (with Jah Wobble)
  14. On A Country Road

CD/Cassette/LP: http://ffm.to/telefis2

Digital: http://telefis.bandcamp.com

Streaming: http://ffm.to/telefis2digi

Legrand Network study on music streaming commissioned by GESAC is launched today

The “Study on the place and role of authors and composers in the European music streaming market” published today, provides an in-depth analysis of bottlenecks and dysfunctions that prevent authors and composers from experiencing more sustainable growth in the music streaming market. It considers how to grow the revenue pie for creators and other rightholders, as well as how to ensure a fairer and more creator-friendly music ecosystem.

The study was commissioned by GESAC and prepared by journalist and renowned music sector expert Emmanuel Legrand, who conducted an extensive market analysis based on existing economic studies, market research, as well as interviews and direct contacts with a wide range of music sector professionals, online music services, creators, and music-tech businesses.

Music streaming has unquestionably become the predominant way of enjoying and engaging with music, by offering a user-friendly, high quality, and affordable access to the largest possible repertoire at any time, from any location, online or offline. The confinement resulting from the pandemic over the last two years has accelerated the markets’ digital transformation and growth of streaming as the primary form of music consumption, which now accounts 68% of all music engagement, has over 524 million subscribers, and offers over 70 million music tracks. The study identifies the main reasons why this successful and growing market is currently failing to generate adequate revenues for creators and outlines creators’ concerns and expectations for a better recognition of their input in the market.

GESAC President Gernot Graninger (CEO of AKM and AustroMechana) noted: “We can no longer accept an economic model that, despite an exponential increase of users and the offer, is incapable of properly remunerating creators.” He added: “We need to grow the overall revenue pie and address the systemic imbalances and dysfunctions in the operation of online platforms, so that authors and composers can benefit more favourably from the resulting success of this growing market”.

Véronique Desbrosses, the General Manager of GESAC said: “It is time to consider a more balanced and sustainable market that does not leave behind the creators who fuel this thriving economy. Thanks to authors and their societies, streaming services are offering access to a massive catalogue of music in a streamlined and user-friendly manner but falling short of answering the expectations of creators in terms of remuneration and recognition”. She added: “The study provides European policy makers with a useful insight into the market as well as a constructive approach towards a more author-friendly and culturally diverse music streaming ecosystem”.

The full study, its main takeaways for GESAC, and a FAQ document outlining the study’s main findings can be found here

 

About GESAC 

GESAC groups 32 authors’ societies in the European Union, Iceland, Norway, and Switzerland. As such, we defend and promote the rights of more than 1 million creators and rights holders in the areas of music, audiovisual works, visual arts, and literary and dramatic works.

‘Just Breathe’ celebrates resilience in a world that can take over

In her first original composition officially released, Siobhán McAleese talks about what inspired her to write ‘Just Breathe’.

“ ‘Just Breathe’ was born out of bog walks and moments to ‘take stock’ ” , says Siobhán McAleese, who releases her first original composition on 30th September 2022 across all major platforms. “My classical routes in piano have really shone through with this composition, and I am very proud of it.”

Siobhán describes ‘Just Breathe’ as a moment in time to allow you to stop in a world that can go a million miles an hour. “ ‘Just Breath’ is a piece that can bring about solstice and calmness when you listen to it. It was born from that place, so the melody just took on its own life the moment I sat at my Kawai ivory keys. It was a pleasure to write and usually flowed out of me after I had been out for a walk in my local bog!” September 2021 saw Siobhán feature in her first ‘live performance film’ curated and produced by SoFFt Productions where Siobhán performed ‘Just Breathe’. This live performance film celebrates the Autumn Equinox at Loughcrew Cairns and Estate, and features other well known Meath based Artists. Siobhán has produced a music video to accompany this calming piano melody, celebrating scenes of nature throughout. ‘Just Breathe’ was produced by Martin Quinn at Jam Studios just outside Kells.

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Three New Inductees Announced for IMRO Radio Awards Hall Of Fame 2022

Since its establishment in 2012, the IMRO Radio Awards Hall of Fame has been recognised as one of the most respected honours in the world of Irish radio. Previous inductees include Joe Duffy, Marion Finucane, Pat Kenny, Ian Dempsey, Aine Lawlor and Gay Byrne.

