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Month: April 2012

Paul Brady | Dancer In the Fire | A Paul Brady Anthology Out Now

The double album, releasing in Ireland on Proper Records on Friday April 20th 2012

Dancer in the Fire is a rich and diverse double CD collection of some of Paul Brady’s favourite recordings, personally chosen by the artist and serving as a companion to Nobody Knows – The Best of Paul Brady, a single CD compilation released in 1999.   The anthology releases in Ireland on Friday April 20th and will be followed by a short Irish tour, dates yet to be announced.

 Brady has long considered putting a ‘personal collection’ of recordings together, not necessarily commercial hits or record label sure-bets, but ones which resonate with him on a deeply personal level, songs that evoke memories of the times that created them and the life that he lived, loved and loathed whilst writing and recording them. While many tracks on Dancer in the Fire are hugely popular, much played and much listened to, here too are songs that might have languished in the latter part of an early album, songs that existed only on the flipside, songs that probably never travelled along a radio airwave. Brady explains: “Since I went solo in the late 70’s I’ve released fifteen albums, that’s one hundred and forty songs or so, most of them new compositions. In the late 90’s I put out a best-of-to-date, ‘Nobody Knows’, featuring fourteen of my most popular recordings from the previous two decades. Undoubtedly a lot of those were favourites of mine but like many artists I know, I don’t always feel the most popular songs or the most successful recordings are necessarily the best things I’ve done.  Sometimes you find yourself neglecting songs you absolutely loved when you wrote and recorded them, simply because they never really seemed to connect with the listener at the time.  Or maybe you just thought they didn’t.”

Often asked to name a personal favourite recording over his forty five year career, Brady has grappled with the answer “I’ve gone through so many musical shapes over my life that I’m never sure which incarnation the question relates to. Sometimes I feel compelled to name those songs or recordings that are the best known, imagining that if I mention one less familiar or from a different genre to where the person asking is coming from, then there may not be a lot more to say.” What is certain in the track selection on Dancer in the Fire is that Brady is no longer concerned with attempting to please the questioner with what he perceives they might wish to hear or expect him to say. The release of this personal collection and the song choices contained within it are a reflection of the peaceful, more quietly contented headspace in which the writer, singer and musician now exists. Brady has made peace with the songs and the events that gave them life. 

 Of the music in the anthology, Brady explains: “With this record I decided to focus on songs and recordings of mine that I’m personally fond of, mostly those that might not have got a lot of attention or been all that well known. Some recordings have been out of circulation for years. In a couple of cases I’ve remixed a well known song. The only area I’ve left alone is my most recent album ‘Hooba Dooba’ and those recordings already on the 1999 Best Of…” He adds: “To anyone coming to my music for the first time this may seem an eclectic collection. I’ve grown up in the rich musical environment of Ireland from the 1950s to the present day; a unique and heady mixture. I feel very lucky to have formed my musical identity before the rigid categorisation introduced by marketing and the media in the 70s. The stylistic diversity of this record bears witness to that fertile ground.”

www.paulbrady.com  

 

New Sound Worlds : April 2012

The Kevin Barry Room at The National Concert Hall

8.30pm, 25 April 2012: The RTÉ Vanbrugh Quartet

 Aloys Fleischmann: Movement for String Quartet

Raymond Deane: Embers

Ian Wilson: Winter’s Edge (C)

Deirdre Gribbon: Merrow Sang (C)

David Flynn: The Cranning

Siobhán Cleary: Scenes from a Dongba Script (World Premiere) (C)

 

NewSoundWorlds joins forces with The Contemporary Music Centre to present an evening of Irish new music. On the back of their successful Spring Tour around Ireland, join us in welcoming the RTÉ Vanbrugh Quartet to the Kevin Barry Room and prepare for an evening of home grown talent. Including works commissioned especially for them, the RTÉ Vanbrugh Quartet perform an inspired programme of Irish works.

