Limerick, Ireland – Independent Irish artist Fergal Nash will release his powerful new single “Things That Were Meant To Be” on July 18th, 2025, across all digital platforms. The song is the follow-up to his well-received January release “It’s Just The Way That I Live”, continuing Nash’s exploration of themes like personal growth, perseverance, and the pursuit of childhood dreams.
About the Song
A mid-tempo indie rock track with haunting strings, soaring guitars, and heartfelt lyricism;
“Things That Were Meant To Be” wrestles with the idea of reaching middle age and questioning whether you’ve followed your heart — while insisting it’s never too late to start. “Places you have to be define your life” “You might not be the greatest friend, but there are things you have to leave behind” “Things that were meant to be were meant, they’re gonna help you pay the rent, they’re gonna help you make amends”
Production Credits
• Written, recorded, and mixed by Fergal Nash in his home studio in Kilcornan, Limerick • Mastered by Benedikt Hain in Germany • FFO: Oasis, Nirvana, The Lemonheads, The Stone Roses
Live Performances
Fergal recently returned to the stage with a powerful set at The Acoustic Club in Limerick, reconnecting with live audiences. More appearances are planned for later this year, continuing his reemergence as a dynamic live performer.
About Fergal Nash
Fergal Nash is an independent Irish singer-songwriter, guitar teacher, and home recording artist based in County Limerick. Known for his emotionally honest rock sound and DIY ethos, Fergal records all his music from his Kilcornan studio and also helps other musicians produce and mix their projects. He teaches guitar to students of all ages and brings 30+ years of playing experience into every note.
‘Nocturne‘ is the Fourth Single by Co. Cork based folk artist Mark Lyndon. The song is a solo acoustic number with hints of Kris Drever and Richard Thompson. It features in the short film ‘PUNT‘ by director Nicky Larkin and producer Allana Ridell which will premiere at the Galway Film Fleadh later this month.
“I originally wrote this song as a lifelong lullaby for my daughter, in the hope that she might always remember not to be too hard on herself. Life will throw enough curve balls at you, so feel free to duck a few!”– Mark
‘Nocturne‘ was recorded with producer Davie Ryan in his Cork City studio and will form part of Mark’s debut album ‘Silhouettes‘.
“We played around with this one a bit, but it seemed to be too rigid, so we decided to record one live take and we both felt that the essence of the song was captured in one, so we stuck with it” – Mark
‘Nocturne‘ will be available on all streaming platforms on July 11th2025.
Ireland’s favourite independent music and campervan festival, Vantastival, has just announced the second wave of artists for its highly anticipated return this autumn.
Taking place from September 19th – 21st 2025, the festival will once again light up the stunning grounds of Beaulieu House and Gardens in Co. Louth, bringing fresh Irish talent, family-friendly entertainment, and a vibrant community atmosphere to music fans across the country.
With the initial lineup already featuring names like HousePlants, Junior Brother, and The Bonny Men, the next wave of artists brings even more excitement and star power to the bill.
Festivalgoers can now look forward to unforgettable performances by Phil Hartnoll (Orbital), Ispíní na hÉireann, Gemma Hayes, Susan O’Neill, GrooveLine, Elaine Mai, The Love Buzz, R.S.A.G., Negro Impacto, Wolff, Jinx Lennon, Corner Boy, Hotgirl, Rachel Mae Hannon, David Geraghty, Neosupervital, Reevah, Lōwli, The Twisted Sisters, The Last Vinci, Sun Mahshene, Jack Burton, The Jobseekerz, GRAND, Midnight Wayne, The Cacks, CABL, Martina and the Moons, The Wran, Tailor Birds, Frankenstein Bolts, The Prairie Dawgs, Idle Discourse, Eve Clague, Resin, Uptight Dad, Karma Parking, Ria Rua, MBUR, The Lags, Asophnics, Bulky Shanks, and many more, adding further energy to an already stellar weekend of music.
This second announcement strengthens Vantastival’s reputation for showcasing the best of Ireland’s original music, with a mix of rising stars and established acts across genres from indie and folk to electronic and punk.
Since its inception in 2010, Vantastival has been more than just a music festival; it is a gathering of friends, families, and music lovers of all ages. With a loyal audience returning year after year, the event has built a reputation for its welcoming, intimate atmosphere. Both tent campers and campervanners are welcome, and the strong campervan community is a key part of its identity, with many festivalgoers forming lasting friendships.