At a ceremony today in the office of IMRO in Dublin, The IMRO Radio Awards Committee welcomed three new recipients into the Hall of Fame. Chosen by a group of their peers in the Irish radio industry, the inductees range from national to local radio broadcasters, all highly respected for their skill, passion for their jobs and love for radio.

The 2022 Hall of Fame inductees are:

Rachael English – RTÉ Radio 1
Keith Finnegan – Galway Bay FM
Albert Fitzgerald (RIP) – Midlands 103

Speaking at the ceremony today, Chair of the IMRO Radio Awards Committee, Chris Doyle, said, “We are delighted to celebrate three giants of the radio industry from across Ireland and induct them into IMRO Radio Awards Hall of Fame. Rachael, Keith and Albert have worked in front of and behind the microphone delivering audience and commercial success in their respective careers.  It is great to recognise their immense contributions to making the radio industry the vibrant success story it is.”

Doyle added, ‘Today is tinged with sadness that Albert Fitzgerald is no longer with us, he is such a deserving recipient of the award, and we know he would have thoroughly enjoyed being here. We are delighted that his wife Siobhan and his sons Stephen and Andrew could join us to remember Albert and his amazing radio career.”

Speaking on behalf of  IMRO, Chairperson Eleanor McEvoy said : “On behalf of IMRO, I would like to say how delighted we are to be involved once again with the IMRO Radio Awards Hall of Fame. It gives us great pleasure to be inducting three of our most revered and cherished radio professionals Keith Finnegan, Rachael English and the recently deceased Albert Fitzgerald into the Hall of Fame. Each of our inductees have made a lasting impression on the industry and they now sit alongside the leading lights of broadcasters in Ireland.” 

Chief Executive of the BAI, Celene Craig, said: “The BAI is pleased to congratulate each of the 2022 inductees to the Hall of Fame and celebrate not only their achievements but their significant contribution to the radio sector over many years. The Hall of Fame serves to acknowledge the important part played by individuals within the radio industry, and I’m delighted to see today’s recipients included”.

 


RACHAEL ENGLISH:

Rachael English presents Morning Ireland on RTE Radio 1.

Her career began at Clare FM in Ennis. She joined RTÉ in 1991 as a 2fm news reader and later worked as a reporter for Morning Ireland; the News at One, Today With Pat Kenny and RTÉ Television News.

Rachael’s first full-time presenting job was on Five Seven Live on RTÉ Radio 1. She presented The Late Debate and Saturday View before joining Morning Ireland in 2010. She has also worked on a number of special series. These include The Constituency, which focused on the issues and candidates in all of the Dail’s constituencies, and The Big Science Debate, where an expert panel discussed the ethical challenges presented by scientific developments.

Since 2002, she has been a presenter on RTÉ Radio 1’s General Election results programmes. She has also presented coverage of local, European and presidential election counts and has anchored election coverage from Belfast, London and Washington.

As a reporter and presenter, she has worked on a vast range of national and international stories, from the signing of the Good Friday Agreement to the Olympics Games to the Cop 26 Climate Summit.

Rachael is the author of six novels, most recently the number one bestseller, The Letter Home.

A communications graduate of Dublin City University, she is from Shannon in Co. Clare.

 

KEITH FINNEGAN:

Keith Finnegan began his life in radio in 1981, joining Galway Bay FM in 1989 at a time when the station was struggling to survive. With the help of a supportive Board of Directors, Keith turned the fortunes of the station around and, since then, has dedicated his life to working for the people of Galway on the airwaves of Galway Bay FM.

Not only has he been CEO and Programme Controller for 33 years, he still hosts the current affairs programme, the most listened to programme on the station reaching many thousands of people every morning.

His role in the community far exceeds the 3 hours he spends broadcasting every morning. He sits on the boards of many Galway Charities, such as Aids West, Cancer Care West and Galway Hospice. In 2015 launched, the first Galway Bay fm Radiothon, raising hundreds of thousands of euros for the two cancer charities and winning a Gold IMRO Radio Award in the process. Keith spends weeks preparing

interviews to highlight the stories of families touched by cancer – and they were powerful testimonies to his work, love and devotion to both charities and their users.