This performance includes the World Premiere of a new work written by NewSoundWorlds curator Siobhán Cleary, and, again, commissioned especially by the RTÉ Vanbrugh Quartet. A part of a ballet currently being written by Cleary, it is based on folktales from Southern China and incorporates folk songs from the Yunnan province.

Also included are two other works previously commissioned for the RTÉ Vanbrugh Quartet. Take this opportunity to hear Ian Wilson’s Winter’s Edge; undoubtedly one of Wilson’s most popular works, the piece has been performed by a surprising number of quartets since it’s 1992 commission. Deirdre Gibbon’s Merrow Sang was commissioned in 2007 for the 21st birthday celebrations of the RTÉ Vanbrugh Quartet and remains a staple in the quartet’s repertoire.

The quartet complete the performance with works from prolific Irish composers Raymond Deane, David Flynn and, one of the fathers of 20th Century Irish music, Aloys Fleischmann.Embers is an early popular work by Deane and has been much performed since it’s 1973 premiere, while David Flynn has spent much time exploring a relationship between contemporary music and Irish traditional music; hear the quartet participate in this exploration through The Cranning!

NewSoundWorlds can also be found on Facebook or Twitter – stop by and let us know what you’re up to!

 

Ticket Information:

Tickets: €15 (€8 unwaged/student)

Tickets are available from The National Concert Hall

Tel: 01 4170000 or email info@nullnch.ie

Unsigned and Online Launched

Microsoft and MUZU TV, in association with IMRO have announced a new music initiative called Unsigned and Online – a nationwide competition designed to promote independent Irish music online. The programme challenges unsigned bands to creatively use a suite of Microsoft products, social networking and a smart online presence to promote their band, to rise up through the MUZU TV leader board and compete for a top prize.

The band that secures the biggest online fan base at the end of the eight week initiative will be crowned the winner of the inaugural Unsigned and Online competition. This band will win a prize that is designed to help them to bring their music to the masses. Valued at over €10,000 the prize consists of a digital marketing campaign for the band across the major Microsoft platforms; including Windows Live and Ireland’s #1 portal, MSN. They will also win an acoustic session in the MUZU TV studio, and a slot in the line-up at Dublin’s Academy Venue – giving a real profile boost to the winning unsigned band.

Bands can enter the competition via the Competition App on www.facebook.com/unsignedandonline and use their newly created band channel on Muzu.tv to generate views towards winning the competition.

In Tua Nua Are Back With A New Single and Live Dates

With their 30th anniversary looming next year and major live dates to be announced for later this year ‘In Tua Nua’ are releasing this self financed single. Cult lead singer ‘Leslie Dowdall’, singing drummer ‘Paul Byrne’ and legendary bassist/guitarist ‘Jack Dublin’ went into the studio last year and re-recorded ‘All I Wanted’. Enlisting Conn Woolridge on Violin and Derek Cronin on Hammond Organ, the track was recorded and mixed by Conor Brady and produced by the band at Phonic Studios, Dublin.

With their back catalogue of recordings still owned by their previous record labels Island and Virgin, the band wanted to record something that they would own themselves. Penned by Byrne, Dublin and Martin Clancy, ‘All I Wanted’ was In Tua Nua’s most successful single, reaching number 69 in the 1988 UK charts while becoming a radio hit all across the US on college radio stations.

The band toured extensively throughout Europe and the US during the 1980’s promoting their albums “Vaudeville” and “The Long Acre”. One of Ireland’s premier live acts, they shared stages with Bob Dylan (Slane), Fleetwood Mac, and Eurythmics to name but a few while also touring with both U2 and Simple Minds before breaking up in 1989. They reformed for some gigs in 2004 and since then Leslie has toured both as a solo artist and with a band, while Paul and Jack who first played together as rhythm section for Deaf Actor in 1980 have recently been banging out beats for Rocky de Valera and The Gravediggers, The Guilty Party and Shane McGowan and The Shane Gang.