In addition to its ever-growing music lineup, Vantastival continues to expand the festival experience with new and returning attractions, including:
● The Cully & Sully Campervan Cook-Off: Sponsored by Cully & Sully, this beloved Sunday event challenges contestants to create a two-course meal using just their campervan kitchens, with identical ingredients provided to each.
● Kids’ Programme: This year, Vantastival’s family-friendly spirit shines brighter than ever with an expanded kids’ programme designed to spark imagination and creativity throughout the weekend. The enhanced programme includes giant bubbles, circus skills, open mic, face painting, comedy, and more.
Festival Director and Co-Founder, Louise Tangney shared her excitement, saying:
“We’re thrilled to reveal more of what’s in store for our final edition at Beaulieu. This second wave of acts highlights the incredible depth and creativity in Irish music right now, and with unique experiences like the Campervan Cook-Off and a vibrant creative programme for the kids, we’re aiming to make Vantastival 2025 a truly unforgettable celebration.
“From intimate acoustic sessions to high-energy headline sets and immersive community moments, this year’s edition is shaping up to be our most ambitious yet. We can’t wait to welcome everyone one last time for a weekend of music, connection, and magic.”
Vantastival takes place from September 19th to 21st at Beaulieu House and Gardens, a stunning 17th-century estate on the banks of the River Boyne, just 45 minutes from Dublin.
The main festival site, the Boyne Meadow, provides a picturesque and historic setting, with stages nestled into the surrounding native woodland.
Many musicians choose to stay for the weekend, adding to the friendly community atmosphere that defines the festival.
FFO Big Special, Blur, Radiohead, Swell Maps, Buzzcocks
The new EP ‘Feel Low‘ from Some Remain is dropping on July 18th.
Some Remain are an alternative indie punk band from Sligo. Formed from busking on the streets of their home town and having played all over Ireland, they deliver catchy hooks and chaotic noise in their high energy live sets.
This is brought about by feeling an absence of anything like that around them, and wanting to create something with some edge and fun.
They have been part of the Glastonbury Emerging Talent Longlist 2024 and showcases such as Whelan’s Ones to Watch and Ireland Music Week.
The debut EP this summer is their most ambitious project to date with a mix of dynamic energy, sonic textures and chaotic instrumentation.
The EP will be released on all streaming platforms and a 12″ violet vinyl record. The five track EP is self recorded in Sligo; the title track was mixed by M(h)aol’sJamie Hyland who also mastered the EP.
The Saw Doctors, who sold out Dublin’s Fairview Park and Cork’s Virgin Media Park last month, will release the first ever remix of one of their songs ‘Man in the Moon’ on Friday July 11th.
Producer Mark Reeder met The Saw Doctors in Berlin last month when they played the Lido club.
Mark loved the gig and after a chat back stage with Davy Carton and Leo Moran, he offered to do a remix of the track ‘Man in the Moon’ which was written by Davy, Leo and Padraig Stevens.
Mark was born and raised in Manchester, and co-found The Frantic Elevators with Mick Hucknall, prior to Hucknall forming Simply Red.
Reeder relocated to Berlin to run the German office for Factory Records (New Order, Joy Division, etc.) and subsequently turned his hand to DJing and producing for other artists including the Pet Shop Boys.
Speaking about the remix on Twitter/X, Mark said “I’m very proud my remix for the legendary Irish band, The Saw Doctors, is now available. Man in the Moon is a song with a strong message”
The Saw Doctors fly to the US next week for a coast to coast tour with gigs in New York, Los Angeles, Chicago, Cleveland and Boston Mass.
In August, The Saw Doctors will headline Irish shows at Limerick Docklands on August 15 and Letterkenny Summer Sessions on August 16.
The Story of the Potato as told through traditional music, song and dance.
NEXT SCREENING Glór Ennis Tuesday 15th July 8pm
Explore the poignant Irish history of the potato in this compelling documentary that intertwines the cultural significance and history of potatoes or “praties” in Ireland. Through traditional Irish music, viewers will journey through the struggles and resilience of a nation profoundly shaped by this tragic event.
Discover how the potato, once a staple of daily life, became a symbol of both hardship and hope, resonating deeply within the Irish identity. ‘The Garden where the Praties Grow‘ is a rich tapestry of history, culture, and emotion, celebrating the enduring spirit of the Irish people.