Keith is a great ambassador for Galway, forging deep links with many states in the USA, including Chicago, Wisconsin, Missouri, Boston and New York. For the last 20 years, Keith brought a delegation from Galway to the Milwaukee Irish Festival – the largest Irish Festival in the world, to promote Galway as a tourist destination. He broadcasts from the festival each year to bring some of the Galway pride from the US back to audiences in Galway. Included in the trip is a meeting with the Mayor of Chicago. Keith is also Chairman of the Chicago/Milwaukee Sister Cities Committee. This, in turn, has led to large delegations coming from the states to visit the West of Ireland.

Keith has been a Guest of Honour at the St Patrick’s Day Festivities in St. Louis, following in the footsteps of former Taoisigh Bertie Ahern and the late Jack Lynch and former SDLP leader John Hume.

Keith has been involved in the development of the industry both directly as Director of the IBI and as a vital cog in its Lobbying and Advocacy Sub Committee. He lobbies for legislative change on a weekly basis and is a regular visitor to the offices of Ministers, TDs, Senators and Departmental officials, canvassing for change to ensure fairness and equality in the broadcasting landscape in Ireland.  He was instrumental in the organisation of the celebration of 25 Years of Independent Radio in Áras an Uachtaráin, hosted by President Michael D Higgins. Indirectly, he supported the involvement of Galway Bay FM staff in radio industry initiatives such as Learning Waves, BAI Irish Language Committees and IBI/Hot Press Irish Music Month.

The compassion he has for everyone he meets, the trust he is afforded by the people of Galway, the work he does behind the scenes to help people, many of whom have aired their problems on air, his pride in his home county of Galway and his efforts and attempts to do whatever he can to help the people of the city and county.

Keith is far more than just ‘The Voice of Galway’. Not only does he give others a voice, but he listens to their stories and will always follow up to check that a resolution has been reached.

He works tirelessly to help the people of Galway, promote the city and county of Galway and is very much part of the fabric of Galway.

In summer 2022, Keith stepped back from management in Galway Bay FM but remains broadcasting five days a week. Thirty-three years managing, developing and directing a radio station is no mean feat but one which he has done quietly and successfully while ensuring that the radio industry in Ireland is left in the best position possible for future operators, broadcasters and, most importantly, listeners.

 

ALBERT FITZGERALD (RIP):

Albert Fitzgerald began his radio career as a salesperson with Cork’s ERI, instantly falling in love with the medium and receiving promotion to Sales Director in less than six months.

Romantic love lured him away from Cork, and he briefly left the industry, returning in 1995 to then-Midlands Radio 3. The business was deeply loss-making, and listenership was the lowest in local radio. Albert pledged his future wife that he would spend less than a year there.

However, Tullamore remained their home because of the impact Albert would have. The training was his first priority, a belief that saw him later serve as a founding director of the radio industry training body, Learning Waves. With proper sales structures in place, the company became profitable, and major competitions drove greater listenership.

The all-new Midlands 103, its fortunes reversed, was an attractive takeover target, and when the Tindle Family conducted due diligence, they wanted Albert to become Managing Director as a condition of purchase. On assuming control, he successfully secured the 2004 licence renewal and launched a capital investment programme in transmission, vehicles and studios. Fortunately, these projects were completed in advance of the economic crash, which set the stage for Albert’s biggest test.

Confronted with plummeting revenue, client failures and doubtful debts, Midlands 103 adopted unconventional tactics. It immediately launched CrunchBusters, an early e-commerce platform on which the station would sell discounted products and services directly to listeners. These offers were sourced from clients who needed to advertise but no longer had the cash to do so. It was a win-win concept for all parties: the listener received terrific purchase offers, the radio station generated income, and advertisers could inexpensively maintain their brand profile. It proved popular with discretionary businesses such as hotels, restaurants and leisure centres.

