Photo credit: Adam O’Regan
Musician, DJ and broadcaster (RTÉ 2FM) Graham Smyth is today (14 May) announcing his debut album Music For Babies To Rave And Sleep To, which is being released via Practise Music on 5 September 2025.
The album is designed to be enjoyed by young children and adults alike, and features two distinct sonic palates with a Toy Piano (Side A) and Toy Kalimba (Side B). Both sides of the album feature music for raving and for sleeping with interludes between for the build up and come down. Alongside the announcement of this unique debut album, Smyth is sharing the “rave” track from Side A ‘Toy Pianonono (For Raving)’ which you can listen to and download HERE.
The album came about, Smyth says, “after the birth of my nephew; I was so excited to introduce him to tha world of music–particularly electronica. That’s when the spark of inspiration hit and I thought ‘why not take the sounds of toy instruments, the tried and tested techniques of lullabies and combine them with lush soundscapes that both baby and parent could enjoy?’.”
Smyth says of the single released today: “I think ‘Toy Pianonono (For Raving)’ is the best taster of this album because it flips a typical lullaby-inspired song into a pitstop rave! It has the lullaby tropes of high pitches, repeated phrases and a rocking rhythm in the bass but this is all underpinned by a breakbeat filled with percussive sounds that babies make with their hands. The pounding on tables, rubbing and tapping are all in there. During research for the album I found out that babies’ heart rates beat 50% faster than ours so music to entertain them should reflect that (The Laughing Baby, Dr. Caspar Addyman), hence the fast-paced drum & bass influence on this one. Hopefully you like what you hear and can share a micro-rave with the little ones in your life!”
Starting piano lessons at age seven, Smyth was quickly hooked on music and went on to become a classically trained pianist, drummer and percussionist. After a few false starts with his music career as a young adult, he fell out of love with music, leaving the bands he was in and giving up the music producer dream he had started to become a management consultant.
That could have been that. But somewhere inside him, Smyth realised that he was going down the wrong path. He wasn’t exactly sure what to do, but he knew it had to be something more creative. With beginnings as a live DJ (and still an active one) he worked his way into becoming a broadcaster at RTÉ 2FM through radio and documentary work. At some point during this time, for one of his birthdays he was given a toy kalimba which served as the catalyst for Graham rediscovering his love of creating music.
Becoming an uncle for the first time recently gave him the motivation to create music that could nourish children’s development. Being familiar with classic lullabies by the likes of Brahms and Schubert, he sat down at the piano and worked out his own melodies with the end goal of incorporating them into a sound world that was exciting to listen to but rooted in instruments made for children and sounds made by children.
He started making demos using these instruments – after the success of the toy kalimba, he had gone on to collect toy synths and instruments – and natural percussive sounds like claps and taps. The demos were sounding encouraging, but still missing something so he reached out to ambient producer and composer Gareth Quinn Redmond who he was already “a massive fan of. He makes really lovely ambient music and has worked with the likes of Villagers, James Vincent McMorrow, Ye Vagabonds, and lots more on the Irish scene.”
With Quinn Redmond’s help, Smyth was able to transform it “into something amazing,” adding not just texture to the music, but helping bake in the context. It was through their chats that they decided to include a build up to the raves and come down to the sleeps.
Smyth wanted to get an expert involved to check that his vision was more than just a hunch and had some basis in science. He consulted research studies in the area and confirmed these with a Music Psychologist. Through his research Graham discovered that “babies’ heart rates are about 50% faster than ours so the music should reflect that” (The Laughing Baby, Dr. Caspar Addyman), hence the fast-paced drum & bass influence on ‘Toy Pianonono (For Raving)’. It was noted that “when you observe children with any object, they don’t just use it in the ‘traditional’ sense” (Jacob L. Shchatz et.al, 2022).
“For instance,” observes Smyth, “if you hand a baby a keyboard they won’t just try to play the keys. They will hit it, throw it, bang it, rub it, maybe even try to eat it so all the sounds (apart from the eating!) from interacting with the instruments in these ways are also included in the production of the album.”
Graham Smyth has set out to create music that parents would feel comfortable introducing to and experiencing with their children. “It’s widely reported that the key to keeping young children happy is undivided attention (The Laughing Baby, Dr. Caspar Addyman), so I’m hoping that they’ll listen and interact with each other,” Smyth explains, and his use of tried and tested structures from lullabies that have been used for hundreds of years alongside modern production techniques make it equally enjoyable for adults and children to listen to.
Smyth says: “The likes of They Might Be Giants and Imogen Heap have done amazing work creating music that adults and children can both equally enjoy. With this project I am trying to achieve something similar but for those parents who like electronica and ambient artists such as Aphex Twin or Burial but may feel that type of music is too mature for little ears. Side A is definitely geared more towards young children and Side B skews towards older ears.”
Music For Babies To Rave and Sleep To bridges a gap between parents who are really into music’ and their children’s nascent taste to serve as a ‘gateway’ into other music they love.
Smyth is eager to take this project on the road: “Through my research I have found that most playful interaction with sounds can improve a toddler’s communication, social skills and emotional development (Ruokonen et. al, 2021) so I have an idea in my head for a live show called ‘Music To Interact With’, where stripped back versions of the songs from the album are played and some parts of the music are hooked up to effects pedals, oscillators, resonators and all sorts of interesting knobs and faders that the audience can play to change the sound of the music in real time with the performance.”