Filmed over three days in the original founders’ building at Seed Savers, Co. Clare, the documentary captures the raw energy of live performances by some of Ireland’s finest musicians.
Each performance was recorded and filmed live, bringing to life the music, song and dance central to Irish folklore and tradition.
Interwoven throughout these performances are interviews with organic growers and experts in biodiversity and sustainability, offering a broader perspective on the cultural and historical impact of the potato on the Irish psyche.
‘The Garden Where the Praties Grow‘ is the vision of renowned Irish musician and producer Tommy Hayes, whose deep understanding of Irish traditional music and cultural heritage brought this unique project to life. Under Tommy’s guidance, the film brings to life music, song and dance that is deeply rooted in Irish folklore and tradition, preserving their legacy through an intimate and immersive recording process.
Filmed and directed by Anthony Hughes, a cinematographer with a background in fine arts, photography, and sculpture, the documentary is visually rich and immersive. Anthony’s keen eye for composition and storytelling shapes the film’s striking visual aesthetic, and authentically captures the depth and emotion of the story.
With Tommy Hayes’ extensive musical expertise and Anthony Hughes’ artistic vision, the film beautifully fuses history, culture, music, and the enduring spirit of the Irish People into a powerful cinematic experience.
Tommy’s understanding of the cultural significance of the music, combined with Anthony’s artistic approach to filmmaking, create a rich and immersive experience. Filmed with a blend of cinematic precision and raw authenticity, the documentary beautifully intertwines history, music, and visual artistry to honour the legacy of the potato through Ireland’s past.
‘Potatoes With Everything’ is the collective moniker of the ensemble curated and produced by Tommy Hayes…. some of Ireland’s finest musicians including Mick O Brien pipes and whistles, Karan Casey vocals, Michelle Mulcahy harp, Carl Corcoran piano, vocals, Colm O’Donnell flute, vocals, Fergal Scahill fiddle, guitar, Tommy Hayes percussion.
“Upbeat, joyous and melodic dream pop music” – Nialler9
Fresh from their appearance at SXSW London, Derry “radical alt-pop” duo BEAUTY SLEEP will release dynamic double A single ‘BIG + BAD’ and ‘Unfamilar’, taken from their upcoming highly-anticipated second album, The Whole Damn Cake.
For those yet to be introduced to Beauty Sleep’s particular larger-than-life brand, the Derry duo, comprising producer/songwriters Cheylene Murphy and Ryan McGroarty, serve up a maximalist blend of bewitching synth-pop and guitar-driven indie rock that’s sure to set your heart racing.
Their lavish soundscapes and dizzying songwriting have drawn comparisons to New Order, St Vincent and Japanese Breakfast, so far achieving over a million streams and performing at festivals including SXSW, Electric Picnic and Other Voices.
To date, the band has seen sustained buzz from tastemakers in Ireland and the UK including Hot Press, CLASH, The Belfast Telegraph, Irish News, Nialler9, Chordblossom, The Last Mixed Tape, Get In Her Ears, and many others, plus radio plays from Phil Taggart (BBC R1), Amy Lamé (BBC 6music), Stephen McCauley (BBC Radio Ulster/BBC Radio Foyle), and Dan Hegarty (RTE2fm).
A celebratory, larger-than-life explosion of queer joy and the value of community, ‘BIG + BAD’ takes its title from The Four Tops—“Are you man enough, big and bad enough? Are you gonna let ’em shoot you down?”.
Commenting on the track, McGroarty says: “The concept came from navigating the online swamp, incensed by the algorithm that sees you as little less than a statistic. Endless gendered online ads and podcasts pedalling harmful toxicity and irresponsible narratives. People are beautiful because of our nuances and individuality, influencers widely broadcasting toxic masculinity should not be normalised.”
“For queer people, community, feeling seen and support are everything to us. To be really ‘BIG + BAD’ is to act in defiance, to act responsibly in opposition to those harmful ideas. It is a celebration of identity honouring the wonderful people and forces for good.”
The track comes with anofficial video shot in a vintage, artsy, boutique B&B called Harrison Chambers of Distinction where the band embodied ‘BIG + BAD‘ energy in various lavish settings.