All I Wanted (2012 Version)
Buy from iTunes or get it free from intuanua.com
Available April 20th 2012

 

First ever Nielsen Music 200,000 UK Airplay Award goes to Snow Patrol for ‘Chasing Cars’

Snow Patrol’s 2006 single ‘Chasing Cars’ has become the first song ever to be awarded the Nielsen Music 200,000 Plays Award for airplay across UK radio.  This award recognises the cumulative plays of a song across all UK radio stations since release and the achievement of all involved in making the record a radio hit. 

‘Chasing Cars’, first played on UK radio on 24th April 2006, has received the biggest support from the radio stations which now make up the Heart Network. 

The Nielsen Music Airplay Awards were introduced in 2005 to recognise the success of radio plugging campaigns within the music industry. Levels of certification start with the ‘Impact Award’ for 5,000 plays on UK radio within the 8 weeks prior to release. Recognition is also given to songs which reach 10,000, 30,000, 100,000 and now 200,000 plays. All UK radio plays across Nielsen’s extensive panel of 275 UK stations, since January 2000, are included to calculate the awards.

The first song to receive the 100,000 plays award was ‘Groovejet (If This Ain’t Love)’ by Spiller in 2005.

Gary Lightbody, Snow Patrol: We are staggered by this news. It’s an incredible achievement and we’re all very proud of this milestone for Chasing Cars. Thanks to all who played it and helped to make it so successful”

PREACHERS SON “COME ON” video wins Best Music Video at LA Film Festival alongside BBC Radio 2 Airplay

“Come On”, the single April 13 release in Ireland & April 30 in the UK 

The ‘Come On’ music video has been doing a tremendous ambassadorial job for the single and has just won the Best Music Video at Los Angeles Film And Script Festival 2012. This week in London, alongside being chosen as a Sundance London Short Film Competition contendor, the video will be screened at The London International Film Festival, April 18th 6:30pm at The Roxy in SE1. The Come On music video has also been added to Q Introduces playlist on Q TV and taken on by Soundnet, content providers for over 15,000 public venues, pubs, clubs, cafes and retail stores in the UK. 

Preachers Son recently played a very successful industry showcase in London. As a result the single has received its first plays on BBC Radio 2 together with invitations to play BBC Radio and regional radio sessions.

‘Come On’, the first single from forthcoming album “10 Stories Tall”, was launched in Dublin last Friday April 13th. Leading Irish music magazine Hot Press reviewed the single as “a terrific, sub-three minute rocker with no let-up from beginning to end. Come On sounds like the result of a three-way collaboration between Jack White, the late Phil Lynott and (I’m not kidding here) ’70s glamsters, The Sweet”. Here at home RTÉ 2fm’s Dave Fanning has given the single several spins to date. 

On the forthcoming album ’10 Stories Tall’ guests include: SJ Wai from the Dirty Epics, Richie Buckley, Kenny Wollesen (Tom Waits, Sean Lennon), Tabby Callaghan and Rori Coleman. The album was produced and recorded by three time Grammy Award Winner Marc Urselli (Lou Reed, Les Paul). 

Festival Frenzy – catch Preachers Son live during the May Bank Holiday in Ireland:

Festival Of The Fires, May 5th [3pm main stage]
Vantastival Festival, May 6th [8:30pm main stage]

Sive ‘We Are Moving’

Sive is the moniker of songwriter/musician Sadhbh O’Sullivan. She and her band are currently gearing up for the release of their debut album, We Are Moving, which will be launched in The Grand Social in Dublin on the 19th of April.

Having spent a number of years gigging extensively in Ireland and beyond with a variety of musicians, Sadhbh formed the band in its current lineup which consists of bassist Eoin Hartwieg, drummer Patrick Hopkins and guitarist Mark Dudley. They have been performing together since the beginning of 2010 and their music fuses alternative rock with a variety of genres, drawing influence from jazz, folk and progressive music.