Midlands 103’s commercial resilience caught the eye of Sir Ray Tindle, and, on Albert’s advice, he consolidated his radio interests into the three most profitable stations and appointed Fitzgerald as Group Managing Director. His commercial acumen also saw Albert hold a position on the Executive Board of IRS. These achievements were noted locally, too, with a Businessperson of the Year Award from the Tullamore Chamber in 2012 and a similar distinction from the Midlands Gateway Chamber a year later.

The 59-year-old was an accomplished presenter and producer, too, with a gold PPI Radio Award and a Justice Media Award. He used his music passion to promote charity concerts, raising over €100,000 for the Tullamore & District Rotary Club – the same organisation where, as President, Albert spearheaded a modernising policy to admit women as members.

Albert’s final year at the Tindle helm saw the birth of DAB in the Channel Islands and a new service called Soleil Radio. He stepped down as Group Managing Director of Tindle Radio in December 2021 in order to concentrate on his health and family.

Albert Fitzgerald sadly passed away in August 2022.


IMRO Radio Awards Hall of Fame inductees to date:

Micheál O’Muircheartaigh – RTÉ Radio 1
Jimmy Magee – RTÉ Radio1
Des Whelan – WLR FM
Marian Finucane – RTÉ Radio 1
Gay Byrne – RTÉ Radio1
Larry Gogan – RTÉ 2fm
Mario Rosenstock – Today FM
Gerry Ryan – 2fm
Ronan O’Rahilly – Radio Caroline
Candy Devine – Downtown
Seán Bán Breathnach – RTÉ Raidio Na Gaeltachta
Joe Duffy – RTÉ Radio 1
Bill Goulding – RTÉ
Liam O’Shea – clare fm
Tony Fenton RIP – Today FM
Paul Claffey – Midwest Radio
Áine Lawlor – RTÉ Radio 1
Walter Love – BBC Radio Ulster
Gerry Anderson – BBC Radio Ulster
Pat Balfe – Communicorp
Des Cahill – RTÉ Radio 1
Henry Owens RIP – Red FM
Eamon Buttle – South East Radio
Trevor Campbell – Downtown Radio
Ian Dempsey – Today FM
Dave Fanning – RTÉ 2fm
Linda McAuley – BBC Radio Ulster
Séamus Mac Géidigh RIP – RTÉ Raidió Na Gaeltachta
Billy McCarthy RIP – WLR FM
Joe King – Broadcast Technical Services Limited
Pat Kenny – Newstalk
Margaret Nelson – FM104/Q102
Willie O’Reilly
Ian Wilson – RTÉ Radio 1 & 2fm
Sean Moncrieff – Newstalk
Ronan Collins – RTÉ Radio 1
Paul Byrne – Radio Kerry
Declan Meehan – East Coast FM
George Hamilton – RTÉ Lyric FM
Patricia Messinger – C103
Stephen Clements RIP – BBC Radio Ulster/Go Q Radio

Visit: https://www.imroradioawards.ie/

Groundbreaking Basic Income for the Arts pilot scheme grants awarded

Minister for Tourism, Culture, Arts, Gaeltacht, Sport and the Media, Catherine Martin, today announced the awarding of 2,000 grants for artists and creative arts workers through the new Basic Income for the Arts pilot scheme.

Speaking on the announcement of the grants Minister Martin, said: “Today is an historic day for the arts in Ireland and a significant change to the way Ireland recognises and supports her artists. The Basic Income for the Arts pilot scheme is a once-in-a-generation initiative. It makes a strong statement about the value Ireland places on the arts and artistic practice, both for its intrinsic value and in terms of our personal and collective wellbeing, and also in terms of its importance to our identity and cultural distinctiveness on the global stage.”

Over 9,000 applications were made under the scheme with over 8,200 assessed as eligible and included in a randomised anonymous selection process. The group of 2,000 grant participants includes representatives from all art forms, age groups, ethnicities and counties. This includes 707 visual artists, 584 musicians, 204 artists working in film, 184 writers, 173 actors and artists working in theatre, 32 dancers and choreographers, 13 circus artists and 10 architects. 3% or 54 of those selected work through the Irish language.