“Melanie, the owner, was very kind to let us run around her gorgeous location all day in various states of dress,” says McGroarty of the shoot. “We just wanted to show off feeling confident and expressing ourselves loudly, because that is the energy and emotion we want the song to evoke in listeners.”
By contrast, AA side ‘Unfamiliar’ is a previously unreleased new cut from the album about restlessness. “It’s a feeling that plagues me,”says Murphy of the track. “It’s the most honest I’ve ever been about that, to myself even, so it feels special. This song is the oldest on the album. It nearly made it onto the first album, but we recorded this overproduced version that lost the magic of the song, so we cut it from the tracklisting.”
“We’ve still always played it when we see a piano and we play it live often, and it’s been a fan favourite for years, so we gave it another go for this album, keeping the production minimal, with hard autotune and vocoders, and we love how it turned out. It feels like it was always meant to sound like this. A sad robot who doesn’t understand their emotions—a perfect encapsulation of how I feel when I’m so restless I can’t breathe.”
The two partners in crime released their mighty debut album ‘Be Kind’ in 2019, deservedly shortlisted for Best Album at the Northern Irish Music Prize.
The band have since ignited a surge of new fandom, as excitement for their new album builds to fever pitch.
Recorded in their own custom-built studio during the daytime with coffees, focus, energy and time—“rather than trying to record 3 songs between 8pm and 5am when we could access the studio for free, which is what we did with the first album”— ‘The Whole Damn Cake‘ is a triumph of maximalism in every which way.
As official editorial playlist support from Spotify’s Discover Weekly, New Music Friday, Pop Hits, and more continues to build with each release, the next 12 months are sure to see Beauty Sleep continue on their skyrocketing trajectory.
Further live dates and details of the album will be announced over the coming months.
LIVE DATES
21/08/2025 – Hastings – Stade Hall (Queer Ass Folk Showcase)
20/11/2025 – Belfast – The Empire (album release show)
FFO: Mumford & Sons, Fleet Foxes, Simon & Garfunkel, Hozier, Bob Dylan
El Rey is a true DIY storyteller from Newry, in the North of Ireland – a voice shaped by grit, heart, and songs that punch through the noise. Born from the ashes of bands that fell apart and a dream nearly left behind, El Rey emerged with nothing but a promise to keep, a suitcase full of ambition, and songs that refused to stay quiet.
Chasing that spark, he moved to Manchester – busking on street corners, playing every open mic going, watching bands rise and fade. But instead of giving up, he built something new. Armed with a loop pedal and a hunger to be heard, El Rey crafted a sound with the weight and energy of a full band — raw, real, and impossible to ignore.
His musical career pre and post El Rey has taken him from back rooms to sold-out venues like Night & Day, Manchester’s Academy 3 & Club Academy, The Leadmill in Sheffield supporting RRC and onto the stages of Isle of Wight, Y Not, and Truck Festival.
He has had songs soundtracked on Radio X, BT Sport, Channel 4, and TV staples like Coronation Street, Hollyoaks, Come Dine with Me, World’s Strongest Man, and The Brit Awards.
El Rey has earned Track of the Week honors from Radio X’s Gordon Smart and John Kennedy, won the Manchester Pale Ale Refreshing Sounds competition (handpicked by Clint Boon of Inspiral Carpets), and appeared in a full Amazon Prime episode featuring his sold-out live show and story.
With hundreds of thousands of streams on Spotify and a growing cult following, El Rey is steadily building something real — with heart, hooks, and hustle and El Rey is just getting started.
Truth and Love Against the Force of Evil
“‘Truth and Love Against the Force of Evil‘ doesn’t demand a fight – it reminds you one is already happening, whether you noticed or not. And when the smoke clears, when the sky turns strange and familiar again, the only thing left standing might be us – if we remember who we are.”
“There’s a storm humming just beneath the static. Conspiracy theories ringing truer by the day. Governments and the mainstream media distracting you with one hand and funding genocide with the other and trying to cancel anyone who has the balls to speak up.”
“The guilty being pardoned, agendas being pushed, propaganda keeping us all divided, war hungry politicians run by globalists and people glued to their screens choosing to turn a blind eye and only one conclusion is that we need a revolution.”
“It’s not a sermon – It’s a spark. A hymn for the ones watching the world tilt, who still believe that truth and love aren’t obsolete technologies.” – El Rey
Dexterity is an alt/prog rock group, merging inspirations from progressive metal with alternative rock.