 The latest single from the album, Sunkissed, was released on the 1st of April and can be downloaded for free from www.sivemusic.com

We Are Moving  Album launch @ The Grand Social, Dublin April 19th

Join us on Facebook: www.facebook.com/siveband

Follow me on Twitter: www.twitter.com/sivemusic

Join the mailing list: www.sivemusic.com/maillinglist

 

 

The Irish Youth Music Awards celebrates its fifth anniversary

5 Years of Good News!?

The IYMAs 2012

Liberty Hall / Saturday 28th April / 11.30am – 6.30pm

On Saturday 28th April, it is expected that up to 800 Young Musicians aged 12 – 19 will descend on Dublins Liberty Hall to take part in The National Final of The Irish Youth Music Awards (The IYMAs).

Commissioned By Youth Work Ireland, and organised by Dermot Lambert & his Garageland organisation, this programme has quickly gained a foothold in the Youth Calendar, bringing the Irish music industry into the direct company of the country’s next generation of musicians, journalists, photographers, technicians and fans.

From its excited and giddy first steps in September 2007, The IYMAs has gone on to encompass all of the major youth services in the Republic of Ireland and Northern Ireland, either directly or indirectly.

The IYMAs popularity with youth leaders stems from the aim of total inclusion which is stitched firmly into its unique formula, enticing teamwork through shared goals, and avoiding all X-Factor critiques of young and nervous performers at over 25 regional heats – indeed there are bonus points to any team who can prove that no judges had been involved in their local heats!

A total of 20 young bands, singer songwriters, rappers, will perform one song of their own, and one song from one of their peers at Liberty Hall, amid a carnival atmosphere of workshops for songwriting, vocals, photography, artist management, recording, dj-ing.

At the same time, their friends will also have a chance to show their genius as each regional team will have collaborated on building a mini record company for their chosen artist – it’s on all these efforts that the National Award is presented to a winning team.

The IYMAs has received much praise for its marriage of youth programming with the seemingly glamorous world of the music industry, and has been commended for its educational qualities.

Guest speakers on the day will include Willie Kavanagh (EMI Records, Chairman of IRMA), Jackie Hayden (Hot Press), Liam McCormack (RTE TV), Mick Quinn (Award winning Rock Photographer), Aiden Lambert (Band Manager), Will Ryan (Music Business Barrister), Alan Hennessey (CEO Rapture Records), and many others…

Previous special guest performers include Royseven, Miracle Bell, Delorentos, Ham Sandwich – This years special guests include Darragh Cullen, Outside The Box and more…

An Taobh Tuathail celebrates 13th birthday with an anti-party


May 1st sees the 13th birthday of An Taobh Tuathail and presenter Cian Ó Cíobháin will be ringing in the show’s first year as a teenager with an ‘anti-party’ of sorts.  Instead of spinning uplifting tunes that you might associate with a party, he will bring you a selection of tracks that bring tears to your and his eyes. 

Please email him at att@nullrte.ie or contact him on the ATT Facebook page with your track suggestions and the reasons why.  Sometimes tracks that brings you to the vale of tears might be associated with particular memories.  On other occasions, a certain dolorous bassline or a combination of minor chords might be enough to set you sobbing.  The record needs not  be particularly depressing or downbeat – it might just be so intrinsically beautiful that it moves you like no other. 

Tune in to An Taobh Tuathail on Raidió na Gaeltachta at 9pm on May 1st for tear-jerkers ahoy!

Major Music Industry Groups Reach Historic Agreement on Royalty Rates and Standards

WASHINGTON – US Organisations representing the music publishers and songwriters, major record labels, digital music services and cellular phone companies has announced an agreement setting mechanical royalty rates and standards that supports a slate of new cutting-edge business models to help consumers access and enjoy music.

The Recording Industry Association of America (RIAA), National Music Publishers Association (NMPA) and Digital Media Association (DiMA) are … Read the full article on NMPA’s website

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