A basic income for the arts was the number one recommendation of the Arts and Culture Recovery Taskforce which was set up by Minister Martin in 2020 to examine how the sector could adapt and recover from the unprecedented damage arising from the COVID-19 pandemic. The main objective of the scheme is to address the precarious and financial instability faced by many working in the arts, and to assist the sector recover post-pandemic.

Eligibility for the scheme was based on the definition of the arts as contained in the Arts Act 2003; “arts” means any creative or interpretative expression (whether traditional or contemporary) in whatever form, and includes, in particular, visual arts, theatre, literature, music, dance, opera, film, circus and architecture, and includes any medium when used for those purposes”.

There were 3 categories under which applicants could apply as follows:

1. Practising artists;

2. Creative Arts Workers (defined as someone who has a creative practice or whose creative work makes a key contribution to the interpretation or exhibition of the arts), or

3. Recently Trained, that is, graduated with a relevant qualification in the past 5 years

84% of those selected identified as practising artists, 9% identified as Creative Arts Workers and 7% as Recently Trained Applicants.

Clare Duignan, Chair of the Arts and Culture Recovery Taskforce, added: “COVID-19 was extremely challenging for artists and creative workers, exposing vulnerabilities which have existed for decades within the Irish arts sector. Taskforce members unanimously agreed that the establishment of a pilot basic income scheme in the arts, culture, audiovisual and live performance and events sector was our top priority. I am delighted that the first group of successful applicants is being announced today. This is a landmark day, not just for those receiving grants, but also for Ireland, as it is the day that the state formally recognises the financial instability faced by many working in the arts and places a value on the time spent developing a creative practice and producing art. This pilot has the potential to be genuinely transformative in terms of the lives of participants and the sustainability of the sector, and should reduce the constant level of uncertainty and insecurity felt by many in the arts sector. I hope that it also gives recipients announced today an increased sense of self-worth and facilitates risk-taking and experimentation in their practice. It should help them to develop and grow the quality of their artistic output, allowing them to contribute to broader Irish society both socially and economically.”

Minister Catherine Martin added: “The pandemic reinforced the fact that each and every person relies on and leans into the arts during times of need and every person was reminded of the true value of artists and their work during the last two years as we listened to music, read poetry and watched films to get ourselves through those difficult days. And it is the arts that will help us make sense of what happened and help us shape the future. With so much uncertainty in the world now including the war in Ukraine, the climate crisis, and huge cost of living increases, we need the arts more than ever to help inspire us to imagine and create a better future for ourselves. The Basic Income for the Arts pilot, an initiative endorsed by the whole government, has the potential to fundamentally transform how we support the arts and creativity. Ireland could lead the way on a new model to support people active in the sector, recognising its importance to all people. I know that there will be a lot of disappointed people today who applied and didn’t get selected. I am very grateful to everyone who took the time to apply and I understand their disappointment. I want to thank everyone who took the time to apply and congratulate those who have been selected to take part. I look forward to seeing the results of the research which I hope will underpin future government policy for the arts.”

Participants in the Basic Income for the Arts pilot scheme will take part in a three year research programme to assess the impact of a basic-income-style payment on the arts sector. Payments of €325 per week will be made to 2,000 eligible artists and creative arts workers over the course of the scheme. Participants will be required to engage in an ongoing data collection programme to assess the impact of a basic income style payment on artists and their creative practice. To assist with this, 1,000 eligible applicants who were not selected to receive the payment were selected to participate in a control group to facilitate the evaluation of the pilot.

Information on the eligibility criteria and guidelines for the pilot scheme.

All the Nominations Revealed for IMRO Radio Awards 2022

The Shortlist for the 2022 IMRO Radio Awards has been unveiled today ahead of the ceremony at the start of October.  Finally, back in person after two years of broadcasting virtually, the entire island of Ireland broadcast community will gather to announce the winners of the Gold, Silver & Bronze in the Olympics of the Radio industry! The Awards organisers have also revealed today that radio and TV broadcaster Dermot Whelan will once again host the ceremony, which will take place at Lyrath Estate, Kilkenny, on Friday, October 7th, 2022.