Dexterity emphasizes how unconventional rhythms and song structure can appeal naturally to the listener by combining those aspects with flowing melodies and grooves you can dance to.
The backline, provided by bassist Adrianna Matthews, drummer Alex Rose and guitarists Cian Somers and Nathan O’Maoilearca, ground the grooves in each of the songs to make the complicated rhythm and structure feel natural.
Dexterity has been active in Dublin’s rock scene for the last three years, and continues to engage audiences with dynamic live performances.
As engaging as it is unpredictable, new single ‘Raise The Dead‘ takes listeners paragliding through dynamic intensity and sonic cataclysms.
Irresistible rhythms, funky guitars, and haunting melodies combine to create a truly memorable tune. ‘Raise the Dead‘ was written about dealing with grief and loss, examining the experience of putting on a mask for others in order to function in the world.
About the new single, frontwoman and main songwriter Sarah Dexter says, “The mask isn’t real, it’s ethereal and struggles to maintain its shape. Sometimes the mask breaks to reveal what’s underneath.”
She goes on to discuss the journey of grief as at first, feeling nothing and wondering why. That feeling dissolves into blaming everyone who’s living, living in denial that someone is really gone, and desperately begging them to come back and be alive again.
Finally, there is experiencing moments of acceptance, or at least accepting the pain and feelings as they are – a sense of turmoil and turbulence that permeates throughout the track.
Jake Carter returns with his most joyful and personal release to date.
‘Old Friends’, co-written with long-time collaborators Mark Caplice and Wayne Farrell, is out now and marks another milestone in Jake’s evolving sound and career.
A heartfelt nod to his Liverpool roots, ‘Old Friends’ is a celebration of childhood memories, long-lasting connections, and the people who shaped us. The track radiates warmth and positivity, pairing nostalgic lyrics with Jake’s signature sound—where live, band-driven arrangements meet fresh pop production.
In Jake’s own words:
“Old Friends is one of the most joyful and personal songs I’ve ever written and recorded. It’s heartfelt reflection on my childhood in Liverpool, filled with nostalgic lyrics that never fail to bring a smile to my face.”
Produced by Jake’s long-time collaborator Richey McCourt—also behind his recent ‘Point of You‘ EP—the track builds on their creative chemistry building their signature Organic Pop sound – one that blends live, band-driven arrangements with contemporary pop influences.
Crafting a timeless sound drawing inspiration from iconic British bands like McFly, Take That, and The Beatles, while infusing a modern edge influenced by artists such as Tom Grennan and Niall Horan.
Referencing The Beatles directly in the lyrics, ‘Old Friends‘ pays homage to Liverpool’s legendary music heritage while bringing Jake’s vibrant, contemporary storytelling to the forefront.
See Jake Carter tour dates below:
July:
Friday 4th Gleneagle INEC Club Killarney,
Friday 25th The Betsy Swords, County Dublin
Saturday 26th AbleFest (Music Festival for All abilities), FairyHouse Racecourse
FFO: Jack White, Tom Waits, Pavement, John Lennon, Beck, etc.
“Brings a welcome edge to the Irish singer-songwriter milieu”– Hot Press
BIOGRAPHY
Born in Galway in the west of Ireland and influenced by artists such as Tom Waits, Devendra Banhart and Sufjan Stevens, Kevin Herm Connolly’s indie folk stylings have of late taken on a Latin and Mediterranean tint, due to his time spent living and travelling in South America and Spain. In fact, new single ‘Chango‘, as well as several more songs due for release later this year, were recorded in the latter country, between the cities of Valencia and Oviedo.
Having written his first song at the age of eight, Kevin played in a grunge band during his teenage years in Ballinasloe, Co. Galway.
Moving to Dublin to attend university, he joined the alt-country band El Diablo before releasing ‘Monsters’, the first collection of his own songs, under the name Herm. Ireland’s leading alternative music magazine (Hot Press) and radio station (Phantom FM) included it in their top ten Irish albums of the year.
This was followed up by ‘Make It Up’ in 2019, described as “accomplished and impressive” –(Hot Press) and “refined and contemplative”(Connacht Tribune), showcasing a development in Kevin’s songwriting from the quirky and edgy indie pop of his debut to a more reflective and organic approach.
Recent high points have included the success of single ‘Cariñito (English Version)’, a cover of the Peruvian cumbia classic, which led to features on several news programmes in that country, as well as recent tours around Spain, including his first concerts in the cities of Barcelona, Valencia, Cadiz, Santander, and many more.
IRISH TOUR DATES:
19.06 BEWLEY’S THEATRE, DUBLIN
09.08 THE OL’ 55, GALWAY
ABOUT THE SONG
“I originally came across the word ‘chango‘ in a song by the French/Spanish artist Manu Chao (“Papito”) and learned that it was a kind of slang term for “monkey” in Mexico. I have since found out that it’s also used in other parts of Latin America, with varying meanings (a bird, a fish, an exclamation, …).”
“For some reason, playing this guitar riff, the word kept coming to mind for the hook. I’ve been steeped in Latin American / Hispanic culture for the last number of years so I guess it was inevitable that this kind of bleed would start happening.”
“From there, it was one of those songs that fell together effortlessly, that almost writes itself. I quickly began road-testing it at gigs, thinking, I’ll sit down and really hone it later. However, it occurred to me that no more tinkering was needed, and I decided that I would record it as soon as possible.”
“At a session in Satelite Studios in Oviedo, Spain, a couple of months later (March 2025), I discovered that they had a gorgeous Gretsch electric guitar with a sound that was perfect for ‘Chango‘. I played through a couple of takes, without a click track and without much polishing afterwards. I wanted to ensure it maintained a raw, loose kind of vibe, a la artists like Jack White and Tom Waits. We added some sprinklings of bass guitar, banjo, Hammond organ and tambourine et voila.”
Irish folk powerhouse The High Kings have today released ‘The Rocky Road to Dublin – The Celtic Remix‘, a turbo-charged reimagining of the traditional classic that first won global attention after featuring in the hit 2024 film Sinners.
The song quickly became a viral fan favourite, sparking a resurgence of interest in Irish folk among new audiences worldwide. Now, with a driving Celtic beat and the unmistakable High Kings harmonies, the band brings a brand-new version of the song to life—one that’s set to electrify fans across generations and genres.
“Releasing this reimagined version of Rocky Road to Dublin is so exciting for us”,the band shared.
“We never expected the reaction Sinners had received, but it’s been incredible to see so many new fans across the world connecting with Irish folk music in such a big way. Our Celtic remix takes things up a notch—it’s bold, energetic, and hopefully it’s exactly what they’ve been waiting for”.
This latest release follows the band’s chart-topping 2023 album ‘The Road Not Taken‘, which has already surpassed 14 million streams and topped folk and independent charts across Europe and North America.
The single also builds on the success of previous cross-genre collaborations, including the platinum-certified remix ‘Step It Out Mary‘ with Irish DJ Fahri Mac, and further cements The High Kings’ reputation as fearless innovators in the folk music space.
ABOUT THE HIGH KINGS
For more than 15 years, The High Kings have been leading a global resurgence of Irish folk music, captivating audiences with their rousing harmonies, infectious energy, and unmistakable Celtic spirit. Originally brought together to carry forward the storytelling legacy of Ireland’s great balladeers, the group has evolved into a worldwide phenomenon, blending traditional roots with bold contemporary flair. Their influence has stretched far beyond the stage, positioning them as cultural ambassadors for Irish music and identity.
Over the years, The High Kings have performed for global dignitaries including U.S. Presidents Barack Obama and George W. Bush, the British Prime Minister, and crowds of up to 30,000—most notably at Notre Dame Stadium in 2024.
From headlining the Isle of Wight Festival to lighting up Glastonbury, Times Square, and London’s Trafalgar Square on St. Patrick’s Day, their live performances are as legendary as their studio work.
Their eighth studio album, ‘The Road Not Taken‘, marked a pivotal moment in the band’s journey—debuting at #1 in Ireland’s independent charts, topping iTunes charts in multiple countries, and earning them over 1.6 million monthly Spotify listeners.
Collaborations with global stars such as Journey’s Steve Perry, jazz icon Jon Batiste, and Irish legend Mary Black have expanded their reach, while staying true to their core mission: celebrating Irish heritage through powerful, modern folk music.
Now entering a new chapter with the Step It Out World Tour, The High Kings continue to redefine the genre—breathing fresh life into time-honored songs, while bringing Irish culture to sold-out stages across the globe.