With the awards hosted virtually for the last two years, anticipation is high for this year’s event to be the biggest and most exciting yet.  The IMRO Radio Awards will be the first opportunity for the industry to come together and celebrate.

Peter McPartlin, Head Judge, led a week of Zoom meetings with over 109 judges from across the industry, media and supporting industries in whittling down the record amount of 700+ entries to this year’s shortlist.

Awards span six categories – Music // News & Sport // Speech // General // People // Stations of the Year – with a total of 41 Awards handed out on the night. Each award has a Gold, Silver & Bronze winner.

Nominees span networks and Ireland’s independently owned and run stations from north to south and east to west. Nominations span from Belfast – BBC Radio Ulster to Cork – RedFM and 96fm, from Galway – Galway Bay FM to Wicklow’s – East Coast FM.

The 2022 IMRO Radio Awards Hall of Fame will be announced at a special gathering ahead of the main awards on Tuesday, 13th of September, where this year’s inductees will be revealed.

For a full list of nominees visit: www.imroradioawards.ie

 

Sony PlayStation Game Music Royalties

In December 2022, our affiliated society PRS for Music will distribute royalties from Sony Interactive Entertainment Europe for music used in all games downloaded from the Sony PlayStation Store between 2020 and 2021.

If your music was used in this way during this period in the following countries: UK, Republic of Ireland, Austria, Belgium, Bulgaria, Croatia, Czech Republic, Denmark, Finland, France, Germany, Greece, Hungary, Italy, Luxembourg, Netherlands, Norway, Poland, Portugal, Slovenia, Spain, Sweden and Switzerland, we ask that you contact IMRO immediately at distributions@nullimro.ie or 353 1 6614844.

Deadline for submissions Thursday 29th September.

How Paul McCartney Inspired Debut Song by IMRO Founding Chairman Brendan Graham

BBC Radio Ulster presented a special edition of Sunday with Brian D’Arcy this week in conversation with former IMRO Chairman and founder member, world renowned songwriter and author Brendan Graham. During the one hour special, they journeyed through the songs that impacted his life and the music and matters which inspired his song writing.

The trip down memory lane showcased many of Graham’s own hits, including Eurovision Song Contest winning songs, ‘Rock ‘n’ Roll Kids’ by Paul Harrington & Charlie Mc Gettigan (Dublin, 1994) and ‘The Voice’ by Eimear Quinn (Oslo, 1996) and his phenomenally successful hit, ‘You Raise Me Up’.

The show highlighted Brendan’s early song writing ability playing his very first song recorded 54 years ago, written in response to Lennon & McCartney’s Eleanor Rigby – one of his song picks.

I had thought that Father McKenzie deserved a song to himself. So, I wrote the lyrics to Father Dickens on a red serviette in a Chinese restaurant in Harlesden and sent it back to Mullingar (where we lived) to Tommy Swarbrigg who, with brother Jimmy put a melody to it. Then, when I had moved to Australia in 1968 this battered LP arrived – ‘With an Eye to your Ear’ a brilliant orchestral album from Johnny McEvoy, produced by Bill Somerville-Large & Peter Lee Stirling. There, nestled between Goffin & King’s Goin’ Back, 59th Street Bridge Song was Father Dickens. When the Spotlight review by Shay Healy picked it as one of the album’s 3 best songs alongside (I think) Here There & Everywhere and So Long Marianne. It did strike me that, after being in such company the only way up was down but it was beyond my wildest dreams for a first song.’

Graham shared with his friend Brian D’Arcy during the show that Paul McCartney was his initial ‘influencer’ in writing songs.

‘My wildest dreams were somewhat tempered by the arrival of my first ever royalty cheque from Shaftesbury Music in London..£1.1s 5d. I never cashed that cheque because I had two thoughts: 1) I might never get another one and… 2) If I couldn’t do better than that, I should throw away the song writing.’

The show concluded with an insight into how Brendan created the lyrics around his famous hit ‘You Raise Me Up’ with over two billion (and climbing) You Tube Views in 60 languages worldwide. To listen to this week’s episode click here – BBC Radio Ulster – Sunday with Brian D’Arcy, Singers and Songs – Brendan Graham

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Main image photo credit: Thomas Conneally

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